Saturday, May 4, 2019

JazzWorldQuest Showcase 2019 Streaming of tracks from albums released in 2019 Jazz and World

JazzWorldQuest Showcase 2019
Streaming of tracks from albums released in 2019
Jazz and World


Örjan Hultén Orion(Sweden),  Dave Rudolph Quintet(USA), Trey Wright(USA),  Ernesto Cortazar Lara Group(Switzerland/Mexico),  Johno(Greece), Cody Carpenter(USA)

Thursday, February 28, 2019

USA/NORWAY: Lage Lund-Terrible Animals (Criss Cross 2019)

Terrible Animals

Terrible Animals is perhaps the most compositionally ambitious and daringly performed of Lage Lund's five albums on Criss Cross. Joined by a never-before-convened, top-of-the-pyramid rhythm section (Sullivan Fortner, piano; Larry Grenadier, bass; Tyshawn Sorey, drums) the 39-year-old presents ten far-flung originals that elicit the full measure of their creativity over the 68-minute program, spurring Lund, who makes ingenious use of effects within his flow, to some of his most dynamic and varied playing on record.
Lage Lund "Terrible Animals" Criss Cross Jazz 2019 LL: Guitars, FX, Compositions Sullivan Fortner : Piano Larry Grenadier: Bass Tyshawn Sorey: Drums

Friday, February 22, 2019

USA: Legendary Singer-Songwriter JUDY COLLINS Among the Honorees at the 34th ANNUAL BISTRO AWARDS Gala

Legendary Singer-Songwriter JUDY COLLINS
Among the Honorees
Monday, March 11 at Gotham Comedy Club
Frances Ruffelle, Lee Horwin, Luba Mason, and Sidney Myer
Also Recognized Among the 15 Winners

Photo of Judy Collins: Miller Mobley

(New York City, January 31, 2019) — Internationally acclaimed singer-songwriter and Grammy Hall-of-Famer Judy Collins will be honored, along with a diverse group of 14 other outstanding artists, at the 34th Annual Bistro Awards on Monday, March 11 at Gotham Comedy Club, 208 W. 23rd St. As is the Bistro Award tradition, the evening will feature performances by the winners.
Ms. Collins is receiving the Bob Harrington Lifetime Achievement Award, the Bistro Award’s highest honor, in recognition of the artist’s six decades of musical accomplishment. The award is presented by returning sponsor ASCAP, the performing rights organization. Ms. Collins is a longtime member of ASCAP.
A classically-trained pianist, self-taught guitarist, and singer, Ms. Collins possesses a soaring, ethereal-yet-earthy soprano and eclectic taste that have allowed her to move back and forth easily through folk, pop, rock, standards, cabaret, and show tunes in her 60 years of recordings and performances. Her own writing skills have produced songs that rank with the iconic songs that she has covered. She has created a musical legacy second to none and she shows no signs of slowing down.
Frances Ruffelle, who received a Tony for her performance as Éponine in Les Miz on Broadway, gives a dazzling performance in her ambitious and remarkable solo show in a run that has been extended into 2019. The Bistro Awards Committee celebrates this run with an award for Major Engagement. Lee Horwin, one of the best and most interesting singers to have emerged during the resurgence of New York cabaret in the 1970s, returned last year to play the iconic singer-actress Libby Holman. She is receiving a Bistro for her compelling Musical Portrayal.
With extensive Broadway and television credits, Luba Mason's cabaret, jazz, and concert experience, both in the U.S. and internationally, is equally impressive. Her Vocalist Bistro is a testament to her beautiful fluid voice, her cool-to-fiery dramatic range, and her assured but charming stage presence. Sidney Myer is being recognized for Unique Artistry because there is no one else like him on the current cabaret scene. Reminiscent of a small handful of great comic artists, he can have the audience laughing with glee at a spoken or sung line delivery or an eloquent facial expression, then a moment later have them in tears with an understated but heart-wrenching rendition of a ballad.
This year's Ira Eaker Special Achievement Award—given to an outstanding performer on the rise and named after Back Stage's co-founder, co-publisher, and first nightclub critic—goes to Patrick Swailes Caldwell, a "renaissance clown" who is fully entertaining at mime, magic, music, mimicry, and mayhem, all of it hilarious.
True to the Bistro tradition of honoring outstanding work whether performed by a veteran artist or a relative newcomer, the Bistro Awards pays tribute to cabaret favorite Ricky Ritzelfor his delightfully entertaining Musical Series, Ricky Ritzel's Broadway, and to singer Sierra Rein for Debut. Rein made her first solo appearance last year with an impressive performance that covered the gamut from humor to drama, but with a strong emotional undercurrent that turned her show into a deeply moving experience.
Writer and performer Daniel Alexander Jones will be honored for Performing Artistry for his alter-ego, the glamorous Jomama Jones, who shares both witty and serious stories and songs that explore easily identifiable and important issues of our times. Almost certainly the first banjoist to receive a Bistro Award, Singer-Instrumentalist-Bandleader Cynthia Sayer is not only a fine musician, she is also a wellspring of musical joy.
Two singers are being honored for their outstanding work. Winning for Vocalist, Lisa Viggiano explores the hidden crevices of a song, and with her expressive voice delivers nuanced interpretations of great depth. In the Bistro's choice for Tribute Show, Marnie Klar Sings Bobbie GentryMarnie Klar demonstrated that she has both the talent and the sensibilities to do justice to Gentry's rich body of work. The Award for Director goes toTanya Moberly, who in the past few years has guided not only these two performers, but other award-winning artists as well.
Both Shirley Crabbe and Philip Chaffin are being honored for their Recordings. Crabbe's new CD, Bridges, proves that she is a powerful jazz singer with solid musicianship and the ability to live inside the story of a song. The premise of Chaffin's Will He Like Me? is to sing some of the best Broadway songs as a gay man's love story, but this conceit quickly becomes secondary to his warm and personal vocals and the beautifully orchestrated songs.
For the seventh year in a row, Shellen Lubin is directing the Bistro Awards show. A theatre director, playwright, songwriter, and vocal and acting coach, Shellen is also in the forefront of attaining parity for women in the arts.
The gala event will be held on Monday, March 11 at 7:00 pm at Gotham Comedy Club. 208 W. 23rd Street. Sherry Eaker, the former longtime Editor-in Chief of Back Stage and the producer of the event since its inception, heads up the Awards Committee, which includes critics Gerry GeddesRoy Sander, Robert Windeler, and Mark Dundas Wood. Sander is the award show's associate producer; Wendy Lane Bailey is the assistant producer.
Tickets range from $80.00 to $350.00. Ticket-buyers in all categories are invited to the "After-Bistros" supper party as guests of the Bistros. For details about the various ticket categories and early-purchase prices, visit For additional information, call 917-239-5467.

Following is a complete list of the winners being recognized for their outstanding work:
Judy Collins / Bob Harrington Lifetime Achievement Award presented by ASCAP
Frances Ruffelle / Major Engagement
Luba Mason / Vocalist
Lee Horwin / Musical Portrayal – Libby Holman in Blues, Ballads & Sin Songs: The Legend of Libby Holman
Patrick Swailes Caldwell / Ira Eaker Special Achievement Award
Sidney Myer/ Unique Artistry
Daniel Alexander Jones / Performance Artistry
Ricky Ritzel / Musical Series – Ricky Ritzel's Broadway
Cynthia Sayer / Singer-Instrumentalist-Bandleader
Lisa Viggiano / Vocalist
Marnie Klar / Tribute Show – Marnie Klar Sings Bobbie Gentry
Tanya Moberly / Director
Sierra Rein / Debut
Shirley Crabbe / Recording - Bridges
Philip Chaffin / Recording – Will He Like Me?


The BISTRO AWARD has been recognizing, encouraging, nurturing, and educating cabaret, jazz and comedy artists for 34 years through its insightful reviews and annual awards. It is the oldest award of its kind in the industry. It was established by Bob Harrington in 1985 in his "Bistro Bits" column in the trade weekly Back Stage, then under the editorship of Sherry Eaker. For the first few years, the awards were merely listed in Harrington's column as notable performances he had seen during the calendar year. The first formal presentation of the awards was held in 1990 at Eighty Eight's, a popular cabaret venue in the West Village. From there, the show moved on to The Ballroom in Chelsea, and then relocated to the Supper Club in the Broadway District, where it remained for many years. This year marks the 12th year at Gotham Comedy Club.

The guidelines that Harrington set up for himself to determine the first winners have become the basic philosophy behind the Bistro Awards, which recognize achievement in a wide variety of categories — from outstanding performances to outstanding contributions by members of the cabaret community. The object is not to choose the "best" of anything of the year, but to recognize and congratulate the accomplishments of those who have done something special. Accordingly, categories can easily be created from year to year as they best fit the year's distinguished work.

The Bistro's special honorees have included André De Shields, Sheila Jordan (2018), Darlene Love (2017), Jon Hendricks, Annie Ross (2016), Ben Vereen (2014); Lainie Kazan, Maurice Hines (2013); Kaye Ballard, Melissa Manchester, Dee Dee Bridgewater (2012); Dionne Warwick, Carol Channing (2011); Mitzi Gaynor, Elaine Stritch (2010); Charles Aznavour, Liza Minnelli (2009); Marilyn Maye (2008); Betty Buckley (2007); Steve Ross (2006); as well as Cleo Laine and John Dankworth, Bobby Short, Eartha Kitt, Barbara Cook, and many others.

The American Society of Composers, Authors and Publishers (ASCAP) is the title sponsor of the Bistro Awards. ASCAP is a professional membership organization of songwriters, composers and music publishers of every kind of music. ASCAP's mission is to license and promote the music of its members and foreign affiliates, obtain fair compensation for the public performance of their works and to distribute the royalties that it collects based upon those performances. With more than 690,000 members representing more than 11.5 million copyrighted works, ASCAP is the worldwide leader in performance royalties, service and advocacy for songwriters and composers, and the only American performing rights organization owned and governed by its writer and publisher members.

Thursday, February 21, 2019



March 03, 2019
3:00pm to 4:15pm
Event Location
Life Sciences Building Auditorium On Sunday March 3 at 3:00 PM, the acclaimed DelVal

Symphonic Band and Jazz Band will present an afternoon of outstanding music for winds, brass and percussion.From the majestic sounds of music from Richard Wagner’s opera Die Meistersinger, to the excitement of Frank Ticheli’s contemporary masterpiece, Vesuvius and toe-tapping jazz classics, this concert is sure to wipe away your winter blues.The program will be held in Delaware Valley University’s Life Sciences Building Auditorium.Admission is free.For more information about this concert, call 215.489.2233 or e-mail at Valley University is committed to presenting high-quality, entertaining, and educational programs suitable for audiences of all ages

Delaware Valley University.

BELGIUM: The Wrong Object -Into The Herd (MoonJune Records 2019)

UK magazine Jazzwise has described Belgian sextet The Wrong Object as “adept at mixing Canterbury styled prog rock with Zappa-esque jazz fusion and Frippertronics to produce a beat that has elements of the past and the future thundering through it. [Their music] cleverly fuses all of these various musical elements together, expertly twisting various world music styles into the mix to produce a varied and unpredictable set of original material.”

 With their new release, Into The Herd (Off/MoonJune) , The Wrong Object make a return to center stage, with a studio album of original compositions showcasing a variety of fresh, powerful material. After 15 years of an existence marked by extensive touring, recording and numerous collaborations with international jazz and rock luminaries (Elton Dean, Harry Beckett, Annie Whitehead, Alex Maguire, Stanley Jason Zappa, Ed Mann, Robin Verheyen), The Wrong Object ventures further into hybrid musical territories, pushing the boundaries of progressive jazz, rock and contemporary music. Perhaps the influence of the late Frank Zappa has never been more apparent.

The songs continually weave, duck, dart, and ‘stop on a dime’; while exhibiting the “controlled reckless abandon” and a similar zany, humorous approach to both harmony and melodic/thematic motifs, akin to that which characterized his work. This is a herculean effort; one that goes a long way in filling the very noticeable long-standing void left in the wake of Zappa’s departure.

 credits released February 1, 2019 Michel Delville – guitar/guitar-synth/electronics Marti Melia – bass and tenor saxophones/clarinet François Lourtie – baritone and tenor sax Antoine Guenet – keyboards Damien Campion – bass Laurent Delchambre – drums/electronic pad/samples Recorded by Maxime Wathieu. Mixed by Etienne Plumer. Mastered by Mark Wingfield. Produced by The Wrong Object. Artwork by Marc Atkins. Off Records in association with MoonJune Records.

 Discography: The Wrong Object, Into The Herd, Off Records/MoonJune, January 2019 The Wrong Object, Zappa Jawaka, Off Records, October 2018 The Wrong Object, After the Exhibition, MoonJune, 2014 The Wrong Object, Stories from the Shed, MoonJune, 2008 The Wrong Object feat. Elton Dean, The Unbelievable Truth, MoonJune, 2006

USA, NY: Richard Sussman's Evolution Suite at Maureen's' Saturday, March 9th 8 & 9:30 PM

For Jazz Quintet, String Quartet, and Electronics
Maureen's Jazz Cellar,
Nyack, NY
Saturday, March 9
Richard Sussman's Groundbreaking "Evolution Suite"
A Compelling Integration of
Jazz, Contemporary Classical Music, & Electronics

Richard Sussman - Piano
Tim Hagans - Trumpet & Flugel Horn
Bob Franceschini - Tenor Sax
Mike Richmond - Bass
Andy Watson - Drums

and the Sirius Quartet:
Fung ChernHwei - Violin
Gregor Huebner - Violin
Ron Lawrence - Viola
Jeremy Harman - Cello

Maureen's Jazz Cellar
2 North Broadway
Nyack, NY

Saturday, March, 9
Shows at 8:00 & 9:30pm
All Tickets $20

Reservations Strongly Recommended
These Concerts are Likely to Sell Out!
For Reservations and Advance Ticket Purchases
Please Call: 845-535-3143

Long acknowledged as an accomplished and innovative jazz pianist, composer, arranger, and educator, with a long list of credits, Richard Sussman has been passionately exploring the inner and outer frontiers of contemporary musical expression throughout his entire career. His ground-breaking "Evolution Suite" for Jazz Quintet, String Quartet, and Electronics was selected as one of the top CDs of 2017 by Downbeat. Each member of this group is an acknowledged master of their instrument, with extensive credits from among the greatest players in jazz today.

Wednesday, February 20, 2019

UK: SEED Ensemble-Driftglass(2019)


Jazz re:freshed are proud to present the long-awaited debut album from emerging London-based collective SEED Ensemble. Formed in 2016, SEED Ensemble is a ten-piece project led by composer, arranger and alto saxophonist Cassie Kinoshi. Already a giant on the UK jazz scene, she is known for her work with all-female jazz septet, Nerija, and afrobeat jazz group, Kokoroko. Combining jazz with inner-city London, West African and Caribbean influenced groove, Cassie Kinoshi’s SEED Ensemble explores a blend of genres through both original compositions and arrangements. “SEED Ensemble is my way of celebrating the vibrant and distinctive diversity that has significantly influenced what British culture has become over the centuries.

 Projecting this new musical vision are some of London’s most up-and-coming young jazz musicians essential to the modern identity of British jazz including tuba player Theon Cross, trumpeter Sheila Maurice-Grey, tenor saxophonist Chelsea Carmichael and one of London’s leading guitarists, Shirley Tetteh. Across ‘Driftglass’, Kinoshi embraces styles both past and present to create something that we can call modern. Band members cut across race and gender with original compositions inspired by the social issues of our times. credits releases February 8, 2019

 PERSONNEL Cassie Kinoshi – Alto Saxophone & Composer Miguel Gorodi - Trumpet Sheila Maurice – Grey – Trumpet Chelsea Carmichael – Tenor Saxophone & Flute Joe Bristow – Trombone Theon Cross – Tuba Joe Armon-Jones – Piano & Rhodes (WAKE (For Grenfell), Stargaze #1: KATIN, The Dreamkeeper, Interplanetary Migration) Sarah Tandy – Piano & Rhodes (Stargaze #2: LAU, The Darkies, Mirrors, Afronaut) Shirley Tetteh – Guitar Rio Kai – Double Bass Patrick Boyle – Drums Lyrics by Langston Hughes (The Dreamkeeper, W A K E (for Grenfell) Stargaze #1: LAU arr. of Eric Lau’s Earthing Out Additional Vocals (W A K E (for Grenfell): Jason Yarde GUESTS XANA – poetry/spoken-word Mr. Ekow – poetry/spoken word Cherise Adams-Burnett – vocals