Rafael Kyriakides Band(Cyprus)-Damage Disk
Composer: Rafael Kyriakides
Album: Spiritual World
Rafael Kyriakides : Drums-Piano-Synth
Ft. Nastazio Gkoumas Guitar
Website CD Store
Saturday, July 2, 2022
JazzWorldQuest Showcase 2022: Rafael Kyriakides Band(Cyprus)-Album: Spiritual World
Thursday, June 30, 2022
JazzWorldQuest Showcase 2022: Nastazio Gkoumas(Greece)-Album: Unknown Limits
Nastazio Gkoumas(Greece)-Further Life
Composer: Nastazio Gkoumas
Album: Unknown Limits
A piece from the new album released by virtuoso guitarist Nastazio Gkoumas.
Website CD Store
Sunday, June 26, 2022
World Music Mix: Tom Glide feat. Sophia Ripley (UK)-A Deep Love
Composer: Tom Glide
Tom comes back here with an organic , magical dream team/cast of international musicians as Eddie Brown on Pianos , Antoine Katz on Bass and Kamil Rustam on Acoustic Guitar , mixing and arranging the yummy jam with soulful house ,latin or afro spices in a groovy , contemporary jazz house saucepan . Good Appetite !
released November 26, 2021
Tom Glide feat. Sophia Ripley
A Deep Love ( Tom Glide / Sophia Ripley )
Sophia Ripley : Lead Vocals
Eddie Brown : Acoustic Piano , Rhodes Piano
Antoine Katz : Electric Bass
Kamil Rustam : Acoustic Guitar
Tom Glide : Synths , Percussions , Keyboards Programmation
Patrick Smadja : Production Coordinator , Percussions , Acoustic Ouichechla
Website
Monday, May 30, 2022
World Music Mix: Ewerton Oliveira & Yatê(Brésil/France) Album: NanÁfrica
Ewerton Oliveira & Yatê(Brésil/France)- NanÁfrica
Composer : Ewerton Oliveira
Album Name : NanÁfrica
Label : Lira Music Records
Year of release : 08 juillet/July 2022
Website
CD Store
YouTube
NanÁfrica est une composition du pianiste, compositeur, musicologue et pédagogue Ewerton Oliveira, en hommage au grand percussionniste brésilien Naná Vasconcelos. Naná et Ewerton viennent de la même ville : Recife, au Nord-Est du Brésil. Quelques générations séparent ces deux artistes, mais un même regard de la musique les rassemble : créer, dépasser les frontières, croiser les genres musicaux et se réinventer. Les compositions d’Ewerton Oliveira racontent des histoires, proposent des ambiances, rendent hommage, font appel à une mémoire lointaine, des traditions africaines qui sont mélangées au jazz ou à une écriture musicale contemporaine.
NanÁfrica is a composition by pianist, composer, musicologist and pedagogue Ewerton Oliveira, as a tribute to the great Brazilian percussionist Naná Vasconcelos. Naná and Ewerton come from the same city: Recife, in the northeast of Brazil. A few generations separate these two artists, but the same vision of music brings them together: to create, to go beyond borders, to cross musical genres and to re-invent themselves. Ewerton Oliveira’s compositions tell stories, offer atmospheres, pay homage, appeal to distant memories, African traditions that are mixed with jazz or contemporary musical spices.
Ewerton Oliveira & Yatê(Brésil/France)-Yatê
Composer : Ewerton Oliveira
Album Name : NanÁfrica
Label : Lira Music Records
Year of release : 08 juillet 2022
Website
CD Store
YouTube
Yathê, ou Iatê, qui signifie : « Notre façon d’être, notre façon de parler » ; est une langue indigène parlée par le peuple Fulni-ô, qui vit dans la municipalité d’Águas Belas, au sud-ouest de l’État du Parnambuco. La composition « Yatê », écrite par le pianiste et compositeur brésilien Ewerton Oliveira, est une magnifique manière de rendre hommage à une partie de ses origines. Ce single en version « Live Session », apporte une interprétation qui ouvre un espace à la spontanéité, et un dialogue typique du « live ». Yatê :Notre façon de nous exprimer, notre façon de résoner, notre meilleure façon d’être.
Yathê, or Iatê, which means: “Our way of being, our way of speaking”; is an indigenous language spoken by the Fulni-ô people, who live in the municipality of Águas Belas, in the southwest of the state of Parnambuco. The composition “Yatê”, written by the Brazilian pianist and composer Ewerton Oliveira, is a magnificent way to pay homage to part of his origins. This single in the “Live Session” version, offers an interpretation that opens up a space for spontaneity, and a typical “live” dialogue. Yatê: Our way of expressing ourselves, our way of resonating, our best way of being.
Saturday, May 28, 2022
JazzWorldQuest Showcase 2017: Myroslav Levytsky(Ukraine) Album name: In Piano
Myroslav Levytsky(Ukraine)- Back to the Future
Album name: In Piano
Label: Advice Music
The current tracks “Back to the future” and “Sense” from the album “In Piano” are available on the channels Classcialradio.com Relaxing Solo Piano, Radiotunes.com Solo Piano and Zenradio.com Relaxing Solo Piano.
Gary Farr (USA) | Channel Creator, Radio Host & Programmer
Facebook JazzRadio.com Smooth Jazz Channels
Facebook JazzRadio.com Piano Jazz Channel
Facebook JazzRadio.com Sinatra Style Channel
Facebook Radiotunes.com & ClassicalRadio.com Solo Piano Channel
Facebook Radiotunes.com Best of the 60’s Channel
Friday, May 27, 2022
USA: Coke Michel Sextet in Concert Thu, June 9, 2022, Austin, TX
Performing compelling music with origins in jazz, classical, folk, extended technique, and improvisation, The Alex Coke Carl Michel Sextet features musician/composers Alex Coke on woodwinds and guitarist Carl Michel. Together with Austin Symphony’s principal harpist Elaine Barber, Liminal Sound Series producer Bob Hoffnar on pedal steel, first call jazz bassist Dr. James Suter, and talented Austin percussionist Carolyn Trowbridge on vibes, the sextet will perform at the Draylen Mason Studio at KMFA on Thursday June 9, 2022 at 7:30pm.
This unique ensemble is an outgrowth of Coke and Barber’s popular weekly Driveway Concert Series that ran from April 2020 through June 2021 in response to music gigs and gatherings being curtailed as a result of the pandemic. The duo performed outdoors, socially distanced, with each member of the sextet individually in turn, appearing as special guests. Playing music as a gift to their local neighborhood at first, the project took shape as the possibilities for meetings indoors returned.
The Monday night concerts made way for rehearsals, new composition, and the formation of an unusual and very accomplished performing and recording ensemble. They released their first CD together, The Emissary, in October 2021 to good reviews and now a year after the final driveway concert, a second CD is in the works.
As a founding member of the Creative Opportunity Orchestra with many projects and recordings to his credit, Emmy Award winning composer Carl Michel had this to say : “The 6tet is a welcomed opportunity to work again with my friend Alex Coke. The “driveway concerts,” that were presented by Elaine Barber and Alex to their neighborhood, provided a way to collaborate with other musicians over the course of the pandemic shutdown. That process initiated the formation of the 6tet, a unique collaboration of instruments with some great musicians. This collaboration has opened up my palette in composition and arranging for these individuals.”
For the upcoming performance and live recording, works will include new arrangements of music by Thelonious Monk, John Coltrane, Valentyn Silvestrov, and Paul Motian with some new compositions by Coke and Michel in the mix .
One of the first jazz ensembles to perform at KMFA’s Draylen Mason Studio, the concert on June 9 is for an all ages audience. Presale Tickets are on sale now and will also be available at the door.
For more info and sound samples please visit:
https://www.carlmichel.com/home/alex-coke-carl-michel-sextet/
https://alexcokecarlmichelsextet.bandcamp.com/releases
This performance is made possible in part thanks to The Liminal Sound Series, dedicated to the commissioning of new works and collaborations between visionary composers and Austin, TX. based musicians and performers.
“They can drift with meditative beauty or roar with passion… their collective sound lingers in the memory.” – Jerome Wilson on The Emissary at All About Jazz
Monday, May 16, 2022
JazzWorldQuest Showcase 2022: Artur Tuźnik Sextet(Denmark/Poland)-Spring
LAZY SONG – the lead single from the new album by Copenhagen-based Polish pianist and composer Artur Tuźnik features melodies of his Polish origins blended with the acoustics of Scandinavian jazz. LAZY SONG is the sound of jazz at its best, reminiscent of Charles Mingus and Nina Simone and enriched by the unique voices of six prominent figures on the Scandinavian jazz scene.
Together with his sextet, Tuźnik presents a powerful and spiritual piece of music featuring solos from Ned Ferm on saxophone and the band leader himself on piano.SPRING – the debut album from the Artur Tuźnik Sextet – takes listeners on an engaging, reflective journey through sounds, sensations and seasons in a program featuring new music that pays homage to the bandleader and composer’s greatest inspirations. The musical voices of the carefully chosen contributing instrumentalists bring nine original tunes to life in a production that’s intimate, spiritual, and offers something for audiences of all backgrounds.
Polish pianist and composer Artur Tuźnik (born 1989) has been based in Copenhagen, Denmark since 2008 and is one of only a few musicians to have studied at both the “classical” (Royal Danish Academy of Music) and “jazz” (Rhythmic Music Conservatory) schools in the Danish capital. His fascination with both sprawling genres is evident in his virtuosic playing, but also in his compositions. As a pianist, Tuźnik is known for his work with drummer Thomas Blachman, Thomas Agergaard, Tomasz Stanko, Chris Cheek, and Tony Malaby among many others. He’s written commissioned pieces for the Classical Days festival in Holstebro and his work as a composer has been celebrated by international audiences and reviewers alike.
The lineup of musicians he’s selected for his sextet reads like a modern all-star band of Scandinavian-based players: American tenor saxophonist Ned Ferm, who has called Copenhagen home since 2001 (known for his work with Roswell Rudd and Kurt Rosenwinkel); Norwegians Erik Kimestad on trumpet (a member of Kresten Osgood’s Quintet), Simon Albertsen on drums (Espen Berg Trio, WAKO); Swedish trombonist Petter Hängsel (Danish Radio Big Band, Horse Orchestra); the legendary Danish bassist Anders “AC” Christensen (Paul Motian’s Electric Bebop Band, Tomasz Stanko). Each of the soloists shines on this album that is thick with highlights.
The songs were recorded in The Village Recording Studio in Copenhagen in early 2020 (just pre-pandemic) by Thomas Vang, and later mixed and mastered by Brian Massaka. The band set up and played together in the same room – a decision made by Tuźnik in order to create a musical intimacy among the players and bring that sound to listeners. That incredible closeness is present throughout this album that absolutely sparkles with creative joy while it inspires nuanced nostalgia.
The first four songs (Road to Nowhere, January, Spring, Tales From The Road) are all interconnected and are based on unique harmonies and forms. Material from Road to Nowhere and Spring are referenced in Tales From The Road – a solo piano piece that functions as an overview for the first part of the musical journey. The next part of the journey kicks off with the enchanting Lazy Song – a tenor saxophone feature that allows both Fermand Tuźnik to soar on the moving minor mood. Christensen plays the band into the energetic, tidal rubato flow of Monday with a meditative bass solo and the album goes to another new place on Water – a tune that follows the theme down a stream that develops into a babbling brook and later becomes roaring rapids. The album’s final selection, Monstera Deliciosa, is a return to the group’s “swing” mode.
The Artur Tuźnik Sextet has officially arrived in 2022 with an album that reminds us of the interconnectedness of the composer’s influences and tunes that put his clear appreciation for nature, spiritualism, and musical beauty front and center. The melodic, harmonic, and structural flow of the music whisks listeners away on a journey that’s engaging, entertaining, and peppered with provocative, natural tension and resolution. SPRING deserves to be heard multiple times to fully grasp its depth, and as the detailed layers of meaning unfold with each listening experience, audiences can look forward to understanding more about the Artur Tuźnik Sextet and its musical mission.
Musicians:
Artur Tuźnik – piano
Ned Ferm – tenor saxophone
Erik Kimestad – trumpet
Petter Hängsel – trombone
Anders “AC” Christensen – double bass
Simon Olderskog Albertsen – drums
Polish pianist and composer Artur Tuźnik (born 1989) has been based in Copenhagen, Denmark since 2008 and is one of only a few musicians to have studied at both the “classical” (Royal Danish Academy of Music) and “jazz” (Rhythmic Music Conservatory) schools in the Danish capital. His fascination with both sprawling genres is evident in his virtuosic playing, but also in his compositions. As a pianist, Tuźnik is known for his work with drummer Thomas Blachman, Thomas Agergaard, Tomasz Stanko, Chris Cheek, and Tony Malaby among many others. He’s written commissioned pieces for the Classical Days festival in Holstebro and his work as a composer has been celebrated by international audiences and reviewers alike.
The lineup of musicians he’s selected for his sextet reads like a modern all-star band of Scandinavian-based players: American tenor saxophonist Ned Ferm, who has called Copenhagen home since 2001 (known for his work with Roswell Rudd and Kurt Rosenwinkel); Norwegians Erik Kimestad on trumpet (a member of Kresten Osgood’s Quintet), Simon Albertsen on drums (Espen Berg Trio, WAKO); Swedish trombonist Petter Hängsel (Danish Radio Big Band, Horse Orchestra); the legendary Danish bassist Anders “AC” Christensen (Paul Motian’s Electric Bebop Band, Tomasz Stanko). Each of the soloists shines on this album that is thick with highlights.
The songs were recorded in The Village Recording Studio in Copenhagen in early 2020 (just pre-pandemic) by Thomas Vang, and later mixed and mastered by Brian Massaka. The band set up and played together in the same room – a decision made by Tuźnik in order to create a musical intimacy among the players and bring that sound to listeners. That incredible closeness is present throughout this album that absolutely sparkles with creative joy while it inspires nuanced nostalgia.
The first four songs (Road to Nowhere, January, Spring, Tales From The Road) are all interconnected and are based on unique harmonies and forms. Material from Road to Nowhere and Spring are referenced in Tales From The Road – a solo piano piece that functions as an overview for the first part of the musical journey. The next part of the journey kicks off with the enchanting Lazy Song – a tenor saxophone feature that allows both Fermand Tuźnik to soar on the moving minor mood. Christensen plays the band into the energetic, tidal rubato flow of Monday with a meditative bass solo and the album goes to another new place on Water – a tune that follows the theme down a stream that develops into a babbling brook and later becomes roaring rapids. The album’s final selection, Monstera Deliciosa, is a return to the group’s “swing” mode.
The Artur Tuźnik Sextet has officially arrived in 2022 with an album that reminds us of the interconnectedness of the composer’s influences and tunes that put his clear appreciation for nature, spiritualism, and musical beauty front and center. The melodic, harmonic, and structural flow of the music whisks listeners away on a journey that’s engaging, entertaining, and peppered with provocative, natural tension and resolution. SPRING deserves to be heard multiple times to fully grasp its depth, and as the detailed layers of meaning unfold with each listening experience, audiences can look forward to understanding more about the Artur Tuźnik Sextet and its musical mission.
Musicians:
Artur Tuźnik – piano
Ned Ferm – tenor saxophone
Erik Kimestad – trumpet
Petter Hängsel – trombone
Anders “AC” Christensen – double bass
Simon Olderskog Albertsen – drums
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