Saturday, November 29, 2014

CANADA: Flute Bits - November 2014 - Bill McBirnie

(1) “IMITATING BILL MCBIRNIE” - SLAVA FIKS

This is REMARKABLE! I don’t know how Slava Fiks (who is from New York City) managed to capture my solo with such absolute precision (because I could never have done this again myself).  This is a duo track (with Robi Botos on piano) from the album, Mercy, and I dedicated this particular track to Jeremy Steig.  It is about 2.5 minutes in length.  (Of course, as well as being impressed,…I’m flattered!… :-)



(2)  AN UPDATE & SAMPLE FROM THE FORTHCOMING ALBUM, GRAIN OF SAND (WITH BILL MCBIRNIE & BRUCE JONES)

Bruce and I are in the final strokes of this recording project and we really hope to release it soon (…once the mastering and manufacturing are completed…) In any case, I am very pleased with the results so far.  Here is an (unfinalized) teaser which is a vocal track entitled,  “Izabel” (“Isabel”).  It is unmastered so it still needs some trimming, but here is a rush of the track.  (It is about 4 minutes in length.)



(3)  TWO ARTICLES IN THE FALL EDITION OF “THE FLUTIST QUARTERLY”

Two (…yes, TWO!…) articles that I contributed are currently appearing in the fall edition of the “The Flutist Quarterly”, published by National Flute Association in the USA.  Both articles pertain to subjects that are of considerable interest to me personally (…and hopefully to others as well…)  The articles are as follows:

(i)  “Reflections of a Canadian on Paul Horn” which is a essentially a tribute to the flutist who has been - and remains - my strongest and most longstanding influence on the instrument.  (This item appears on page 49 of the journal.) 

(ii)  A book review of Cary Ginell’s biography, “The Evolution of Mann: Herbie Mann and the Flute in Jazz”.  (This item appears on page 64 of the journal.)
(4)  GIG LISTING

[NOTE:  The following gig listing is in DESCENDING order and that you can obtain a current/updated gig listing at the following link:  http://www.extremeflute.com/contact.html ]

Tues., Dec. 9, 2014 at 7:00 p.m.
The Salty Dog
1980 Queen St. E. (in the Beach)
Toronto, Ontario
With the GREG PILO Quartet

Sun., Nov. 30, 2014 at 3:00 p.m.
Musideum
401 Richmond St. W., Suite 133
Toronto, Ontario
With DON NADURIAK'S Jambanda - "Party Music"

Antonio Flinta Quartet: "ART IS AN INSURGENT POEM"

I am pleased to announce the release of our new, sixth CD, published by the well-known label Splasc (h) Records: 

"ART IS AN INSURGENT POEM"
The Quartet is available for 2015 Concerts and worldwide Tours, also in order to promote our new CD!
To listen  to a short  Excerpt  of our Cd, please follow the link:
http://www.reverbnation.com/antonioflintaquartet/song/18001517-como-en-sueo
Best Regards.
Claudio Gioannini
Drummer/Manager- Antonio Flinta Quartet
Rome, Italy




CROWDFUNDING: Jazz and Bossa Radio Funding Campaign

 Jazz and Bossa Radio 2015 Funding.
Toa Baja, Puerto Rico Music
Jazz and Bossa Radio 2015 Funding Campaign


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FRANCE: Allumés du Jazz : Le Journal No 32

LE JOURNAL N°32

Le Journal n°32
• N°32 (4ème trimestre 2013)
* Sommaire en disques = p. 2 - 3
* Histoire de la musique  : Le petit instrumentaire d'Alain Gibert = p. 4
* Humanité : Des Roms et de la vocation =p. 5
* intervue : Interview de Marcel Kanche par Bruno Tocanne  =p.6 - 7
* Cours du temps : Hélène Labarrière = p. 8 - 9 - 10 - 11
* Penser la musique aujourd'hui : Olivier Benoit = p. 12
* Sortie scolaire : Bruno et ses collégiens = p. 13
* Salut Jef Lee =p. 14
* Etrennes : Carnets d'hiver =p. 15
* Rond point : Mornes mobilisations = p. 16
* Echoppe à galettes : Le chant du monde des disques =p. 17
* Machinatube : Ecoutes prolétaires = p. 18
* La vie à la boutique - le journal des allumettes = p. 19
* Vertues virtuelles - Echelon Pub Pub =  p. 20
* Encyclopédie = p. 21
* Countdown + Mulgrew Miller solo = P.22
* What's new:  =p. 23 -24 - 25 - 26 -27
* GLQ par : C'est la quille (Julien Desprez) =p.28

http://www.allumesdujazz.com

France: Action Jazz Newsletter Nov 2014

Nl22 miles davis

Jazz Connect Conference to Honor SFJAZZ's Randall Kline with the Bruce Lundvall Visionary Award



Randall Kline of SFJAZZ Named First Recipient
of the Bruce Lundvall Visionary Award


Founder of SFJAZZ Organization to Receive Award
at the 2015 Jazz Connect Conference in New York City

The Jazz Connect Conference is pleased to announce that Randall Kline, founder and executive artistic director of SFJAZZ, is the first recipient of the Bruce Lundvall Visionary Award, presented by Jazz Connect. He will receive the award on Thursday, January 8, 2015 at the Jazz Connect Conference in New York City. Held at Saint Peter's Church, the two-day conference brings together members of the international jazz community for a series of panels, workshops and events, all dedicated to expanding the audience for jazz.

The formation of the award was announced at the 2014 Jazz Connect Conference at the culmination of a panel (sponsored by NARAS) saluting Lundvall's legacy and featuring Michael Cuscuna, Robert Glasper and Jason Moran. The Bruce Lundvall Visionary Award, presented by Jazz Connect, was created in honor of the longtime jazz record executive who was a champion and advocate for so many jazz artists over the last four decades. The annual award recognizes someone who has demonstrated extraordinary leadership and vision in expanding the audience for jazz and who has made a real difference for the artists, the music and the audience.

Commenting on the Visionary Award being named for him, Lundvall said, "I am truly humbled and honored by this award and was amazed to first learn of it. I have always approached my job with passion and honesty. I love jazz so much. It's provided me with my life's work, filled with rich experiences through relationships with many special artists and talented executives."

Peter Gordon, of the Jazz Forward Coalition and one of the organizers of the conference, said that, "Empowered by Bruce's gracious grandeur, we wanted his legacy memorialized with a new standard of excellence, to drive us to places we never thought achievable." He added, "Though we are all soldiers on the battlefield, this award is Jazz Connect's recognition of an against-all-odds effort that an individual has had to shoulder to make the impossible possible and challenge the rest of us to do the same."

Dr. George Butler, McCoy Tyner, Bruce Lundvall
The organizers of the Jazz Connect Conference chose Kline as the first recipient, based on not only a long career as a jazz presenter and champion, but also based on the herculean task of establishing the SFJAZZ Center in 2013. The Center comprises 35,000 square feet in a transparent and open structure features the state-of-the-art Robert N. Miner Auditorium with seating adjustable from 350 to 700, the 100-seat multi-purpose Joe Henderson Lab, rehearsal spaces, digital learning lab, South at SFJAZZ (bar/café from renowned chef Charles Phan), ground floor lobby, retail shop/box office, and SFJAZZ administrative offices. The SFJAZZ Center is the result of a $64 million capital campaign that was completed in September of 2014.

Lundvall reinforced Kline's unique contributions to the jazz community. "Randall is a true visionary, working in the most important jazz city in America after New York City," said Lundvall. "The new SFJAZZ Center has attracted great artists and he's put the city on the map which has reinforced his venue and the city as the west coast center for jazz."

SFJAZZ -- originally titled Jazz in the City -- was founded in 1983 with a seed grant from Grants for the Arts of the San Francisco Hotel Tax Fund. Seventeen years later in December of 1999 Kline announced the establishment of SFJAZZ, the San Francisco Jazz Organization, a much-expanded organization with year-round concert and educational programs. The SFJAZZ Collective -- now the resident ensemble of the SFJAZZ Center -- was established in 2004 and its eight members are commissioned to write a new composition and new arrangement of jazz' modern masters. The Collective has produced over 71 original compositions and 75 new arrangements in its 10 years - all recorded and produced by SFJAZZ.

Kline currently serves on the board of directors of Chamber Music America, the Western Jazz Presenters Network, and is member of the Board of Governors of the University of California Humanities Research Institute. This is such an honor," said Kline. "Bruce is one of the true beacons of the jazz and music business and it is humbling to be considered for an award that is named in his honor."

Pre-registration is only $125 until December 15, with additional discounts offered to members of various partner organizations, including APAP, Jazz Journalists Association, Chamber Music America, AFM - Local 802, JazzWeek and others.

 
For more information on the Jazz Connect Conference, please visit: Jazz-Connect.com


For media information, please contact:
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Serving the finest in jazz since 1988

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USA: Cellist Akua Dixon to Release Her 2nd CD, "Akua Dixon," Jan. 13, 2015

Cellist/Composer/Arranger Akua Dixon
To Release Her Second CD as a Leader,
"Akua Dixon,"
On Her Akua's Music Imprint,
January 13, 2015
 
Follow-Up to 2011's "Moving On"
Features Dixon's String Quartet
Plus Guests Regina Carter, John Blake Jr., Kenny Davis

CD Release Shows Scheduled for
1/18 Mount Morris Ascension Presbyterian Church, NYC;
1/30 Trumpets, Montclair, NJ;
4/18 Sistas' Place Coffee House, Brooklyn;
4/24 Leonard Nimoy Thalia
at Peter Norton Symphony Space, NYC


November 18, 2014



Akua Dixon
Jazz string pioneer Akua Dixon entered a new creative phase with the sleek 2011 quartet session Moving On, her first album under her own name. Her new album, Akua Dixon, is a dazzling string conclave that surveys the cellist/composer/ arranger's expansive stylistic reach. Dixon's label, Akua's Music, will release the disc on January 13, 2015.

The project showcases Dixon as a powerfully emotive improviser and dauntingly creative arranger exploring sumptuous American Songbook ballads, a suave Afro-Cuban standard, erotically charged nuevo tango, and a rootsy Ellingtonian opus. "When I look back at my history I've written for all different sizes of string ensembles, from duos and trios to orchestras," Dixon says. "But the string quartet is the easiest unit to keep together and keep working, and it's the situation I've written for the most."

The eponymous CD features Dixon's working string quartet (Patrisa Tomassini, first violin; Gwen Laster or Chala Yancy, second violin; and Ina Paris, viola) plus special guests like bassist Kenny Davis, violin star Regina Carter, and violin master John Blake Jr. (in one of his final recordings before his passing last August).

Also featured, on one track apiece, are Dixon's children -- drummer Orion Turre, heard on the album opener "Haitian Fight Song," and vocalist Andromeda Turre, who contributes a swooning version of "Lush Life." "They got exposed to a lot of different music growing up and both became wonderful musicians," says their proud mother. "Making music for me has always been a family affair."

Akua Dixon

Born and raised in New York City, Akua Dixon grew up in a family suffused with music. She started playing with her sister, the late violinist Gayle Dixon, shortly after the cello came into her life in the 4th grade.

After graduating from the prestigious "Fame" High School of the Performing Arts, Dixon studied at the Manhattan School of Music at a time when the only track available focused on European classical music. She describes her post-graduation gig in the pit band at the Apollo Theater as an essential proving ground. Backing a disparate array of stars from Rev. James Cleveland and Barry White to James Brown and Dionne Warwick, she developed a vast idiomatic repertoire.

With the doors of most symphony orchestras closed to African-American musicians (to say nothing of women), Dixon found a home in the Symphony of the New World, which is where she experienced the Ellingtonian epiphany that led her to jazz. "I started immersing myself in jazz and spirituals, and became determined to learn the secrets of improvising," she says.

Akua Dixon
It's hard to overstate the centrality of Dixon's contribution to the rise of visibility of bowed strings in jazz. In the early 1970s the New York scene was exploding with creatively ambitious and talented string players, many of whom gathered in the String Reunion, a 30-piece orchestra founded by Noel Pointer. Dixon served as the ensemble's director of new music, supplying the group with a steady stream of original compositions and arrangements. At the same time, she launched her own string quartet, Quartette Indigo, which made its big-league debut at the Village Gate with her sister Gayle Dixon, Maxine Roach, and John Blake Jr.

Dixon collaborated closely with another jazz giant in the early 1980s as a founding member of the Max Roach Double Quartet. She had honed her rhythmic drive backing the likes of James Brown, but learning to phrase bebop with one of the idiom's founding fathers was an invaluable experience.

After years of lending her skills to recordings by masters such as Archie Shepp, Don Cherry, Buster Williams, Carmen McRae, Dizzy Gillespie, Abbey Lincoln, Tom Harrell, and her former husband Steve Turre, Dixon made a bold statement of her own with 1994's Quartette Indigo (Landmark), a classic album featuring violist Ron Lawrence and violinists Gayle Dixon and John Blake Jr. (reissued by 32 Jazz). Supported by a grant from the NEA to compose the music, she delivered a brilliant second album in 1997 with Afrika! Afrika! (Savant) with Lawrence, and violinists Regina Carter and Marlene Rice.

She spent much of the next decade immersed in education, teaching at various institutions and conducting dozens of performances through the Carnegie Hall Neighborhood Concert Series. With the release of Akua Dixon, however, Dixon has refocused her priorities and put her own music on the front burner.

In support of the new CD, Dixon will be appearing with her string quartet 1/18 at the Mount Morris Ascension Presbyterian Church, 122nd Street and Fifth Avenue, NYC (the church she attended growing up was in this facility). Other CD release shows include: 1/30 Trumpets, Montclair, NJ; 4/18 Sistas' Place Coffee House, Bedford-Stuyvesant, Brooklyn; 4/30 Leonard Nimoy Thalia at Peter Norton Symphony Space, 2537 Broadway at 95th Street, NYC.



Photography: Jose Iorio


 
Web Site: akuadixon.com
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