Showing posts with label Singapore. Show all posts
Showing posts with label Singapore. Show all posts

Thursday, October 31, 2019

USA/VENEZUELA/SERBIA/KENYA/SINGAPORE/ARMENIA: Band of Sisters: Music Action Women Collective Captures the Global Sound of Women’s Hard-Won Triumphs

63413 musact 20women 20collective 20live

Band of Sisters: Music Action Women Collective Captures the Global Sound of Women’s Hard-Won Triumphs

Around the world, women are fighting bold uphill battles, insisting on their artistic integrity and leadership in music and in their societies. They are fighting to be artists, not women musicians or female composers. Along the way, they are transforming their communities--and making some diverse, kick-ass music.
Music Action Lab invited a handful of these women, hailing from Philly to Yerevan to Singapore, to form a band and create music together. After a residency in San Francisco that incorporated social activism training, entrepreneurial support, and musical engagement, these six artists recorded Music Action Women Collective: The EP (release date: September 20, 2019).
Drawing on electronic and club music, Latin alt-trad, jazz, contemporary classical, and their own idiosyncratic influences, this collective of six wildly talented musicians crafted compositions that showcase their power and perspective. Some (“Nazeni”) suggest traditional song structures, some explore profoundly poetic territory (“Lullaby,” an ode to a yet-to-be-born daughter). Some are seriously groove based (the super funky “Breathe,” the Balkan blast of “Rules Change”), some run free (the wild sway of “Hide”). The compositions all highlight women’s varied and nuanced perspectives.
Unlike many international exchanges, this project put musical chemistry first, building a band, not ticking off geographic or other boxes. This approach yielded a wonderfully cohesive group that avoids the pitfalls of many cross-cultural mashups, creating instead a sonic sandbox where the participants could experiment, learn, and inspire one another.
“The community we made with this project is just a seed, a tiny point,” reflects Serbian saxophonist, composer, band leader, and music therapist Jasna Joviċeviċ, “but if nourished carefully, it could grow into the place where we find shelter, a place to rest for the next giant step, and help us become stronger every time.” 
“This project was a life-changing experience,” explains singer, songwriter, and pianist Sevana Tchakerian, who leads several ensembles and education initiatives from her base in Armenia. “I had the luxury to find myself with a diversified and motivated all-female cohort of professional musicians, from around the world, for two whole weeks. Being able to create music and work on the challenges of being a female musician in a male-dominated industry has been a catalyst to reorient my professional, artistic and personal life.”
About the Collective
From five continents, the Collective members specialize in a range of styles and genres. They include:
Liz Draper (USA/ bass) -- A classically and jazz-trained versatile bassist, Liz has performed, recorded, and toured internationally with such groups as the Grammy Award-winning Okee Dokee Brothers and Soul Asylum. She has led a diverse range of projects, including Black Blondie, an all-female alternative R&B group featured on the same stage as Questlove and Amy Winehouse, the all-female Carpscale Orkester, and Up The Mountain Down The Mountain, an acoustic chamber doom folk metal project.
Barb Duncan, Muzikaldunk “The MD” (US / Drums) -- Drummer, producer, and educator Muzikaldunk is a Philadelphia-born and -raised musician who has worked as a concert and session drummer, produced music for up-and-coming artists and taught young musicians how to perfect their craft. A community advocate and activist, she is developing a rehearsal and audio/visual studio in West Philly for experienced and novice creators to have a safe space to work, network and build. She is also a member of the alternative rock band JJX and regularly performs with The Remixologist and The Sea Tease. In 2018 Muzikaldunk was honored with the HIT LIKE A GIRL Technology Breakthrough Award of 2018. She also released her first instrumental album “GOLD-MIND”.
Maria Fernanda Gonzalez (Venezuela / Bandola llanera) -- Maria Fernanda is a Barquisimeto-based multi-instrumentalist and journalist. After years of studying cuatro, mandolin and violin, Maria decided to take up the bandola llanera, an obscure Venezuelan instrument with few well-known female performers. She has performed internationally at Festival of Música llanera the Silbón (Venezuela), the festival Girara de Oro (Colombia), the 32nd Music Office Curitiba (Brazil), The International Jazz Festival Barquisimeto (Venezuela) and Folklorico Summer Festivals (Portugal and Spain). She recently toured Greece, Turkey, Cyprus, France, and Italy, performing joropos, a traditional music of the high plains of Venezuela. She teaches master classes on the bandola llanera and is working on codifying and writing a new universal teaching method for the instrument.
Jasna Joviċeviċ  (Serbia / Saxophones, Woodwinds, Percussion) -- Jasna is a saxophone, bass clarinet, flute, and spacedrum player and composer from Serbia. Jasna received her Bachelor’s degree from Franc Liszt Music Academy in Budapest, Hungary, and Master’s degree in composition from York University in Toronto. She has also studied music in Serbia, Brazil, US, and Austria, won grants to artist residency programs worldwide, and performed her work around Europe and North America at various international competitions and festivals. A music educator and therapist, Jasna also is the founder and leader of the all-female “New Spark Jazz Orchestra,” featuring Balkan women in jazz. She has recorded several solo albums (“Flow Vertical,” “Invented Reality” and “The Sound of Birds”) and contributed to more than a dozen other recording projects.
Claire Marie Lim (Singapore / Electronics, vocals) -- Claire is a music technologist and interdisciplinary artist specializing in audio production, writing, and technology, and has worked with organizations such as Beats By Girlz, SisterSMATR, Girls Rock Campaign, and Women in Music. She is a proud DJ for Alphabet Rockers, a Grammy-nominated group that spreads messages of social justice and empowerment to children and youth via hip hop music and dance.
Kasiva Mutua, Music Director (Kenya) -- An alumna of Giant Steps’ Music Action Lab 2.0, Kasiva Mutua is an acclaimed percussionist and advocate of women's rights. A percussionist since childhood, Kasiva is known for her seamless abilities to fuse African music with modern styles crossing hip-hop, reggae, and jazz. Kasiva has deep experience in musical collaborations, such as Coke Studio Africa, The Nile Project, 1Beat, and Xjazz. Kasiva has worked with such musicians as Kirk Whalum (US), Oliver Mtukudzi (Zimbabwe), Suzanna Owiyo (Kenya), Dina El Wedidi (Egypt), Kidum (Burundi) and reggae artist Anthony B (Jamaica).
Sevana Tchakerian (Armenia / Vocals, keys, accordion, flute) -- Sevana is a French-Armenian musician, songwriter, educator and tour manager.  In 2012, she co-founded the Collectif Medz Bazar, a multi-ethnic band creating traditional and original songs melding Middle-Eastern and Balkan folk, hip-hop, chanson, cabaret, jazz, and Latin influences. In 2015, Sevana moved to Armenia to initiate Tsap-Tsapik, an inclusive music program aiming at rural educational development and pedagogical innovation. She is working to publish the first preschool music education curriculum in Armenian. She has created Dayl’Ayl Production, a tour management agency to promote Armenian musical talent internationally.
About the Project
The inaugural edition of Music Action Women, a social impact-driven music residency bringing together outstanding female artists committed to advancing the causes of women through music, was held in early 2019 in partnership with the University of San Francisco and in its Performing Arts for Social Justice program, the Fellows enjoyed a dynamic schedule combining interactive learning workshops and rehearsals facilitated by domain experts, hosted in the historic Presentation Theater.
Music Action Women was produced by Giant Steps, a music-meets-social action initiative.
About Giant Steps
Founded in 2016, Giant Steps Music creates innovative musical approaches to social justice and social impact. Its flagship program is the Music Action Lab, a residency for musicians across the world to come together, learn from each other, and create original music advancing global social issues and empowering them to be changemakers in their communities. To date, Giant Steps has worked with 24 artists across 5 continents and 14 countries. Its acclaimed albums, which have been featured in the Huffington Post, PBS, Pop Matters, and Jazz Weekly, include Foundation and What If.


Contact

Publicist
Ron Kadish

Monday, January 1, 2018

JazzWorldQuest Showcase 2017


The JazzWorldQuest Showcase 2017 features songs from albums released in 2017 by independent jazz and world music artists from all over the world: Matija Dedic(Croatia), Roberto Magris Sextet(Italy/USA), Sinouj(Spain), Randy McGill(USA), Diego Figueiredo(Brazil), Florin Raducanu(Romania), Stefano Travaglini(Italy), Itamar Borochov(Israel), Florian Hoefner(Canada), Antoine Fafard(UK), The Steven McGill Project(USA), Bill Mentz(USA), Leon Neal(USA), António Silva Quartet(Portugal), Hayley Lam(USA), Igor Willcox 4tet(Brazil), Daniel Chia(Singapore), Marcin Malinowski(Poland), Sweet Lu(USA), Luis Alas & La Calle Ocho Funk(USA), The Besser Three(New Zealand)

Listen at


Saturday, September 23, 2017

USA/SINGAPORE/MALAYSIA/INDONESIA: TARANA ASIA TOUR 2017

TARANA ASIA TOUR 2017

Oct 13: LaSalle College, Singapore

Oct 13: Artistry Space, Singapore (presented by Ujikaji Records)

Oct 14: RAW Art Space (workshop), Kuala Lumpur, Malaysia

Oct 14: FONO, Kuala Lumpur, Malaysia (presented by Public School/Resonance)

Oct 15: Live Fact, Kuala Lumpur, Malaysia (Presented by Soundscape Records)

Oct 17: @America (workshop), Jakarta, Indonesia

Oct 18: TBC

Oct 19: Kedai Kebun Forum, Yogyakarta, Indonesia (Presented by YesNoWave)

Oct 20: Bandung International Digital Arts Forum (BIDAF), Bandung, Indonesia

Oct 21: @America (US Embassy Sponsored), Jakarta, Indonesia

Oct 22: Reyog Jazz Festival, Ponogoro, East Java, Indonesia

http://ravishmomin.com/

Saturday, April 29, 2017

JazzWorldQuest The Free mp3 List & Playlist Update


The Free mp3 List
Free promotional mp3 downloads – jazz and world music

Musician: Allan Licht
(USA)
Track: Sometimes
Album Name: Sometimes
Year of release: 2015
Musician/Label Website: www.allanlicht.com
Link to CD store

Musician: Daniel Chia
(Singapore)
Track: CALI STYLE
Album Name: IN THE MOMENT
Year of release: 2017
Composer: Daniel Chia
Musician/Label Website: https://www.danielchiaofficial.com

Sunday, October 9, 2016

SWITZERLAND/SINGAPORE/BRAZIL/TURKEY: Jazz Festivals News

Montreux Jazz Festival expands its brand to Singapore, Brazil
The Montreux Jazz Festival, one of the largest and longest-running in the industry, is keeping its 50-year-old brand fresh by spreading it beyond Lake Geneva without comprising its famed values of intimacy and creativity.

The iconic Swiss brand is expanding its global franchise of jazz clubs and increasingly looking at international licensing of its annual festival, which celebrated its golden jubilee this July.
Friday marks the official launch of the Montreux Jazz Cafe in Singapore following successful openings across Switzerland, Paris and Abu Dhabi. The venue is aimed at showcasing emerging musicians in addition to top-notch international talent, such as English soul legend Omar Lyefook who will be performing on Friday. INFO

Jazz festival to offer panels, workshops besides good music
The Akbank Jazz Festival, one of the longest-running festivals in Turkey, celebrates its 26th anniversary this year. The festival, which brings to Turkey the most prestigious musicians in the jazz world, will bathe Istanbul in different colors of jazz between Oct. 12-23 INFO


Thursday, August 11, 2016

SINGAPORE: Alemay Fernandez - Hard To Imagine (2016)

1. Being You
2. Hard To Imagine
3. Spare Me The Details
4. I Believe
5. Meant To Be
6. Sheer Perfection
7. How Many Ways
8. Heaven Wrote A Song
9. My Baby & Me
10. I Got The Feeling

ALEMAY FERNANDEZ
HARD TO IMAGINE -The Album Launch Concert

Hailed by TimeOut magazine as one of Singapore's "best-loved entertainers", homegrown vocal powerhouse Alemay Fernandez is a rising star in the Asian Jazz scene. At this concert, Alemay performs songs from her maiden album - a labour of love five years in the making. The album of original tracks is the singer’s first foray into writing, arranging and producing. Deeply personal, the tunes are a diary of her journey as an artiste. Expect an elegant night of jazz, soul & bluesy goodness backed by a stellar 8-piece band, it'll be hard to imagine a better evening of entertainment!

Get your tickets NOW
http://www.sistic.com.sg/events/alemay0716

Guest Performers:
Vanessa Fernandez
Michaela Therese
Richard Jackson

Band Members:
Shawn Letts - MD/Tenor Saxophone
Kerong Chok - Piano/Organ
Ben Poh - Double Bass
William Gathright - Electric Bass
Pablo Calzado - Drums
Navin Kumar Nagpal - Percussion
Munir Alsagoff - Guitar
Dan Z'berg - Trumpet
Kie Watkins - Trombone

================================

"I'm knocked out by how wonderful she sounds..." - Dennis Mackrel, Former Music Director, Count Basie Orchestra

"One of Singapore's smoothest voices" - Today Online

"I just had to take a moment to express the moving experience Alemay's voice brought me. I loved and enjoyed her so much!" - Carmen Bradford

Homegrown powerhouse Alemay Fernandez is a rising star in the Asian Jazz scene. Known for her sultry-smooth tone and an onstage presence that keeps the audience eating out of the palm of her hand, she has performed with The Count Basie Orchestra, David Foster, The Platters' Bobby Soul, and opened for Laura Fygi & Incognito.

Thursday, March 8, 2012

SINGAPORE NATIVE KERONG CHOK MAKES DEBUT AS A LEADER ON GOOD COMPANY AVAILABLE APRIL 3

 Kerong Chok Good Company art      
 
"Even though he rates as one of Singapore's most exciting young jazz keyboardists, it's taken Kerong Chok nine years to come up with his debut album. But what an album it is... Get this and you'll realize that you're really in good musical company indeed."
- Christopher Toh, TodayOnline

When people think of Singapore - the small island, city-state in Southeast Asia - images of a well-ordered, literate, socially disciplined, technologically advanced, multicultural entrepot easily come to mind. Musically, the country is known for its brilliant classically trained prodigies. Now there's another great musical talent coming from that part of the world - jazz organist, composer, and bandleader Kerong Chok. He's a graduate of the distinguished Manhattan School of Music and has played with a number of jazz stars including Frank Wess, Steve Wilson, and John Riley.

On Good Company, his debut recording as a leader, this innovative organist delivers ten original compositions in an engaging, impassioned quintet featuring Brubeck Institute graduate, tenor/soprano saxophonist/flutist Lucas Pino, the Parisian, New School alumnus guitarist Michael Valeanu, and fellow MSM alumni, trumpeter Matt Holman, and drummer/percussionist Jake Goldbas. The leader and his simpatico sidemen are informed by classic artists in the sixties Blue Note Records mode, particularly Larry Young's 1966 masterpiece, Unity.

"Young is huge," Chok says. "I listened to that record so much. There's a certain intensity in the music he plays that is so natural, and so appropriate... Like Coltrane, he reflects the emotional connection he has to the music. I first heard him when I was getting interested in the organ. I heard about Jimmy Smith first, and then I heard about Larry Young and a recording that had Joe Henderson and Elvin Jones on it. I went to HMV every week and asked for Unity, and it would never be there, but one day I found a Japanese import and took it home, and it was one the most amazing things I ever heard."

Chok's fleet-fingered, adventuresome styling distills the best of Young's pioneering organ sound into equally provocative and propelling music, tailor made for the twenty-first century.
"I was writing music on a regular basis, taking note of pieces that would potentially work as part of an album or live set," Chok says, "and also waiting for the right band to come along. I wanted to make this more about the ensemble and the compositions. It was about everybody working as a team, presenting the compositions like songs as opposed to a 'blowing' session."

On this album, Chok's nod to Young is aurally evident on the sizzling opener "Black Ice," inspired by the hidden patches of ice one walks and drives over in winter, which the leader metaphorically makes manifest. "The bass line moves around in a way that changes the meaning of the two chords in the guitar vamp," Chok explains, "it's like the ground shifting under you." "Literacy" bounces with a Caribbean feel, inspired by Chok's time in school where he "was learning a new language, and learning how to expand musically." The foreboding "Sounds from the Back Alley" and "Incessant," - originally named "Washy Cymbals" as a reference to Tony Williams - both take their compositional cue from the influential Miles Davis/Wayne Shorter sixties groups.

"The First Day of School" is a briskly paced 4/4 composition Chok wrote shortly after he matriculated at the Manhattan School of Music, contrasted by "For Kenny," Chok's beautiful elegy to the late prolific pianist Kenny Kirkland. "Kenny Kirkland was a great inspiration to me," Chok says. "I felt that it represented the way Kenny wrote tunes. And the mood of the tune, the way it progresses - it goes somewhere but it dies down at the end, and to me it's similar to how Kenny really could have done so much more if he hadn't passed on so early." "Rill Son" is a frenetic, neo-bop burner whose title is an anagram of the great saxophone colossus Sonny Rollins' name, whereas the lilting "Samba Number 1," which was covered by vocalist Rani Singam as "You'll Never Have to Dance Alone" on her album Contentment, swings softly in the Brazilian manner.

"Free and Easy" may easily be the band's hit single. "I did a lot of R&B gigs in Singapore," Chok fondly recalls. "So, as a result, I'm really influenced by D'Angelo and Maxwell, and I couldn't resist putting a tune like that on the album. I'm also inspired by Michael Brecker, he wrote tunes that were so accessible, but had all these challenging harmonies underneath." The album's title track is a brushed-stroked waltz. "The piece was inspired by people you're comfortable with," Chok says. "The tune never really resolves, which is kind of what you want when you're around the right people, and that also applies to the band."

Coming from a country that stresses the values of cooperation, it's easy to see how Chok's band swings with such unity, and how Chok intelligently interprets Larry Young's style, the jazz organ tradition, and the jazz aesthetic from half a world away. Born in 1983 to parents of Chinese descent, Chok began classical piano lessons at the age of four; but it wasn't until his teenage years, when an enterprising music teacher, Eugene Dairianathan, sought ways to peak and maintain his student's musical curiosity.

"He was with me during my high school years," Chok says. "He was always looking for ways to open me up, and the turning point for me was when he brought in the score of Chick Corea's 'Spain.' He said, 'try playing this,' and I struggled through it, but the sounds I was getting out of the piano, I never heard myself play before. So that was the start of my love affair with jazz. I went out and bought a Return to Forever two-CD set which had a live version of 'Spain' that went on fifteen minutes. I had no idea of what was going on, but I kept on listening to it. And before I knew it, I was into Miles Smiles, Sorcerer... things like that. I was conscious of the organ tradition when I was about sixteen or seventeen, and I started playing organ a few years later. Also, another prominent Singaporean musician who has given immense support to younger guys like me: Jeremy Monteiro. When I got into this music as a teenager, his live concerts were a very important source of information."

Chok gigged around Singapore in a variety of local bands, including a ten-piece jazz ensemble and his first organ trio. He also worked as a studio sideman and played with visiting jazz stars such as saxophonist Eli Degibri and guitarist Eugene Pao. Originally looking to pursue a law degree, Chok graduated from the National University of Singapore in 2008. And, that same year, thanks to a generous scholarship from the Singapore National Arts Council, moved to New York, enrolled at the Manhattan School of Music, and graduated with a Master's Degree in 2010. Chok has performed in a number of varied venues including Smoke, The Blue Note, and at The Kennedy Center in Washington, DC.

Which brings us to Good Company, Chok's first recording as a leader. The album serves notice that the jazz organ tradition is alive in the twenty-first century, in the hands of an intelligent and probing artist who is writing the first musical chapter of what will surely be a career to watch.
  
Kerong Chok · Good Company
Release Date: April 3, 2012

For more information on Kerong Chok, visit: www.kerongchok.com

     
For media information, please contact:
DL Media · 610-667-0501
Maureen McFadden · maureen@dlmediamusic.com

Tuesday, September 27, 2011

SINGAPORE: Asian Jazz All-Stars Power Quartet

SINGAPORE, September 04, 2011 /24-7PressRelease/ -- Lovers of jazz music can see a performance by the Asian Jazz All-Stars Power Quartet by heading to Singapore at the end of September 2011.

The show brings together some of the most acclaimed musicians in the region for a concert that takes place on September 27th and 28th at the Recital Studio, part of the local Esplanade performing arts centre.

Singaporean jazz pianist/organist Jeremy Monteiro will be joined on stage by Hong Kong jazz guitarist Eugene Pao, Filipino saxophone player Tots Tolentino and Thai drummer Hong Chanutr Techatana-nan.

Accompanying the acclaimed musicians will be local jazz singer Rani Singam, who will complement the quartet's diverse musical stylings with a voice that is reminiscent of the likes of Anita O'Day and Billie Holiday.

Performances begin at 19:30 local time and run for an hour and 15 minutes without an intermission, while tickets will cost S$42 (GBP21.60), although discounts are available for students, seniors and group bookings.

The Esplanade venue is situated on the waterfront at Marina Bay and offers dining and shopping facilities as well as concert venues.

Jazz aficionados can find a diverse selection of Singapore hotels at AsiaRooms.com, including the Fragrance Hotel.

More information about this and other performances at the Esplanade can be found athttp://www.esplanade.com/whats_on/index.jsp.

Editors Notes:

AsiaRooms.com is a leading online accommodation site in Asia offering deals in over 36,000 properties worldwide, including 7,000 hotels in the Asia-Pacific region ranging from individual beach huts to 5-star hotels and sprawling villas.

AsiaRooms.com offers customers a saving of up to 70 per cent off the normal room rate for a variety of independent and branded hotels. Customers can book online or by phone 24/7, whether booking 12 months or 12 minutes in advance - whatever time, whatever day.

The contemporary and inspirational online platform is styled for those seeking more interesting hotel options over the bland, obvious choices. Users can read from over 150,000 true hotel reviews, written by customers who have booked through AsiaRooms.com and actually stayed at the hotel.

To view more information about AsiaRooms.com, please visit http://www.asiarooms.com/about-us/