Saturday, February 28, 2015

"The Music Is the Magic," by Vocalist Lainie Cooke, Due March 17 from Onyx Music Label



"The Music Is the Magic,"
New CD by Vocalist Lainie Cooke,
To Be Released March 17
By Ralph Peterson's Onyx Music Label
 
Cooke's 3rd CD, Produced by Peterson,
Features Backing by Tedd Firth, Piano;
Luques Curtis, Bass; Myron Walden, Saxophones;
& Ralph Peterson, Drums & Trumpet

CD Release Shows at Vitello's, Los Angeles, March 31,
& The Zinc Bar, NYC, April 8


February 6, 2015
 

Lainie Cooke The Music Is the Magic
Given the deep jazz feeling and serious vocal chops displayed by Lainie Cooke on her new CD The Music Is the Magic, it's hard to believe that the disc is only Cooke's third. But this masterpiece of vocal jazz, which will be released March 17 by Ralph Peterson's Onyx Music Label, affirms her standing in the front ranks of jazz singers performing today.

"The wisdom, clarity, and nuances possessed by Lainie throughout the recording are most refreshing," comments Peterson in his notes to the CD. "At 73 years young, she has remained relevant as a songstress in the purest sense. I am proud to have produced what I believe is her best work to date."

Peterson, who plays drums and trumpet on the CD and served as its producer and arranger, surrounded Cooke with a superb cast including pianist/arranger Tedd Firth, her accompanist of the last dozen years; soprano and tenor saxophonist Myron Walden; and bassist Luques Curtis. (Tabari Lake substitutes for Curtis on "Mañana.")

Cooke first met Peterson, long one of the most in-demand drummers in jazz, in 1990, but they didn't begin making music together until relatively recently. "Ralph has the ability to lift you to a place musically and rhythmically that you didn't know you knew how to do," she says. "He's always demonstrating something that makes you want to do better." Cooke is the first singer Peterson has produced for his Onyx Music Label.

Lainie Cooke
"Lainie can cook on the kind of standards she prefers -- the Porter-Gershwin-Rodgers & Hart classics that challenge her dramatic bent for story-telling," Harvey Siders wrote in a Los Angeles Daily News review of one of her Southern California engagements. "She has an unerring ear for melodic invention and an instinctive feel for time that allows her to take unusual rhythmic liberties. And her intonation is 'right on.'"

The tunes on The Music Is the Magic spoke to the singer: "If the music is beautiful, wonderful, soars, and has feeling, I'm attracted to it," she says simply. "How I Wish" (aka "Ask Me Now") and "I Have the Feeling I've Been Here Before" ("one of the most beautiful songs in the world," according to Cooke) were inspired by Carmen McRae, a favorite vocalist of hers. The title tune and "Live for Life" both stem from Abbey Lincoln recordings.

Also included are Dave Frishberg's "Our Love Rolls On," Harold Arlen's "Out of This World," and a rollicking calypso treatment of Peggy Lee's "Mañana," long a staple of her in-person repertoire. "By the end of it, the whole audience is singing," she says. "It becomes a joyful experience."

Lainie Cooke

Lainie Cooke broke into show business at age 6 by entering a Minneapolis radio talent contest for young people and won with her rendition of the then-popular tune "Cruising Down the River." At 11, she began appearing two or three times a week as a hostess on a local television game show. Then, at age 12, she won a talent contest and was awarded a trip to New York City. She felt instantly at home.

Cooke has been a resident of the city since she was 20, save for relatively brief periods in Jamaica and California. "I went to New York to find out what I could actually do with all of the stuff that was inside me," she reflects. "I wasn't sure what I wanted to be -- a musical theater performer or a nightclub singer."

After working an office job for a period, she got fingerprinted for a cabaret card and played a few New York clubs, but upon doing her first out-of-town gig in Hartford, Connecticut, she developed an instant distaste for being on the road. Voice-over work, which allowed her to stay home in New York City, became her calling and kept her steadily employed for most of the next 40 years.

Cooke moved to Los Angeles in 1979 and began singing in clubs with such top jazz men as pianist Dick Shreve and bassist Bob Maize but moved back to New York in 1983 and resumed doing voice-overs. She returned briefly to L.A. to record half of her first CD, Here's to Life!(2002, Harlemwood), with Shreve, Maize, and others. New York musicians, including Firth, bassist Cameron Brown, and drummer Matt Wilson, completed the album. Her second CD, It's Always You (2008, Harlemwood), also featured Firth, Brown, and Wilson, as well as saxophonist Joel Frahm.

For her CD release shows, Cooke has scheduled engagements in New York and Los Angeles: 3/31 at the E Spot Lounge Upstairs at Vitello's in Studio City, with pianist Karen Hammack and her trio; and 4/10 at the Zinc Bar in Greenwich Village, with the same musicians as the CD.

"Words alone cannot do justice to the way I feel about making music with Tedd, Luques, Myron, and Ralph, or how proud I am of this project," says Cooke. "The dictionary defines magic as producing mysterious or extraordinary results. I hope The Music Is the Magic will inspire the same kind of feelings in listeners."


Photography: Janis Wilkins (top), Adger W. Cowans (bottom)



Lainie Cooke: The Journey So Far
"Lainie Cooke: The Journey So Far"



Web Site: lainiecooke.com
Follow: Follow us on Twitter
Like: Like us on Facebook


Media Contact:
Terri Hinte
hudba@sbcglobal.net
510/234-8781
Follow us on Twitter

Tony Levin & Pete Levin: MoonJune Booking announces LEVIN BROTHERS March 2015 Tour


 
LEVIN BROTHERS
Pete & Tony Levin on tour in March 
with their jazz band
 
 
 
 
Dear MoonJune Friends

It's my personal privilege to work as a booking representative for two great guys, two legendary musicians, two brothers, Pete and Tony Levin, and their very special project LEVIN BROTHERSTheir self-titled album Levin Brothers was officially released in September 2014 (liner notes by one and only and unimitable Anil Prasad)  by Seattle based Lazy Bones Recordings on CD and limited edition gold vinyl LP with smoky swirls. (The CD includes 14 tracks + 2 bonus cuts exclusive gto the CD)
Please visit Lazy Bones website for more info: www.lazybones.com/bands/levin-brothers

LEVIN BROTHERS
MARCH 2015 TOUR

PETE LEVIN - piano
TONY LEVIN - upright bass
ERIK LAWRENCE - sax
JEFF SIEGEL - drums

For more info, please check Levin Brothers website: www.thelevinbrothers.com

If You are interested in booking Levin Brothers please contact
 
 
 
 
Few reviews on Levin Brothers album

"... a hearty portion of tightly cohesive songs that merge the best of Bach with the pace of bop."
      – Ira Kantor's, Elmore Magazine (USA)

"... every single cut qualifies as a standout!"
     –  Peter Thelen', Exposè (USA)

"... This is pure jazz, inspired by the music that the brothers heard in the fifties and came to love."
     – Wolfgang Giese's, RockTimes (Germany)

" ... there is a remarkable purity and innocence to this music. THE LEVIN BROTHERS manages to be both serious and playful without ever losing the passion and edge that comes from pairing two masters of their instruments playing a style of music they both love. A terrific album not just for fans of classic jazz, but for fans of music, period."
      – Jason Warburg, The Daily Vault (USA)

"... a player from the Jazz league has teamed up with one from the Progressive league and they both show just how they can swing. 'Cool' doesn’t come close to fully describing this album."
      – Travis Rogers, Jazz Times Magazine
 
 
 
 
​As a French Horn major, Pete Levin earned a master’s degree from the Juilliard School. In the early ‘70s he switched to keyboards, becoming a synthesizer specialist in the New York City recording studio scene. Over the years, he has graced hundreds of jazz and pop recordings and performances by the likes of Miles Davis, Gil Evans, Jimmy Giuffre, Dave Brubeck, David Sanborn, Joe Louis Walker, Don Elliott, Freddie Hubbard, Annie Lennox, Paul Simon, Brian Ferry, Hiram Bullock, Gerry Mulligan, Chuck Mangione, Charles Mingus, Jaco Pastorius, John Scofield, Wayne Shorter, Dave Stryker, Lenny White, and man y others. He currently leads The Monday Night Orchestra featuring internationally known New York musicians, core alumni members of the seminal freewheeling Grammy-winning Gil Evans Orchestra of the mid and late '70s, reunited recently to celebrate the band's legendary "Monday Night At Sweet Basil" era.

Since graduating from the Eastman School of music, Tony Levin has become the bass and Chapman Stick voice for Peter Gabriel and King Crimson. In addition, he has played on notable recordings for John Lennon, Pink Floyd, Lou Reed, Alice Cooper, Tom Waits, Dire Straits, Carly Simon, Judy Collins, Peter Frampton, James Taylor, Stevie Nicks, Todd Rundgren, Warren Zevon, Anderson Bruford Wakeman Howe, Laurie Anderson, Liquid Tension Experiment, Bruford Levin Upper Extremities, Bozzio Holdsworth Levin Mastelotto and many others. Tony has major jazz credentials, having worked with Buddy Rich, Steps Ahead, L'Image, Gary Burton, Chuck Mangione, Herbie Mann, and many others. He currently records and tours with Peter Gabriel, King Crimson, Stick Men, and The Crimson ProjeKCt.​

Recently Tony Levin has recorded two sessions for MoonJune Records for the upcoming albums of the Indonesian guitar icon Dewa Budjana, with Jack DeJohnette on drums and piano and Gary Husband on piano, keyboards and drums.
 
 
 
 
 
STAY TUNED FOR SOME EXCITING STICK MEN NEWS !!!
 
 

YAKAMOZ: Marrcin Mallinowski (2015)


 iTunes Link

Electronic music and jazz are often compared to one another. Both are interested in exploring new sounds, and pushing instruments beyond their capabilities. Both involve expanding upon traditional pop structures and restrictive harmonies. Both rely heavily upon improvisation, and both share a utopian vision of bringing people of all nations together, to share in the groove.

With the Asena Project, Marcin Mallinowski's E-CONNECTION has brought together the worlds of electronica and jazz in fine fashion. E-Connection began in October of 2013, when Mallinowski met Dutch percussionist Jeron de Rijk, beginning a series of tele-collaborations. E-connections quickly expanded to include Finnish guitarist Kai Kortella and Italian bassist Enrico Galetta, with guest performances from Mariusz Kozicki on trumpet and Deniz Atalay on guitar, to become a virtual super group of European jazz talent.

 For the recording of The Asena Project, Mallinowski wrote all the parts in his home studio in Poland, then sent the scores to the participants. Two of the songs, "Asena", and "Mary In Space", are from Mallinowski's previous projects, brought to fresh and sparkling life for the sessions, with "Delia's Cake," inspired by baking a carrot cake for Mallinowski's daughter Delia, created specially for the occasion. What we're left with is a guided tour through the dreams and desires of the entire Earth. It exists no place and everywhere, simultaneously. It exists in the imagination of the musicians, and in the hearts of the listeners.

 Marcin Mallinowski's E-Connection is reclaiming the collaborative, inclusive power of the internet, over-riding it's tendency to isolate and distract. Mallinowski's music brings people together. It engages. It makes the virtual a reality. E-Connection won't remain virtual for long, however. In Spring of 2014, all of the musicians convened in the flesh for the first time, at Mallinowski's home in Poland. They've got concerts planned all over Europe, and will be participating in several
festivals. They've got collaborations lined up with musicians from Armenia, Nigeria, Brazil, Cuba and The United States, and will be releasing a full-length album in a few months. Marcin Mallinowski's music exists in a place before cynicism.

He is not afraid to be "progressive", and keeps the inclusive ideals of fusion jazz burning, bright and alive. Mallinowski reminds us of the e-Connection that connects us all, that brings us together, that shows the similarities and relishes in the difference. RIYL: electric era Miles Davis, Mahavishnu Orchestra, Lotus, Medeski, Martin & Wood, King Crimson, Tortoise, Chicago Underground Duo, Isotope 217 Recommended Single: Asena

http://www.marcinmalinowskimusic.com/

Check out the JazzWorldQuest web player to listen to Marcin Malinowski's eConnection from the upcoming album: "YAKAMOZ" Tracks: Mary in Space and Asena

Monday, February 23, 2015

JazzWorldQuest: The Free mp3 List & Playlist Update: Burak Kaya: "Gezi Park"




Musician: Burak Kaya
Track: Gezi Park
Composer: Burak Kaya
Album Name: Climate Change
Year of release: 2015
Link to CD Store
Musician/Label Website
Burak Kaya: Classical Guitar Ozan Musluoğlu : Double Bass Yinon Muallem: Percussion. The album has been recorded in Istanbul as a trio, including classical guitar, double bass and percussion. Overall the album is formed with an acoustic sound that combines the fusion of Anatolian themes, Middle East and Latin rhythms together with the modern jazz. The album focuses on the global climate change and the environmental movements such as Gezi Park resistance. Gezi Park, tells of the Gezi Park, which would be demolished to construct buildings and those individuals who resisted this destruction. In the first part of the song the strong commitment of environmentalists is considered, and in the second part, the occupation of the park by the public participating into the resistance, and in the third part, the beauty of communal life established at Gezi Park is interpreted.

More Free downloads at The Free mp3 List

Guitarist/Composer MATTHEW STEVENS Combines Immersive Feeling of Live Concert with Respect for Natural Sound on Debut Album "Woodwork"


Guitarist/Composer MATTHEW STEVENS
Combines Immersive Feeling of Live Concert
with Respect for Natural Sound
on Debut Album Woodwork

Exclusive "Mastered for iTunes" Release Available February 24
Physical Release Available May 26


 
  

New York City-based guitarist and composer Matthew Stevens is considered one of the most promising artists in jazz today through his associations with NEXT Collective, Christian Scott, Esperanza Spalding, Terri Lyne Carrington, Walter Smith III, and Harvey Mason.

Now Stevens comes fully into his own with his debut recording as a leader, Woodwork. (Exclusive "Mastered for iTunes" release February 24; physical release available May 26.) The album showcases the diverse influences on Stevens, his warm, robust sound, and his fluid, emotive playing at the helm of a stellar quintet. He's joined by pianist and fellow NEXT Collective member Gerald Clayton, bassist Vicente Archer, drummer Eric Doob, and percussionist Paulo Stagnaro.

The album's title, Stevens says, reflects the almost tactile way in which he creates music. "It's a metaphor for how I see myself interacting with sound. Woodwork is an act of creation in collaboration with the natural world; it evokes a sense of being handmade or one of a kind. These raw materials exist regardless of whether or not you do something with them, so I try to respect that and let the music unfold naturally."

In Woodwork, Stevens places the sound of the guitar front and center, achieving a full-bodied resonance that captures the immersive feeling of a live concert experience. "When you listen to a saxophone or a trumpet on a record, you often feel like you're right there in the room," Stevens explains. "I miss that on the guitar. As a guitarist, your touch and articulation contribute hugely to your identity as an instrumentalist, so if you have none of that air in the sound, you lose a lot of nuance. I put a microphone in front of my guitar as well as the amp so it doesn't just feel in your face, but like the music is alive and moving around the room."

A self-described guitar fanatic who fell in love with his father's Jimi Hendrix records as a child, Stevens purposely assembled his band to allow the guitar to express his melodies alone. His strings shimmer over percussive interplay on opener "Ashes (One)," then weave a hypnotic groove on "Star L.A." They sing the folk-inspired melody of the title track "Woodwork" and roar on the album's driving composition "Uptown Dance Party."

The elusive "Sunday" continues the genre-bridging mission of the NEXT Collective with a haunting David Bowie cover, while "Blasted" pays homage to Wayne Shorter with its churning, circular melody. Stevens was recently invited by musical director Terri Lyne Carrington to perform at a fundraiser for the upcoming documentary Wayne Shorter: Zero Gravity alongside an all-star lineup including Shorter, Hancock, Spalding, Marcus Miller, Lalah Hathaway, Corrine Bailey Rae, Lizz Wright and Dee Dee Bridgewater.  

Stevens possesses a rare ability to marry singable melodies with cerebral complexity, as on the tense, shifting "Sequel" or the knotty "Grown Ups." A through-composed duo for guitar and piano, "Gently" mesmerizingly interlaces the expressive lines of Stevens and Clayton.

"Brothers," performed as a trio with Archer and Doob, embraces the sound of the acoustic guitar, from the blossoming resonance to the scrape of fingers on strings. Much of the album was recorded at the Clubhouse Studio in Rhinebeck, New York, which just happens to own an early-70s Lowden formerly favored by late folk legend Pete Seeger, and played reverently by Stevens on this song.

A Toronto native, Stevens began taking piano lessons as a child and switched to guitar after a few years. In middle school he joined a local rock band that played original songs as well as popular hits by bands like Nirvana and Soundgarden. He spent several summers at the University of Toronto's jazz camp, studying with Lorne Lofsky and ultimately moved to the United States on a scholarship to Berklee College of Music.

Immediately after college, Stevens joined Christian Scott's band, ultimately recording five albums with the heralded trumpeter. He's since toured extensively in the U.S., Canada, Europe, Asia, South Africa, and South America, performing at leading national and international jazz festivals, including Montreux, North Sea, Newport, Montreal, Monterey, Fujitsu, New Orleans Jazz and Heritage, and at renowned venues such as the Hollywood Bowl, the Kennedy Center, the Blue Note clubs in New York, Tokyo and Milan, and the Moscow International Music House. He's also a member of the adjunct faculty at the New School and has taught workshops at the Maryland Summer Jazz Workshop, USC, and Berklee.

Over the past year, Stevens has been featured on recordings by drum legend Harvey Mason, saxophonist Walter Smith III, and pianist Justin Kauflin, whose CD was produced by Quincy Jones in conjunction with Keep On Keepin' On, the new documentary about the relationship between Kauflin and his mentor, Clark Terry. He's also toured regularly with drummer Terri Lyne Carrington and bassist Esperanza Spalding, and will appear on Spalding's next recording, produced by David Bowie's longtime producer Tony Visconti.

In 2015, Stevens has plans to tour with Carrington, Spalding, bassist Ben Williams, and his own band, which Woodwork establishes as a group to watch closely. "Collectively we were able to tap into what we all think is important musically," Stevens says. "In my own experience there's nothing that feels more exciting than that."

"Mastered for iTunes" Pre-sale link: http://smarturl.it/matthewstevens
 

Matthew Stevens · Woodwork
Whirlwind Recordings

"Mastered for iTunes" Exclusive Release Date: February 24, 2015
Physical Release Date: May 26, 2015
For more information on Matthew Stevens, please visit: MattStevensMusic.com

For national media inquiries, please contact:
DL Media · 610-667-0501
Matthew Jurasek · matthew@dlmediamusic.com
Greg Angiolillo ·
greg@dlmediamusic.com
Serving the Finest In Jazz Since 1988
Information and press materials (including album covers, promotional photos and bios)
on all DL Media artists can be found at our website: dlmediamusic.com

Drummer Reggie Quinerly's 2nd CD, "Invictus," to Be Released March 17

Drummer/Composer Reggie Quinerly's
"Invictus"
To Be Released March 17
By Redefinition Musc
 
Follow-Up to 2012 Debut "Music Inspired by Freedmantown"
Features Warren Wolf, Vibraphone;
Yotam Silberstein, Guitar; Christian Sands, Piano;
& Co-Producer/Bassist Alan Hampton

CD Release Show at Smoke, NYC, March 25


February 2, 2015
 

Reggie Quinerly Invictus
Drummer/composer Reggie Quinerly made an indelible impression on the jazz world with his 2012 debut recording, Music Inspired by Freedmantown, a soulful and serious-minded tribute to the historic African-American neighborhood in Houston where he grew up. For his second CD, Invictus, which will be released by the drummer's Redefinition Music label on March 17, Quinerly takes inspiration -- and the CD's title -- from the 1875 poem by William Ernest Henley ("I am the master of my fate / I am the captain of my soul").

"Many of today's artists face great uncertainty," Quinerly observes in the new CD's notes, ". . . and while critics, musicians and fans continue to debate the commercial sustainability of an entire industry, I firmly believe its sustainability rests solely within us creators: no matter who is (or isn't) listening, we must persevere, we must create and we must document, because only that which is documented lives on."

Invictus demonstrates with its very different musical demands just how much Quinerly has developed into a balanced yet ever-evolving artist. The album surrounds him with a brilliant young cast: vibraphonist Warren Wolf, regarded as one of the most exciting players on the instrument in years; prodigious pianist Christian Sands; rising guitarist Yotam Silberstein; and lyrical bassist Alan Hampton. One of the wonders of Invictus is how much freedom the compositions allow these ravishing soloists while staying inside its textural designs. 

Reggie Quinerly
Quinerly had this particular instrumentation in mind from the start, crafting compositions that took into account the sonorities and lyrical abilities of each player. Wolf is showcased on the album opener "Tavares," dedicated to Horace Silver and "rooted in tradition with a certain earthiness." Bassist Hampton, Quinerly's high school classmate and "one of my favorite musicians to work with," is the soloist on the melodic "Nimzo Indian," named for the chess strategy. Guitarist Silverstein is featured on the ballad "Variation 24," and Sands on the solo piano piece "Kunst Überlebt" (Art Survives). On Reggie's arrangement of "My Blue Heaven," the disc's only nonoriginal, the leader tips his hat to another musical influence, the illustrious pianist and composer Mary Lou Williams.

"As a composer, the melodies you write are like parts of your identity, like your name," says Quinerly. "If a melody is not done right, if the notes are not played properly, it's like mispronouncing your name. but all the musicians on this project pay special attention to properly interpreting the intended themes."

Reggie Quinerly
Reggie Quinerly, 34, was born and raised in Houston's Fourth Ward -- once known as Freedmantown -- and attended the High School for the Performing and Visual Arts, where his classmates included Mike Moreno, Robert Glasper, Eric Harland, Jason Moran, and Alan Hampton. After graduation he headed for New York City, enrolling at the Mannes School of Music at New School University and studying there with Jimmy Cobb, Lewis Nash, and Kenny Washington. He earned a B.A. from Mannes and later an M.A. from Juilliard, both in Jazz Studies.

Noted as "a drummer and composer of swinging disposition" (Nate Chinen, New York Times), Quinerly has worked with such notable musicians as Von Freeman, Vincent Herring, John Hicks, Joe Lovano, Branford Marsalis, Christian McBride, Wynton Marsalis, and Greg Osby. With saxophonist Marcus Strickland, he also played and lectured in New York City schools as part of Lincoln Center's Jazz in the Schools program. He frequently collaborates with vocalist/pianist Enoch Smith Jr., who appeared on Quinerly's first project.

The first CD release show for Invictus will take place on Wednesday 3/25 at Smoke, 2751 Broadway, New York City, when Quinerly will lead a quartet comprised of Jaleel Shaw, alto saxophone; Lawrence Fields, piano; and Alan Hampton, bass. Additional dates are in the works.

 

Photography: Javier Oddo (top), Adam Sjoberg (bottom)


Reggie Quinerly
Reggie Quinerly "Invictus" EPK

 

 
Follow: Follow us on Twitter
Like: Like us on Facebook


Media Contact:
Terri Hinte
hudba@sbcglobal.net
510/234-8781
Follow us on Twitter

2/28: Shawnn Monteiro ‘To Carmen With Love’ tribute with Mike Renzi

You may have seen Mike Renzi playing piano for Tony Bennett and Gaga  on the Grammy’s, then on Stevie Wonder Tribute…

He’ll be joining Shawnn Monteiro at Chan's Fine Oriental Dining in  Woonsocket, RI!
February 28, 2015 | Tickets are $15 | Event begins at 8PM
http://www.chanseggrollsandjazz.com/calendar.htm

Jazz songbird Shawnn Monteiro had a very successful tour of Italy with  her world class rhythm section a few years ago. Tonight is the Reunion  of that wonderful Italian Tour and a celebration of their excellent  (Whaling City Sound) recording ‘To Carmen With Love’ a tribute to  the legendary jazz singer Carmen McCrae. Featuring the great Mike  Renzi (Tony Bennett, Mel Torme) Piano, Dave Zinno(Bobby Greene,  Semenya McCord) bass and Steve Langone (Gray Sargent, George Garzone)  drums. Mike Renzi just won a Grammy with Tony Bennett and Lady Gaga  for “Cheek to Cheek.”