Showing posts with label Obituaries. Show all posts
Showing posts with label Obituaries. Show all posts

Monday, March 21, 2022

USA: Rest in Peace Dennis Gonzalez 1954-2022



Texas and the world are marking the passing of Dallas musician, teacher, radio DJ and visual artist Dennis Gonzalez who died March 15 2022.

On Tuesday, his son Stefan announced the news of González's passing on social media:

“I'm so sorry to inform you all, family, friends, fans of the music, fellow creatives that our Father, Grandfather, husband, force of love and light, educator, musician, artist, and beloved Shaman, Dennis Gonzalez has left this plane of existence,” Stefan posted on Twitter. “He didn't do it without a fight and was channeling positivity until the very end."

The jazz trumpeter, who toured, recorded and produced music internationally was also a public school educator in Dallas, encouraging creative movement within the music he taught and performed. In addition, Mr Gonzalez also kept a decades long jazz radio program going on radio station KERA called MILES OUT and forged an Oak Cliff based nonprofit, La Rondalla, to provide students access to musical instruments.

He instilled similar values in his sons, Aaron (who plays double bass) and Stefan (who plays drums and percussion) spending a lifetime playing jazz and experimental music with them and many other while making contributions to the community through education and youth programs as a family.

Dennis Gonzalez is survived by his wife, Carol, sons Aaron and Stefan, granddaughter Issy and friends worldwide.


Friday, April 17, 2020

USA: OBITUARY: Leon Konitz (October 13, 1927 – April 15, 2020)

Leon Konitz died during the 2019–20 coronavirus pandemic
 due to complications brought on by COVID-19.




Sunday, April 5, 2020

USA: OBITUARIES: Bucky Pizzarelli (1926 – 2020), Wallace Roney (1960-2020)


He died on April 1, 2020, from complications to Covid-19

Wallace Roney died at the age of 59 on March 31, 2020, at St. Joseph's University Medical Center in Paterson, New Jersey. The cause was complications arising from COVID-19

Thursday, April 2, 2020

USA: Obituary: Ellis Marsalis died at the age of 85

On April 1, 2020, American jazz pianist and educator Ellis Marsalis died at the age of 85 after being hospitalized with COVID-19


Saturday, January 26, 2019

FRANCE: Micfel Legrand (1932-2019)


Michel Legrand, piano & vocal Frank Smith, electric bass Tom Haberman, drums

Tuesday, April 24, 2018

USA/BRAZIL: Dona Ivone Lara's last recording

Dona Ivone Lara recorded her last two recordings in collaboration with the American singer Alexandra Jackson, on the album “Alexandra Jackson: Legacy & Alchemy” which pays homage to the great Brazilian music’s legacy and perpetuates Dona Ivone Lara’s biggest compositions in the songs “Sonho Meu” and “Força da Imaginação”.

The singers (Dona Ivone and Alexandra) are accompanied by the most prominent names of the Brazilian and American music such as Pretinho da Serrinha, Arthur Maia, Ricardo Silveira, Max Viana, Marcelo Camargo Mariano, Chris Walker, Darryl Tookes, and Curtis King. The songs were mixed in Los Angeles by GRAMMY Award winning engineer Ed Cherney. An EP was released in 2017; the full length drops May 25, 2018. 

Robert Hebert, President of Legacy and Alchemy issues this statement: “We are saddened by the loss of Dona Ivone Lara. She was a light onto the world and, a great treasure of Brazilian music. We have been motivated for 3 years to tell her great story to the world. We have felt a great responsibility to do that. We will not let her down.”

Alexandra Jackson issues this statement: “I am incredibly saddened to hear of the loss of our Queen of Samba, Dona Ivone Lara. She was a legend, an inspiration, a pioneer, and a fighter. Even fighting to reach her 97th birthday, just a few days ago. I am humbled and honored that she gave her voice to Legacy & Alchemy, singing with me; and I will forever remember her dearly. My deepest condolences and prayers go out to her loved ones, and everyone who was
touched by her spirit, just as I was.”

The vocals of Dona Ivone Lara were recorded in Rio de Janeiro in December 2015. “Sonho Meu” is a classic Dona Ivone Lara song that Max Viana suggested. Max Viana and Robert Hebert produced the song in Rio de Janeiro. Backing Vocals by Alexandra Jackson, Chris Walker, Darryl Tookes and Curtis King were recorded in New Jersey in January 2016. Alexandra’s Lead Vocals were recorded in Rio de Janeiro in February 2016. 

“Força da Imaginação” is a Dona Ivone Lara-Caetano Veloso song that Robert Hebert and Max Viana also produced and arranged for the álbum. Dona Ivone’s appearance of course signal the
“LEGACY” of this music. Also, it is noteworthy that the appearance of Pretinho da Serrinha (considered part of the next generation of Samba) presents the “ALCHEMY” of our musical
vision.



Sunday, April 16, 2017

UK: Allan Holdsworth (August 6, 1946 - April 16, 2017)


Allan Holdsworth @ Alvas Showroom Apr 3rd 2017
This is Allan Holdsworth's last performance. Sadly, he passed today, Apr 16th.

Wednesday, September 14, 2016

USA: Bob Kindred Memorial Sunday, October 2nd 12:30 – 3:30 pm @ Café Loup


BOB KINDRED MEMORIAL
Honoring the life and music of
Bob Kindred (1940-2016)

With The Steve LaSpina Trio,
Ron Affif, Matthew Fries,
and all who would like to sit-in.

Sunday Brunch    Oct. 2nd   12:30 – 3:30

Café Loup   105 West 13th St. NYC
www.cafeloupnyc.com

 




http://www.krbd.org/2016/08/24/jazz-saxophonist-bob-kindred-dead-at-age-76/

Jazz saxophonist Bob Kindred dead at age 76

by Maria Dudzak
Bob Kindred
Bob Kindred
 
Jazz saxophonist Bob Kindred died August 15th in Nashville, Tennessee. He was 76. Kindred was well known in the Ketchikan jazz community, performing at First City Players Jazz and Cabaret Festival for more than a dozen years. Several Ketchikanites who knew Kindred shared their memories of him.
 
Bob Kindred was best known as a tenor saxophone player, but his first instrument was the clarinet. His father did not want him to pursue a career in music, so Kindred studied business and had a successful business career. At the age of 30, he heard Phil Woods in concert and decided to take up playing again. He studied with Woods for several years. At a time when the popularity of big band music was fading, Kindred was able to succeed, playing with the Glenn Miller and Woody Herman tribute bands, among others.
 
Since the early ‘90s, local theater group, First City Players, has held jazz and cabaret workshops. Elizabeth Nelson, Artistic Director of First City Players, says Anne Phillips was brought in about 1999 or 2000 to conduct vocal workshops. Phillips was married to Kindred at the time, and suggested he come the next year to conduct instrumental workshops. Nelson says the instrumental workshops lasted only a few years, but Kindred continued to return, backing vocalists.
 
“It was an astounding thing to listen to. When he was at his best, to sing with him, it was really having a conversation. It was just a musical conversation and he would listen to every single way you would inflect a lyric and he could answer that back sensitively. Really just beautiful in that way.”
 
Nelson says during jazz and cabaret week, guest artists visit the local elementary schools.
 
“He could be so much fun. He could make the kids laugh. The last day, when we do the concert for the school, we always bring our guest artists in, so Bob would be part of that, and would just make the kids giggle with the sounds he could make through his saxophone and then they would just be rapt when he would play.”
 
In 2010, guest artists Bob Kindred, Anne Phillips, Paul Meyers and Matt Perri were recognized as honorary citizens of Ketchikan for their work in the schools and contributions to the jazz community. The proclamation was signed by City Mayor Lew Williams III.
 
Baritone saxophonist Lynn Caldwell recalls first meeting Kindred. Caldwell was in his garage playing when there was a knock on the door at about 9 pm.
 
A copy of the proclamationhonoring Jazz and Cabaret week and guest artists.
A copy of the proclamation honoring Jazz and Cabaret Week and guest artists.
 
“He said, ‘I heard some baritone sax in here. Are you kidding me?’ Those were his exact words. ‘Are you kidding me?’ He was truly blown away by the fact that he comes to Ketchikan, he’s living right there, no clue at all there was even a baritone sax player in town.”
 
Kindred was staying at a bed and breakfast across the street and had heard Caldwell playing. They became fast friends and played together often, Kindred on the tenor saxophone, and Caldwell on the baritone. Caldwell says he had never played with a professional musician before, and learned a lot from Kindred.
 
“He taught me so much about the instrument – about mouth pieces, about reeds, about breath control. He couldn’t practice for me, and I was still being lazy about learning scales and chords, but it really improved my playing. Particularly the sound. That’s all I really cared about anyway. I loved the sound of the baritone.”
 
Caldwell says Kindred had cancer about 20 years ago and wasn’t expected to live more than 10 years. He says Kindred had many other health issues, made worse by a drinking problem and bad habits.
 
“He didn’t complain much. A lot of people didn’t even know those things about him. But it seems like it was such a waste for this great man to not be able to make more of a contribution than he was by getting his life under control.”
 
Trumpet player Dale Curtis met Bob Kindred and Anne Phillips at the Fairbanks Summer Arts Festival. When they came to Ketchikan, Curtis played with Kindred in the Jazz and Cabaret Festival band. They also would just get together to play.
 
“I’ve been playing my whole life, and I’ve got a lot of professional experience, and I know a lot of tunes, and so does he. We’d just get together and play these tunes that we both know, and we both had such a similar style. For me it was really easy, phrasing, and I kind of knew what he was going to do. It made it easy.”
 
In 2011, Curtis recorded an album “Bridge to Nowhere,” at Bennett Studios in New Jersey. The members of the Dale Curtis Quintet were Curtis, guitarist Paul Meyers, bass player Christian Fabian, drummer Ed Littlefield, and Kindred on saxophone and clarinet.
 
“He asked me if he could do this song called ‘Tenderly’ by himself. So I let him do that and I’m glad I did because it’s just amazing, his approach to that. Such a beautiful player and beautiful guy. He will be missed.”

“He was always so gracious and so kind to other musicians. A good man.”
 
Kindred lived in New York for many years but moved to Nashville about two years ago. Curtis says he spoke with Kindred about a month ago and, despite his health problems, Kindred continued playing and was still booking gigs.











Tuesday, August 16, 2016

USA/OBITUARY: Bobby Hutcherson, Jazz Vibraphone Modernist, Has Died

Bobby Hutcherson, a vibraphonist whose improvising and composition helped to define modernity for jazz as a whole, has died. He had long struggled with emphysema. He was 75.
Bobby Hutcherson's new album on Blue Note Records is Enjoy The View.

As a mallet percussionist, he expanded the scope of what was possible on his instrument. And the sound he created was widely influential.
NPR

Saturday, August 15, 2015

USA: SAVE THE DATE: ETTORE STRATTA MEMORIAL @ UNIVERSALIST SOCIETY MONDAY, SEPTEMBER 28TH 6:00 - 9:00 PM

SAVE THE DATE:   ETTORE STRATTA MEMORIAL @  UNIVERSALIST SOCIETY MONDAY, SEPTEMBER 28TH
6:00 - 9:00 PM

160 Central Park West @ 76th Street
New York City 10023

Heartfelt Remembrances, Musical Tributes, Reception
 
Below the life and career of Maestro Stratta. 
Apologies if you've received the release before.
Do feel free to alert others who befriended Ettore  and /or appreciated his great talent.
- Pat Philips Stratta

ETTORE STRATTA RENAISSANCE MUSIC MAN “Pioneer of Crossover” CONDUCTOR, PRODUCER, PIANIST, COMPOSER PASSED AWAY JULY 9TH at 82


Maestro Ettore Stratta arrived in America from his small town in northern Italy, Cuneo,  when he was in his 20’s, inspired by America’s movie musicals and Jazz.   He was a gifted musician from the age of 5, went on to have his own band in Italy, got a hold of smuggled American Jazz recordings during the war and set his sights on the US after seeing a Duke Ellington concert.   He also studied conducting at the Santa Cecilia Conservatory in Rome as well as piano and composition,  packed up with barely any money, spoke several languages, and headed for New York.
 
He came by boat, landed in New York City,  boarded at the YMCA,  and tried to land a job.  After knocking on Columbia’s personnel door , they finally sent him to the Long Island  pressing plant for a short time. From there, he moved to the main office where the great Goddard Lieberson realized his talent and placed him in the A & R Department where he produced hundreds of recordings including Barbra Streisand (3 Gold Records), Dave Brubeck, Tony Bennett, Nini Rosso, Andy Williams, Steve and Eydie and traveled the world producing recordings of “Fiddler on the Roof”, “The King and I”, “My Fair Lady” (all in Hebrew)..and many more.  He became the Head of Columbia International  , always the ultimate music man. Maestro Stratta had his own orchestra called “Fantasy Strings” with over 25 recordings of some of the American Songbook’s greatest compositions. 
 
As “The Pioneer of Crossover”, he created “Switched on Bach” (for CBS) and then went out on his own and produced historic crossover recordings which he also conducted:  “Symphonic Tango”, “Symphonic Bossa Nova”,”Symphonic Boleros” (Teldec) with The Royal Philharmonic Symphony Orchestra, arrangements by Jorge Callandrelli,  Top artists such as Al Jarreau, Dori Caymmi, Hubert Laws, Paquito  D’Rivera, were included in these recordings , part of his signature of ‘crossover’.  He was a master when it came to repertoire for such recordings.  Maestro Stratta also conducted for the London Symphony, Melbourne Symphony,  Adelaide Symphony Orchestra, St Lukes Symphony Orchestra, L’ Orchestra de Lille in France, a George Duke symphony and many more.
 
Other masterpieces were with Placido Domingo, Jose Cura (Bway with orchestra), Sumi Jo (Bway with orchestra) which sold over a millions copies, Eddie Daniels’ “Breakthrough” (GRP), Emmanuel Ax  with Pablo Ziegler (Sony),    Yo-Yo Ma and Stephane Grappelli (Yo-Yo’s first outside venture… Classical to Jazz - Sony).  Other greats were Chanticleer with orchestra, Justino Diaz singing Mozart Arias with English Chamber Orchestra, The Four Seasons Vivaldi and so many more.  He also fought for the Classical Crossover category for the Grammy’s of which he was a Trustee and Governor for many years and succeeded.
Other recordings and conducting were with Tony Bennett “The Art of Excellence”, Lena Horn’s “The Men in My Life” (which included Sammy Davis Jr. and Joe Williams), Cleo Laine, Diahann Carroll, Maureen McGovern, Sissel, Dave Grusin, Julio Iglesias, Linda Eder, Claus Ogerman  w. Jean-Yves Thibaudet, Hank Jones, Chaka Kahn, Dick Hyman, Nancy Wilson, Ramsey Lewis, Toots Thielemans, Dionne Warwick, Roland Hanna, Judy Garland, Dave Grusin, Eddie Daniels,  and so many more.  Maestro Stratta, the ultimate renaissance music man conducted for Michel Legrand for 10 years, Stephane Grappelli for 25, and for George Duke’s orchestral piece.
 
Ettore Stratta composed many pieces of music, one notable was “Forget The Woman” recorded by Tony Bennett and many others and has become part of the Great American Songbook . 
 
In 1986, Maestro Stratta was nominated for the Wavendon Allmusic Awards for Conductor of the Year alongside Leonard Bernstein and  Andre Previn.  He won first prize at the Castlebar International Festival for the instrumental composition award and received 3 Grammy nominations.  He was Musical Director in England for major concerts with Gregory Hines, Nancy Wilson, Stephane Grappelli, Vic Damone, Michel Legrand, Rita Coolidge and others.
 
Ettore Stratta  partnered with Producer Pat Philips in 1988 forming Stratta Philips Productions.  While he was still producing recordings, they went on to present major musical concerts at Carnegie Hall , Avery Fisher Hall, Rose Hall and other prestigious venues around the country, paying tribute to Stephane Grappelli upon his 80th birthday,  George Shearing’s 80th, Toots Thieleman's 80th, Paquito D’Rivera’s 50 years in the business, Oscar Peterson’s Tribute,  Regina Carter’s Paganinni concert, The Nicholas Brothers Tribute, Antonio Carlos Jobim’s last major concert, plus a series of Brazilian music projects called “All Jobim and More” one of which Bernard Holland of the NY Times wrote “The music of Antonio Carlos Jobim ….gives hope that taste, simplicity, and lyrical invention may yet survive”.  He married partner Pat Philips in 1999.
 
 They created Absolut Concerto at Avery Fisher Hall with major symphony orchestras and commissioned composers on the rise such as John Adams, Christopher Rouse, and Alan Jay Kernis.  Ettore Stratta, along with his partner, has been producing the successful Django Reinhardt Festival.

Maestro’s musical knowledge brought together many well-known musicians from Jazz to Classical to Pop to create extraordinary music  that was original and musically brilliant.  His music will live on forever.
 
Ettore Stratta was a class act all the way, a beloved  man by his peers for his integrity, charm, warm personality, humor, was humble  and talented.  In his loving family,  he leaves behind his wife Pat Philips Stratta, his sons Paul and Luca, stepsons Brad and Evan, three daughter-in-laws Carla, Radia, and Ashley, and 5 grandchildren, Manuka, Isabella, Sophie, Rianne, and Luke.

For more Info:  patmusic2@gmail.com  

Thursday, June 25, 2015

USA: Gunther Schuller, Pulitzer-winning jazz and classical musician, dies aged 89

Schuller’s major orchestral works include Symphony (1965), Seven Studies of Paul Klee (1959) and An Arc Ascending (1996). He composed two operas: The Visitation (1966), based on a Franz Kafka story; and the children’s opera The Fisherman and his Wife with text by John Updike, derived from the Grimm fairytale.
His noted Third Stream-style compositions include Transformation for Jazz Ensemble (1957), Concerto for Jazz Quartet and Orchestra (1959) and Variants on a Theme of Thelonious Monk (1960).
In 2008, Schuller was named a Jazz Master by the National Endowment for the Arts, the nation’s highest jazz honor. Earlier this year, the MacDowell Colony, a prestigious artists’ residence program, awarded him its lifetime achievement award “for setting an example of discovery and experimentation” as a composer and teacher.
Guardian news

Friday, July 11, 2014

Charlie Haden passed away today at 10:11 Pacific time in Los Angeles


It is with deep sorrow that we announce that Charlie Haden, born August 6, 1937 in Shenandoah, Iowa,  passed away today at 10:11 Pacific time in Los Angeles after a prolonged illness. Ruth Cameron, his wife of 30 years, and his children Josh Haden, Tanya Haden, Rachel Haden and Petra Haden were all by his side.
Tina Pelikan

ECM Records Publicity

 
Keith Jarrett: piano
Charlie Haden: double bass

Keith Jarrett and Charlie Haden broaden the scope of their duo project to showcase jazz classics like Thelonious Monk’s “’Round Midnight” and Bud Powell’s spritely “Dance Of The Infidels”. Love songs, however, are to the fore in this selection, with tender versions of “My Old Flame”, “My Ship”, “It Might As Well Be Spring”, “Everything Happens To Me”, and “Every Time We Say Goodbye” as well as versions of “Where Can I Go Without You” and “Goodbye” which are every bit as touching as the Jasmine renditions. “When we play together it’s like two people singing”, said Jarrett of his reunion with Haden. The intentions of the song are honoured, the shades of meaning in a melody or a lyric explored instrumentally. As Charlie Haden put it, “Keith really listens, and I listen. That’s the secret. It’s about listening.” The music of Last Dance was recorded at Keith Jarrett’s home studio

ECM

Friday, December 13, 2013

Pianist and Educator JIMMY AMADIE Passes Away at Age 76 After Long Battle with Cancer

Pianist and Educator JIMMY AMADIE Passes Away 
at Age 76 After Long Battle with Cancer

Photo Credit: Danny Miller
  

Jimmy Amadie, the celebrated Philadelphia pianist and educator known for his contributions in improvisational jazz theory, passed away on December 10, 2013 in Philadelphia, PA. He was 76. His death comes after being diagnosed with lung cancer in 2007.

Amadie was known not only for his supreme musicality, but also for his unrelenting fighting spirit. As a rising jazz pianist in the late 1950s, Amadie toured with the Woody Herman Band, accompanied Mel Torme, and played with some of jazz's greatest musicians including Coleman Hawkins, Red Rodney, and Charlie Ventura (taking over piano duties from Dave McKenna). He led the house band at the Red Hill Inn in New Jersey, and briefly at the Copacabana in New York. But just years into what promised to be an exciting career as a leading jazz pianist, his performing career ended. Hours and hours of playing and practice - Amadie recalled spending 70 to 80 hours a week at the piano - took its toll on his hands. He developed a devastating tendonitis condition, which caused him great pain when he would play.

As music critic Francis Davis wrote "his hands simply gave out on him. To understand how this could have happened, you need to know something about Amadie's psychic makeup. He doesn't know when to quit. In the long run, this has been his salvation. But it was also once his undoing."

Refusing to quit, Amadie immersed himself in teaching and jazz theory, and went on to become one of the country's leading jazz educators, writing two highly influential books on jazz theory, Harmonic Foundation for Jazz and Popular Music (1981) and Jazz Improv: How To Play It and Teach It (1990). He led master classes at the Berklee College of Music in Boston and at Villanova University in Philadelphia, and taught students in his Bala Cynwyd home (including Kurt Rosenwinkel, John Di Martino and famed TV composer Edd Kalehoff).

But he never turned his back on the piano. The physical limitations bestowed on him were no match for his determination to fight through the pain. After seven surgeries and grueling physical therapy, Amadie was able to extend the amount of time he could play. He had only a few precious minutes a day at the piano before the pain in his hands forced him to stop, but he kept himself in shape with what he described as mental exercises, playing tunes in his head, conceiving harmonies and solos note for note in all keys, and constantly analyzing the melodic content of his playing.

Amadie with Hank Jones
In 1994, Amadie installed recording equipment and began recording himself at his home, recording a few minutes at a time followed by long periods of rest. This led to his first CD Always With Me, a solo piano recording which took him two years to complete, released in 1995, nearly three decades after he had retired from performing. Eventually, Amadie produced a series of nine CDs, featuring guest performers Joe Lovano, Benny Golson, Phil Woods, Lew Tabackin, Randy Brecker and Lee Konitz. Drummer Bill Goodwin and bassist Steve Gilmore, followed by Tony Marino, completed the rhythm section for Amadie's trio.

44 years after the last time he played in public, Amadie prepared himself to do what was once a shattered and forgotten dream, to play live again in concert. On October 14, 2011, in the Grand Hall of the Philadelphia Museum of Art, The Jimmy Amadie Trio performed a spectacular evening of music. "That was one of the happiest days of my life," Amadie said of the performance, "it was like a rebirth." The concert was released as an album the following August, and was broadcast on WHYY, Philadelphia's public television station. A 30-minute documentary on Amadie produced by Villanova University, Get Me a Fight, was released shortly after.

Don Lucoff, Amadie's friend, publicist and neighbor, arranged the Art Museum performance.  "Jimmy never underestimated his role as the ultimate underdog competing with other players who did not face the physical challenges that were thrown his way" Lucoff said.  "But in the face of impossibility, time and time again, he proved that no matter how hard you hit him in the ring, he always got back on his feet. His life's work is a testament to the unlimited power of the human soul, and what can be overcome in the face of adversity. Perhaps Jimmy's greatest lesson to us all was to always strive for that one moment when we feel alive the most. All the work and dedication by the time we get there makes it all worth it, even if for a little while." 
 
"It was inevitable that Jimmy would return to playing and eventually record" according to his long-time friend and former piano student Danny Miller, the Executive Producer of NPR's Fresh Air. "His persistence and obsession with playing - the very qualities which got him into trouble in the first place when he pushed himself to play so many hours - were the qualities that allowed him to claw himself back into playing at a level few other players attain. His playing was eloquent, rich and distinctive. You knew it was Jimmy."

Amadie was born on January 5, 1937 in Philadelphia, PA. He was a star athlete as a young man, excelling in football, baseball and boxing. His competitive nature and fighting spirit continued to drive him forward as a musician, and later in life when confronted with injury and disease.

Amadie is survived by his wife of nearly 49 years, Lucille Amadie, whose love, encouragement and support enabled him to accomplish his life's work; sister Arlene Marinari and brother Ralph Amadie.

A memorial gathering will be held on Saturday, December 21 at 1:00pm at The Church of St. John, 404 Levering Mill Road, Bala Cynwyd PA, 19004.

Donations may be sent to:

The Jimmy Amadie Academy for Jazz
c/o The Office of Music Activities
Villanova University
800 E Lancaster Lane
Villanova, PA 19085


For more information on Jimmy Amadie, please visit: JimmyAmadie.com  

For national media inquiries, please contact:
DL Media· 610-667-0501
Don Lucoff ·  don@dlmediamusic.com
  

Information and press materials (including album covers, promotional photos and bios)  
on all DL Media artists can be found at our new website: dlmediamusic.com

Tuesday, December 10, 2013

Jazz guitarist master Jim Hall dies at 83


NEW YORK (AP) — Jim Hall, one of the leading jazz guitarists of the modern era, whose subtle technique, lyrical sound and introspective approach strongly influenced younger proteges such as Pat Metheny and Bill Frisell, died early Tuesday at age 83, his wife said. (More...)

Tuesday, October 1, 2013

Celebrated Brazilian Guitarist/Arranger/Composer OSCAR CASTRO-NEVES Died in Los Angeles, September 27

Mack Avenue logo
Photo Credit: Curtis McElhinney

Oscar Castro-Neves, the celebrated Brazilian guitarist, arranger, and composer, died from complications of gastric cancer on Friday, September 27 in Los Angeles, California. He was 73-years-old.

Six decades of accomplishment and musical acclaim have demonstrated an inherent musical genius that has made Castro-Neves one of the world's most complete musicians of his generation. His native country, Brazil, honored him with title of "Officer of the Order of Rio Branco" in recognition of his outstanding contribution to the dissemination of Brazilian culture and music around the world.

Castro-Neves recorded as a Mack Avenue Records artist from 2003 until 2006, releasing All One and Playful Heart on the label. 

The guitarist (born on May 15, 1940 in Rio de Janeiro) emerged in the early 1960s alongside Antonio Carlos Jobim, João Gilberto and a handful of other young composers, as one of the founding figures of the musical movement that became known worldwide as bossa nova. At the age of 16, Castro-Neves' first recorded song, "Chora Tua Tristeza," became a national hit in Brazil, and generated over fifty recordings by various artists. In 1962, a year before "The Girl From Ipanema" became a Top 10 hit, 22-year-old Castro-Neves' spearheaded the bossa nova invasion in the U.S., playing a central role as a performer at the historic debut bossa bova concert at Carnegie Hall.

Castro-Neves' quartet then toured in the company of the Dizzy Gillespie Quintet, the Stan Getz Quartet, and the Lalo Schifrin Trio, and in 1971 joined Sergio Mendes' Brazil '66 group as the featured guitarist, musical director and vocal coach. When he left the group in 1981, he had recorded more than 15 albums with Mendes, several of which he co-produced.

Castro-Neves performed as a guitarist on countless jazz and pop albums, including records from Ella Fitzgerald, Michael Jackson, Barbara Streisand, Stevie Wonder, Barry Manilow, and Quincy Jones. His greatest commercial success came as a producer, with credits including: Grammy® winning cross-over album Soul of the Tango by Yo-Yo Ma; Color and Light: Jazz Sketches on Sondheim, a Top Jazz Album of the Year by Billboard Magazine and among the 10 Best Albums of the Year by Time Magazine; Joe Henderson's Grammy® nominatedDouble Rainbow: The Music of Antonio Carlos Jobim; Harry Belafonte's platinum-selling album The Tradition of Christmas; as well as records by Toots Thielemans, Stan Getz and Paul Winter.

His film score credits include arrangements and orchestrations for Blame it on Rio, featuring Michael Caine and Demi Moore; Dirty Rotten Scoundrels; L.A. Story; Sister Act II; House Sitter;Dunston Checks In; He Said, She Said; Getting Even with Dad; and Gabriella; along with numerous television credits.

Castro-Neves is remembered for his indefatigable enthusiasm, an infectious charm, and a passion for humanity that touched many. He is survived by his wife Lorraine, and two daughters, Felicia and Bianca. 


Read the Full Obituary from The Los Angeles Times
 
For more information on Oscar Castro-Neves, please visit: oscarcastroneves.com
  
For national media inquiries, please contact:
DL Media· 610-667-0501
Don Lucoff· don@dlmediamusic.com

 
MACK AVENUE ·  the road to great music ·  mackavenue.com    

Information and press materials (including album covers, promotional photos and bios)  
on all DL Media artists can be found at our new website: dlmediamusic.com

Sunday, July 21, 2013

Jazz Pioneer Carline Ray Passes at 88

Jazz Pioneer
Carline Ray
Passes at 88

Carline Ray Russell April 21, 1925 - July 18, 2013
 
 
Carline Ray, one of the great jazz pioneers, an activist in women's rights, a performer and educator, and an active member of Saint Peter's Church, died at Isabella House in Manhattan on July 18, 2013.  She was 88 years old.

Carline is survived by her daughter, Catherine Russell, also a great musician, her sister Irma Sloan, and nieces, nephews, and cousins.

Carline Ray was born 21 April 1925, New York City, New York, USA.

Although her father, Elisha Ray, was a gifted musician, he had been unable to find steady employment in music. Even so, he played with James Reese Europe's band and was also offered work with the New York Philharmonic. Carline herself sang and played piano, and at the age of 16 entered the Juilliard School of Music, from which her father had graduated in 1925. While at Juilliard, Ray studied composition and she also first played jazz, joining Edna Smith, a fellow student and bass player, gradually becoming adept on this instrument.

 In 1946, upon graduating from Juilliard, she and Smith joined the International Sweethearts Of Rhythm. In addition to playing guitar with the band, Ray also sang. In 1948, after the Sweethearts disbanded, Ray joined Erskine Hawkins And His Orchestra as a singer but also played guitar rather than simply sitting idle between vocal numbers. After the Hawkins engagement, Ray and Smith teamed up with fellow Sweetheart Pauline Braddy to form a trio that played in New York clubs, including one managed by pianist and Orchestra leader, Luis Russell, whom Ray married in 1956. At this time, Ray added the Fender bass to her growing arsenal of instruments and she and Smith would sometimes switch instruments. In addition to working with the trio, Ray also played with various other bands, in particular a Latin band led by pianist Frank Anderson.

She continued to study, gaining a master's degree in voice in 1956. Throughout the next two decades Ray worked constantly, singing and playing all the instruments upon which she was proficient, in a wide variety of musical settings. In 1981 she was awarded a grant to study the acoustic bass under renowned jazzman Major Holley. Comfortably adapting to the differing demands of jazz, popular music, classics, and choral works, Ray was a complete professional, finding in music a lifetime of challenge and fulfillment. Some of her performing credits as bassist include working with Sy Oliver Orchestra, Duke Ellington Orchestra directed by Mercer Ellington, pianist/composer Mary Lou Williams, trombonist-composer Melba Liston, and singer Ruth Brown. Nevertheless, Carline met her share of the prejudice that greets women in jazz. As she remarked to author Sally Placksin, '... I would rather be taken seriously as a musician, and the fact that I'm female - I just happen to be female, that's all'.

In 2005, Carline was the recipient of the Kennedy Center’s Mary Lou Williams Women in Jazz Festival Award, and in 2008, she received an IWJ (International Women In Jazz) Award.

Carline is also featured in the documentary film 'The Girls in the Band,' directed by Judy Chaikin and in 2013 she released her debut recording produced by her daughter Catherine Russell, Carline Ray "Vocal Sides".

Carline's memorial liturgy will be held at Saint Peter's Church later this Fall where her ashes will be inurned.



Carline Ray – Vocal Sides  What they are saying / Review Clips:
“the album (produced by Ms. Russell) is highlighted by two stunning duets by mother and daughter”
—Will Friedwald, Wall Street Journal

"Her voice is simply magnificent...with a stunning version of Duke Ellington's "Come Sunday". Highly Recommended." - Thomas Cunniffe, jazzhistoryonline.com

"She sings a recital that spans jazz time, that is, across time, styles, periods, the whole of the music's history. Vocal Sides is a masterful achievement." 
- C. Michael Bailey, All About Jazz.com

"the album (produced by Ms. Russell) is highlighted by two stunning duets by mother and daughter on traditional spirituals." - Will Friedwald, Wall Street Journal

*****Five Stars "Vocal Sides is a wonderous showcase. Carline Ray is a true artistic treasure."
- 
Brent Black, @Criticaljazz
 
"Carline Ray’s new Vocal Sides, remarkably, her debut CD. Produced by her daughter, who sings on a couple of duets, the collection of jazz, pop and gospel standards showcases Ray’s expressive contralto."
- Bob Weinberg, Miami Herald
 
"Carline sings with a rich, mature vocal sound, blending soulful dignity with deep understanding of the musical and lyrical value of the songs." - Jazz Mostly (UK)
 
Vocal Sides delivers with "confidence, spirit, playfulness and sincerity". 
- CD Insight
 
"Juilliard-trained musician and singer Carline Ray, played with the all-women International Sweethearts of Rhythm big band in the 1940s...she just released a debut solo album, Vocal Sides" - Joan K. Smith, Huffington Post
 
"a soulfully charming album" - Jonny Meister, WXPN / PRX, Blue Dimensions 








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Tuesday, August 7, 2012

Beloved Detroit Blues Guitarist and Vocalist Johnnie Bassett Passes Away


Sly Dog logo
Johnnie Bassett
Credit: Cybelle Codish

  

Johnnie Bassett, the celebrated Detroit blues guitarist and vocalist, died from complications of liver cancer on Saturday, August 4 at Saint John Hospital in Grosse Pointe, Michigan. He was 76 years old.

Gretchen Valade, owner of Mack Avenue Records, reflects, "Johnnie Bassett was a wonderful musician and a good friend. Whenever I walked into a room where he was playing, he would start singing 'Georgia,' my all time favorite. He was sympathetic and loyal to his friends, and had a good sense of humor. He was a heck of a blues singer who wasn't appreciated as much as he should have been, and didn't have as many gigs as he should have had, but he never complained about anything. Johnnie was one in a million, and I will miss him terribly."

Mack Avenue Records president Denny Stilwell laments the passing of one of the last few truly impactful blues musicians. "This is of course a sad day for us. Johnnie was the second artist signed to our Sly Dog imprint and we will miss his gritty vocals, raw guitar sound and mostly his gentlemanly ways."

In 1944, Bassett relocated with his family from his hometown in Marianna, Florida to Detroit, Michigan, where his legacy flourished as he held his own in the fast company of luminaries such as Ruth Brown, Big Joe Turner, Smokey Robinson, Dinah Washington, former neighbor John Lee Hooker, and a young guitar fledgling named Jimi Hendrix. Even as a young boy in Florida, Bassett was surrounded by music. His mother, sisters, and aunts took him to church and surrounded him with gospel spirituals, and he spent the summers at his grandmother's fish fries where the likes of Tampa Red, Arthur "Big Boy" Crudup, Lonnie Johnson and others would play while people ate and danced. It was years before Bassett realized these people he was meeting as a young teenager were big names. 

While attending Northwestern High School, Bassett's brother gave him his first guitar. After much practice, the young teenager went on to perform in talent shows, theaters, and nightclubs with pianist Joe Weaver, a close friend, as Joe Weaver & The Blue Notes. The group, which was performing in some of Detroit's greatest nightclubs before they were old enough to drink, became the house band for Frolic Showbar in the mid-50s after just three weeks performing there. It was unlikely that Bassett knew at the time that this was what would lead him to performing with legendary vocalist Dinah Washington when she made it to the gig and her band didn't. The band was eventually playing gigs with John Lee Hooker, Big Joe Turner, Ruth Brown, and Eddie Burns and a tenure as the house band for Detroit's Fortune Records label. He also spent a bit of time with Chicago's Chess Records and appeared on the first sessions for Smokey Robinson and the Miracles before Motown's existence. 

In the mid-60s, after a six year run in the United States Army, Bassett decided to remain in Seattle, Washington. During his stay, he hosted a Sunday night jam session which was frequented by a prodigious young guitarist, Jimi Hendrix. Hendrix usually hung around to pick up licks and tricks, and also to develop an understanding of the tuning of Bassett's guitar. He achieved his signature sound by using a style of tuning he referred to as Vestapol (open E flat), which he recently joked in an interview that no one under 70-years-old knows about. During this time, he was also backing John Lee Hooker, Little Willie John, and even backed Tina Turner on one occasion. It was the late 60's when Bassett made his return to Detroit. 

It wasn't until the early-90s that Bassett emerged as a leader and formed his own band, The Blues Insurgents, with encouragement from drummer RJ Spangler who rallied the guitarist after catching his set on a side-stage at the Montreux-Detroit Jazz Festival. During this time, Bassett recorded a series of albums starting withThe Heid/Bassett Blues Insurgents (with keyboardist Bill Heid and the late saxophonist Scott Petersen), I Gave My Life To The Blues (recorded in The Netherlands), Bassett Hound (also with Bill Heid), Cadillac Blues (nominated for five W.C. Handy Awards and included in DownBeat magazine's best albums of the 90s) and Party My Blues Away, but his last label, Cannonball Records, went out of business. He kept working and eventually became a hometown legend and treasure, receiving a well deserved Lifetime Achievement Award from the Detroit Blues Society in 1994. He has also earned five Detroit Music Awards, as well as many other nominations. Jim Gallert, Detroit music historian, says, "Johnnie Bassett took the sounds of the Delta, the Basie band, and Funk, and made them into a personal dynamic style. He was a unique and special person."

Years later, during a four-night residency at Dirty Dog Jazz Café in Grosse Pointe, Bassett found himself speaking with Valade during a break. When Valade asked if Bassett had a label and he said no, she replied with, "Well, you do now." Bassett soon after signed a deal with Sly Dog Records, a Mack Avenue imprint, where he released 2009's The Gentleman is Back. His most recent album, I Can Make That Happen, also released on Sly Dog, was released on June 19, 2012. Both albums were produced by his longtime sidemen, organist/pianist Chris Codish and saxophonist Keith Kaminski, and feature their Detroit bands The Brothers Groove and The Motor City Horns, respectively. Codish and Kaminski toured, recorded, and performed regularly with Bassett and helped to guide his career for almost 20 years.  

Bassett is survived by his wife Deborah, daughter Benita Litt, and his wife's children, Lynn Tolbert, Courtney Campbell and Kenneth Pringle. Funeral arrangements and a memorial service are pending.

For more information on Johnnie Bassett, please visit www.johnniebassett.net 

For press materials on Johnnie Bassett, Sly Dog artists or Mack Avenue Record labels in general (including album covers, promotional photos and logos), please visit media.mackavenue.com


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