Monday, February 25, 2013

Chris Hyson - Little Moon Man (Feat. Kit Downes) (2013)


A set of original music written by Chris Hyson, this music is written for the piano and is played by the critically acclaimed, 'Mercury Prize' nominated pianist, Kit Downes.
I spent a lot of time experimenting with different musicians and instrumentation to find the right combination for this music. After some time, I came to realise that it was best suited to being played on the piano alone, as that's where I spend a lot of my time composing - alone on the piano. When I write music, I try to be as honest as possible, drawing influence from my own personal life experiences, and the relationships I have with others. All the music is written from a place of love. I hope you enjoy it
https://soundcloud.com/chrishyson


Lisa Clark Augis - The Colossal Joy Project (2013)

Jazz vocal eclectic mix of gifted singers and world class instrumentalists; covering classic tunes from Fats, to Pops, to Stevie Wonder, and infused with a colossal amount of positivity, love, and joy; it's "motivational jazz" for the whole family!
For a while now, I have wanted to create a recording filled with positive music. No "broken heart" songs, no "I can't live without whoever" songs, no "life stinks" songs, just powerfully happy songs! We encourage children to be more upbeat, yet the example we set with the music we listen to, and the emotions associated with it, can often be the opposite. It has become cool to be mean and angry, and frowned upon to be happy and loving. Many people must take anti-depressants and anxiety medicines. When I listen to the news or watch television, I quickly understand why so many of us are so sad. We have a serious deficiency of "happy"! I believe that it is up to us as individuals to embrace the joy that we are all capable of experiencing and sharing. That is what this project is all about! I have experienced first hand what the power of positivity through music can do. I definitely felt it while creating music with the wonderful group of people involved in this recording. These are some very accomplished musicians and singers, some very dear friends, and each and every one of them has a colossal heart! (This recording features duets with great local Columbus based artists like vocalist Kay Harris of Sirens and Kerry Henderson of the Floorwalkers, to national artists like Dwight Adams (trumpeter for Stevie Wonder). There is a wonderful feeling of positivity that we share when we are creating music together! I really wanted to capture that energy and pass it along! 
About me: Lisa is a Vocalist/Jazz Educator and Preservationist. She currently teaches, lectures, and performs around the midwest area as a freelance vocalist, with the Erik Augis Trio, and with her own group, The Colossal Joy Project. She is also a performer and co-founder of Jazz for Kids, a group that teaches early-elementary age children about jazz though in-school programs, residencies, and community concerts throughout the area. Lisa has well over twenty years of extensive performance experience, and has been a featured vocalist with many wonderful bands including The Nelson Riddle Orchestra, The Columbus Symphony Orchestra, and The Columbus Jazz Orchestra. Additionally, she has been featured vocally in venues which include but are not limited to: performances nationally in a huge variety of jazz clubs and theaters, Chamber Jazz, Firehouse Jazz, and Bungalow Jazz concert series, as well as a variety of jazz and music festivals. Her first solo CD, Girl Blue, received national radio airplay and many positive reviews, and her voice has been heard on a variety of radio and television jingles. The Colossal Joy Project is Lisa's second recording project. CDBABY



SPAIN, BARCELONA: Jamboree Jazz Club Schedule

GIULIA VALLE ‘LÍBERA’

Dimarts 26 de Febrer 20:00h | 22:00h
JAMBOREE JAZZ LAB EXPERIENCE
Líbera és una nova banda en la que la compositora i contrabaixista Giulia Valle ha creat un so de grup a partir de les seves pròpies referències en el camp del rock, la rumba, el trance i el deep techno. Una combinació explosiva on també intervé la màgia del llenguatge improvisat I la pròpia Valle mostra les seves credencials des d’una vessant fins ara desconeguda...

GUILLEM CALLEJÓN & DAVID SOLER

Dimecres 27 de Febrer 20:00h | 22:00h
L'APOSTA DEL JAMBOREE
Un projecte a duo de David Soler i Guillem Callejón inevitablement desemboca en una exploració tímbrica i en la creació de textures musicals fins a un extrem insospitat. Mitjançant guitarres, pedal steel guitar, lap steel guitar i un gran ventall d'efectes electrònics i loops...

THE JAMBOREE BIG LATIN BAND

Dijous 28 de Febrer 20:00h | 22:00h
BIG JAMBOREE
Es deien Barcelona Big Latin Band i ara que seran cada mes al club de la plaça Reial han passat a anomenar-se Jamboree Big Latin Band, o sigui, la gran banda de la sabrosura europea a la cava cinquantenària; la que atresora una trajectòria envejable; el referent de la música llatina a Espanya...

PARAULA DE JAZZ

Divendres 1 de Març 20:00h | 22:00h
PREMIUM JAMBOREE
Els poetes Pere Rovira i Joan Margarit ens ofereixen, amb l’espectacle Paraula de Jazz, un apropament a una manera pròpia de fer poesia, que pot definir-se en dues propostes afins: els poemes que parlen de jazz i els que fan una clara referència a aquesta música, malgrat tractar vivències pròpies o la mateixa existència humana....

MANIACS’ BAND

Diumenge 3 de Març 18:00h
SWING & BALL
Lindy, Swing, Balboa i tots els estils de jazz ballable tenen cabuda en la proposta de Maniacs’ Band, la formació més nombrosa i experimentada destinada a la música de ball. Integrada la major part per ballarins empedreïts, ells millor que ningú saben el que demanen els peus per a bellugar-se...

3rd ANNUAL CELEBRATION IN HONOR OF JAMES MOODY - A CONCERT TO BENEFIT THE JAMES MOODY SCHOLARSHIP FOR NEWARK YOUTH

3rd ANNUAL CELEBRATION
IN HONOR OF JAMES MOODY
A CONCERT TO BENEFIT
THE JAMES MOODY SCHOLARSHIP
FOR NEWARK YOUTH
Monday March 25, 2013
Blue Note 131 W. 3rd St
New York, NY 10012 212-475-8592
Showtime: 8:00PM Doors Open at 6:00PM


All proceeds will go towards Moody’s foundation, the CFNJ James Moody Jazz Scholarship Fund for Newark Youth.


Jim Eigo Jazz Promo Services
272 Ste Route 94 S #1  Warwick, NY 10990
T: 845-986-1677 / F: 845-986-1699
E-Mail: jim@jazzpromoservices.com
Web Site: www.jazzpromoservices.com/

Guitarist/Composer BILL HORVITZ Pays Homage to Late Brother Philip Horvitz on Latest Album, "The Long Walk", Available April 2 on Big Door Prize Records

Collection of Jazz, Funk, and Folk Influenced
 Compositions for the 17-Piece Bill Horvitz Expanded Band
The Long Walk   
 Bill Horvitz  
The Long Walk  
  
Release Date: April 2, 2013
Label: Big Door Prize Records
  
 DL Media ·  (610) 667-0501
Don Lucoff 
don@dlmediamusic.com
Matthew Jurasek
matthew@dlmediamusic.com  

  

"A superb demonstration of structure and expression..." - Village Voice
 

Eight years after his brother's untimely death, guitarist and composer Bill Horvitz pays homage to Philip with his latest release, The Long Walk, set for national release, April 2.  Special tribute performances are being planned for the SF Bay Area (March) as well as New York (June).

The Long Walk is a suite of eight pieces composed by Bill Horvitz for the 17-piece Bill Horvitz Expanded Band as a tribute to his youngest brother Philip Horvitz, who passed away suddenly of a heart failure in 2005 at the age of 44. Philip was an inspired writer, director, actor, dancer, and choreographer, who worked primarily in San Francisco and New York. The music includes a wide range of styles drawing on jazz, funk, folk, and new music. The compositions are tightly composed and arranged and contain sections of conducted improvisation. Each piece relates in some way to a part of Philip's life.

After Philip died, Horvitz wanted to compose music as a tribute to him, and about a year after his death, began hearing the beginnings of new compositions that felt in different ways related to Philip's life. As Horvitz worked tirelessly on his compositions, the music evolved and he began adding instruments. The resulting pieces are a collection of jazz, rock, folk, classical, and funk-influenced works that have come out of the enormous range of emotions Horvitz has felt since his brother's untimely death, "I did not compose this music with literal ideas about Philip in mind, but found elements that related to him as each piece grew." For example, "Child Star" with all the appropriate fanfares, refers to a time very early in Philip's life when he often performed for his family, "Philip would create theatrical pieces, command performances based on Broadway musicals, for which he printed and sold tickets. He would dance in the living room and lip sync or sing along with recordings, all highly choreographed and rehearsed to a tee."

Bill Horvitz has spent nearly 40 years combining composition and improvisation and expanding the voice of the guitar in both large and small ensembles. Between 1978 and 1988 he lived and worked in New York City, where he worked with a long list of composers and musicians. Horvitz' lengthy and varied experience in the realms of jazz, rock, classical, folk, and new music have resulted in an entirely original compositional voice-a voice that is forceful and innovative, yet always intelligently accessible. As a guitarist, Horvitz stretches the boundaries of guitar music and points it in new and exciting directions. He fuses traditional and extended techniques in a most inventive way; his strikingly personal instrumental vision endows his music with an infinite array of tonal color.

The pieces in The Long Walk combine through-composed, tightly arranged music with a variety of settings for improvisation. Exercising his creative writing abilities with hisExpanded Band proves to an exhilarating experience for Horvitz, "The instrumentation includes brass, winds, strings, and rhythm section and enables me to shift between a traditional jazz sound and something less conventional." The Expanded Band includes a stellar line-up of some of the San Francisco Bay Area's (and beyond) finest musicians, who add an enormous amount to the music already on the page as excellent readers, interpreters, and improvisers.

The improvised portions commonly begin with one or two soloists and build from there as directed by conductor Omid Zoufonoun. Hailing from a renowned family of Persian musicians, instrumentalist and composer Zoufonoun studied conducting in Vienna for three years.

When performed live, Horvitz introduces the pieces with brief stories about Philip, connecting the music to him. These stories have a profound impact on the audience as well as the musicians. The stories are poignant, evocative, and often quite humorous. Band members play the music with increased passion, and following the concerts, audience members speak of being deeply moved, sharing similar experiences of loss of their own. This, for Horvitz, is the most significant part of the project-how the combination of story and music touches people, uniting all in the human experience. Writer David Templeton said, "The program has universal appeal, beautifully illustrating how the loss of someone very close can be turned into a work of healing, acceptance, and love."

The first Expanded Band performances came in the fall of 2006 in San Francisco and Sebastopol, California. The original ensemble included twelve musicians, and by the spring of 2007, the ensemble grew to 20 and performed the music in New York City at Roulette. In 2009 Horvitz had yet another vision for his Expanded Band, opting to revise the music extensively, add a new piece, and slightly alter the instrumentation. From this the ensemble came into existence as it is today, with 17 musicians and a conductor. The music was recorded in 2011 at Fantasy Studios in Berkeley, CA.

In addition to leading and playing in The Bill Horvitz Expanded Band, since 2004, he has sung and played guitar, banjo, and ukulele with TONE BENT, a folk duo with his wife, composer, musician and singer Robin Eschner. Their first release, Say What You Will, has been described as "a roaring ride through the heartland of human experience." They're second release Angels In the Kitchen will be released in the spring of 2013. Horvitz also leads and composes for the instrumental trio, The Skerries, with bassist Scott Walton and drummer Tom Hayashi. He is a founding member of Take Jack, a nine-member vocal and instrumental band and has composed music for theater, film, dance, art installation, and spoken word.
  
Bill Horvitz - The Long Walk EPK
Bill Horvitz in conversation with Derk Richardson about recording The Long Walk at Fantasy Studios.

Upcoming Bill Horvitz Expanded Band Appearances:

March 22 / Duende / Oakland, CA

March 23 / The Glaser Center / Santa Rosa, CA

June 30 / Roulette / Brooklyn, NY

 Bill Horvitz·  The Long Walk
Big Door Prize Records· Release Date: April 2, 2013


For more information on Bill Horvitz, please visit: billhorvitz.com
   

Information and press materials (including album covers, promotional photos and bio's)  
on all DL Media artists can be found at our new website: dlmediamusic.com 

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Sunday, February 24, 2013

The Dave Lalama Big Band-The Hofstra Project (2012)

A recording of both original and standard Big Band Jazz compositions and arrangements featuring some of New York's best musicians and educators, all with no degrees of separation from Hofstra University. Evidence that "those who do, can teach and play!"

THE MUSIC
"Full House" is a minor blues that features the saxes in both solo and soli roles in deference to the Thad Jones-Mel Lewis (now Village Vanguard) Jazz Orchestra, aptly titled to convey the kind of Monday night audiences they continue to attract. 

Also from the Thad Jones influence comes "Where Are You." It started as a re-harmonization assignment for my time with Thad many years ago (right before he moved to Europe!). Mike Carubia’s flugelhorn and John Mosca’s trombone partner with the soprano sax and piano dialogue to fuse the ensembles and the solos.

"No Evidence" is an original tune based on the standard, There Is No Greater Love mixed with the spirit of Thelonious Monk’s classic, "Evidence." It features the Lalama Brothers along with a “Pittsburgh-style” ensemble section that reflects our roots.

"Duke Ellington’s Sound Of Love" is a Charles Mingus composition that features former Hofstra faculty member Dave Pietro in this arrangement. This particular arrangement and performance illustrates our love and respect for both Mingus and Duke. 

Joe Henderson’s "Inner Urge" also features Dave Pietro on alto sax along with Hofstra alum John Marshall on tenor sax. It is the only arrangement on this recording that moves alum Mike Rubenstein into the lead trumpet chair with the full support of the band’s lead trumpet player (and Mike’s teacher) Dr. Leon Petruzzi. 

Clifford Brown’s solo provides the trumpet section (led by Hofstra faculty member Dr. Leon Petruzzi) with the featured voice in this arrangement of Sonny Rollins’ "Pent-Up House." Along with soloists Dave Pietro, (alum and faculty member) Pete Coco and John Mosca, drummer Tony Tedesco (also a Hofstra faculty member) presents the initial melody of the tune while providing the swinging “Max Roach” feel throughout.

Next is the James Moody classic "Moody’s Mood For Love." With apologies to my former employer, Eddie Jefferson, we present this instrumental version, not with his timeless lyric, but an ensemble dialogue between the saxes and brass, capped with an “In The Mood For Love” solo by Glenn Drewes.

"St. Thelonious" is a calypso homage to another one of our heroes that uses Monk themes as the foundation of both the melodic and harmonic DNA of the arrangement and improvisation. However, the inherent rhythmic genes are clearly the contribution of Tony Tedesco and Pete Coco throughout. 

We dedicate Oscar Pettiford’s "Tricotism" to the memory of Robert Bowen III. Bob was one of Hofstra University’s best and brightest faculty members whose spirit has touched the lives of all with whom he had contact, either through his teaching or musical artistry. Pete Coco honors the memory of his mentor in this bass feature through his solo and his partnership with the trombones in an arrangement of the original Pettiford recorded improvisation. 

Most of us “elders” performing on this recording were very lucky to begin our professional musical careers with the legendary Jazz big bands of the sixties and seventies. "The Song Isn’t You" was first created for the Buddy Rich Big Band Machine to feature my brother Ralph Lalama and (my “brother-from-another-mother”) Glenn Drewes. With Tony Tedesco channeling Buddy, and John Mosca starting us off, they all give the youngsters some idea of what they missed.

This arrangement of Jimmy Rowles’ "The Peacocks" features former Hofstra faculty member Jeff Lange with his lyrical baritone sax performance and the stratospheric lead trumpet playing from Dr. Leon Petruzzi. Proving that “those that can teach, definitely can DO!” 

"Blues For…" starts off with one of those “youngsters” (Brent Chiarello) on the trombone to introduce this representation of our roots that spawned The Hofstra Project. As the blues is one of America’s gifts to the rest of the world, I always like to begin and end the school year performances with this noble musical form. 

"Evansville (Bonus Track)" is an original musical expression of gratitude to Bill Evans that features the piano player throughout. It is offered here as a loving “Thank You” to these wonderful musicians whose talent, musical IQ and (most of all) friendship can never be accurately described in mere words. I hope that the listener feels the same sense of sincerity, affection and feeling we had in the studio and tried to capture in The Hofstra Project. 

Dave Lalama (October 2012)


Benny Green-Magic Beans (Sunnyside 2013)


For his historic Sunnyside release, Magic Beans, Benny Green crafted ten new pieces performed by his working trio. Remarkably, this release marks Benny’s first self-produced trio recording of all original compositions in a career that spans decades: notably as a star sideman with Betty Carter, Art Blakey, Freddie Hubbard, and Ray Brown and culminating in over 20 years as a leader.  

While having favored to sprinkle his recordings with standards, Benny Green has always been a composer, contributing new music to all of his leader dates, as well as records by Blakey, Hubbard, and Brown. However, in 2012, Benny experienced what could only be characterized as a compositional break-through—prolifically writing all the tunes recorded on Magic Beans in what was, seemingly, one afternoon. Benny then decided to embark on the recording of this album with his trusted Messenger mates: the brilliant Peter Washington on bass and the legendary Kenny Washington on drums. Thus, Magic Beans took root.
Sunnyside