It’s a longer-than-normal song, too, one that seemingly loses steam about two-thirds of the way through—until you realize that it’s not overly long at all, nor does it dissipate. Instead, Adamo graciously cedes the song to the music and the musicians—and then comes back in on their more optimistic vibe (after Adamo singspeaks for the Rain Man to once again rain down another love into his life) and sounds almost reinvigorated, as opposed to beaten-down or bitter. The song, upbeat, really, the entire time, manages to attain a kind of hope, even salvation
Devon Jackson
Magazine Editor - Freelance Music Journalist, has written about music and film for a variety of publications--from Entertainment Weekly and The Village Voice to Rolling Stone and Details
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