An Art Pepper Banquet
For Release on August 28
Main Course: From Widow's Taste
2-CD Set Unreleased Art Pepper, Vol. VII:
Sankei Hall, Osaka, Japan
For Release on August 28
Main Course: From Widow's Taste
2-CD Set Unreleased Art Pepper, Vol. VII:
Sankei Hall, Osaka, Japan
Plus Sweet and Hot Side Dishes:
From Omnivore Recordings
Neon Art: Volume One - A Vinyl Single, The First of Three
July 30, 2012
The Osaka session is a happy one, swinging and melodic. It reunites the alto saxophonist with pianistGeorge Cables, and "Art's mood was sunny throughout this trip," recalls Laurie, "because he loved being on the road with George and loved working with him every night."
Other reasons for Art's cheer (he mentions them onstage): The acclaim accorded his just-published book Straight Life, co-authored with Laurie, and the satisfaction he felt after completing his ballad album with strings, Winter Moon (Galaxy). Art's inspired live performance of "Winter Moon" at this Osaka concert is, as far as Laurie knows, the only one extant and one good reason for releasing this material.
"When I first heard the live version of 'Red Car' from Parnell's [1981]," says Pawelski, "I instantly wanted to share it with everyone I know, and that's when I knew we had a project. Omnivore, by design, aims to share outstanding previously unissued music, and rarely is it as good and as much fun as these Art Pepper recordings. Omnivore is grateful to be working with Laurie Pepper to bring Art's music to a new audience." To which Laurie says, "Amen!"
Volumes Two and Three of Neon Art are scheduled for October and November and offer greatest hits: Volume Two, "Mambo Koyama," "Over the Rainbow," "Allen's Alley"; Volume Three, "Make a List," "Everything Happens to Me," and "Arthur's Blues." For more information about these singles, contact Paki Newell (paki@co5media.com ) and/or visitwww.omnivorerecordings.com.
Widow's Taste's seventh Unreleased Art Pepper is all about the music, especially the soulful "Winter Moon" and blazing "Make a List" performances. It was recorded by an anonymous audience member on cassette. The crowd was absolutely silent, Laurie recalls, "but the room is a presence; let's just say it's very live. So this particular album plants you firmly in the audience beside that sneaky fellow on that night at Sankei Hall." It's been remastered by Wayne Peet, as have all six preceding Widow's Taste releases, and he revivifies this show. The album also includes a 32-page booklet, packed with photos of the tour and, as usual, Laurie's gossipy reminiscences of life on the front lines.
Art Pepper (foreground), in Japan with Debbie and Tony Dumas, George Cables.
By the time of this recording, Art had settled on his favorite drummer, Carl Burnett, who appears on almost every recording Art made during his last years. Tony Dumas was the youngest, shyest member of the band, but he's impressive, and Art says so. With Tony Art madeLandscape and Besame Mucho (Galaxy). And Tony is the bassist on last year's best-seller for Widow's Taste, Blues for the Fisherman, the four-disc set from Ronnie Scott's in London.George Cables is on the historic Art Pepper Live at the Village Vanguard set, The Trip, andNo Limit (Contemporary) plus all the Galaxy Maiden Voyage albums, Tête-à-Tête, and Goin' Home. He's also featured with Carl on Unreleased Art Pepper, Vol. I: Abashiri (Widow's Taste) and on upcoming Neon Art: Volumes Two and Three (Omnivore).
Previous Widow's Taste releases:
Art Pepper: Unreleased Art, Vol. I: Abashiri
If the sound is surprisingly good, the playing is often astonishing. The great altoist could pack so much raw emotion into his work that he made most others seem like dilettantes. --Ray Comisky, The Irish Times
Art Pepper: Unreleased Art, Vol. II: The Last Concert
[A] privilege to listen to the final concert of the master, Art Pepper. . . soulful, with a strong swing feel, lyrical, edgy. --Jeff Krow, Audiophile Audition
Art Pepper: Unreleased Art, Vol. III: The Croydon Concert
Pepper throws down the gauntlet, throwing caution to the wind, and plays with an urgency not heard since his Village Vanguard performances in 1977. The sound is crisp and potent. --C. Michael Bailey, All About Jazz
Art Pepper: The Art History Project (Vol. IV)
The remastering by Wayne Peet is superb. It's a delight to have Laurie Pepper's choices here. Just knowing that she finds these tracks meaningful and in this order makes them special. --Marc Myers, JazzWax
Art Pepper: Unreleased Art, Vol. V: Stuttgart
[A] miraculous double disc. This is Pepper's triumph. Listen to it once and you'll want to immediately go out and score the first four volumes. Bravo! --Brian McCoy, Examiner.com
Blues for the Fisherman: Unreleased Art Pepper, Vol. VI
Pepper is simply on fire. It's one of those perfect musical statements that could never have been captured in any studio. The immediacy and emotion of the moment are so boldly displayed that it could only have been possible through the energy of a live crowd. --Greg Simmons, All About Jazz
Web Site: www.artpepper.net
Blog: www.artpeppermusic.blogspot.
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