Fred Hersch has long been acclaimed as an exploratory artist, an
outspoken activist, an influential educator and a uniquely revelatory
and lyrical pianist. As one of the most expressive voices in modern
jazz, Hersch has never been shy about letting listeners glimpse his most
intimate thoughts and emotions. In September, however, Hersch's fans
will be treated to even deeper, more revealing insights into the story
of the renowned pianist when he publishes his much-anticipated memoir,
Good Things Happen Slowly: A Life In and Out of Jazz. As a companion
piece, Hersch decided to present an equally direct and vulnerable
glimpse into his private musical thoughts with his 11th solo release,
Open Book.
The seven pieces on Open Book (out September 8 on
Palmetto Records) offer some of the finest, most unguardedly emotional
solo music that Hersch has created in a career unique for its profound
poignancy and passion. Recorded in a South Korean concert hall on a
superb Hamburg Steinway concert grand piano, the album captures the
vital essence of the revelatory adventurousness and intense beauty that
have made Hersch one of the most important solo artists in jazz. With
more than 40 albums to his credit as a leader or co-leader, Hersch
remarkably continues to discover new areas of inspiration and depths of
feeling.
For the last two and a half decades I've been pretty
open about who I am, what I like and what I m dealing with at times,
Hersch says. But I've always got to dig deeper, and I thought this might
be a chance to make an album that s a window into the kinds of things
that I play at home or don t play in public all that much.
The
album arrives during a momentous month for Hersch. On September 12, the
esteemed publishers Crown Archetype (Penguin Random House) will release
Good Things Happen Slowly, Hersch's bravely confessional memoir. The
book covers the pianist s meteoric rise in jazz from his sideman days
alongside masters like Art Farmer and Joe Henderson to his gradual
recognition as one of the most individualistic and innovative artists of
his generation, a ten-time Grammy Award nominee and winner of countless
accolades including being named a 2016 Doris Duke Artist as well as the
same year s Jazz Journalists Association Pianist of the Year. But it
also frankly reveals his story as the first openly gay, HIV-positive
jazz musician, tracing his path through hedonistic post-Stonewall New
York City to the dramatic two-month medically induced coma in 2007 from
which he emerged to make some of the most stunning and captivating music
of his career.
Later that month Hersch will reprise his
ambitious Leaves of Grass full-evening piece at Jazz at Lincoln Center's
Appel Room, the first time the song cycle has been performed in New
York City since 2005. Vocalists Kurt Elling and Kate McGarry will
reprise their roles from the original project, which sets the verse of
American bard Walt Whitman. The legendary poet s timeless ode to the
miracle of nature and openhearted love of all beings seems especially
vital in our present socio-political moment.
The centerpiece of
Open Book, and the spark that ignited the album, is the nearly 20-minute
improvisation Through the Forest. Unique in Hersch's extensive
discography, the stream-of-consciousness gem is a miniature masterpiece
of narrative development, a compelling journey through an abstract,
glimmering landscape, revealing that in his early 60s Hersch continues
to take creative risks and daunting inventive leaps.