Showing posts with label Georgia. Show all posts
Showing posts with label Georgia. Show all posts

Friday, June 8, 2012

Tbilisi, GEORGIA: Kavkaz Jazz Festival


This week, Tbilisi hosts the third consecutive Kavkaz Jazz Festival, from June 6 to June 9.

For the first time, the Festival has broken out of Caucasian borders by featuring not only Georgian, Armenian, and Azeri musicians, but also performers from Austria and Germany.

The opening concert on June 7 will feature the Dini Virsaladze Band (Georgia), the Helmut Kaplan Trio (Austria), Maya Baratashvili (Georgia), Unlimited with Papuna Sharikadze (Georgia), and Sharak (Armenia) at the Conservatoire Grand Hall.

On June 8, contemporary jazz band the Helmut Kaplan Trio and Azerbaijan’s the Jazzery Band with Ulviyya Rahimova and Aysel Mamadova will perform at the Magti Club.

The festival will close with an open air concert at Deda Ena Park on June 9, featuring Jazz Teens (Georgia), David Barnabishvili (Georgia), Sharak, and the T-Blues Mob (Georgia).

Kavkaz Jazz is supported by Tbilisi City Hall and the Ministry of Culture of Georgia. The festival aims to support the popularization of jazz in the South Caucasus, as well as the discovery of young jazz musicians. It is hoped that the festival will provide a format for intercultural dialogue and the establishment of friendly relations among participants. Kavkaz Jazz hopes to be a symbol of peace, freedom, and tolerance in the South Caucasus.
THE MESSENGER

Wednesday, March 21, 2012

INDIA, GUWAHATI: Tbilisi Big Band in concert


GUWAHATI: A jazz band from Georgia, Tbilisi Big Band, enthralled hundreds of musical aficionados from the city on Monday at Shrdhanjali Kanan, a park located in the heart of the city. This was the first jazz concert to be held in the open air in the city. 

Led by Dinara 'Dini' Virsaladze, a noted jazz pianist from Tbilisi in Georgia, the musical soiree saw three other musicians accompanying the keyboard player. David Masteranov played the guitar, Nika Abashmadze played the drums and Levan Deisadze played the bass. The audience enjoyed the music played by the bass guitarist the most and Deisadze didn't fail to make the audience applaud in sheer ecstasy his dexterity on the bass guitar. The concert was organized by the Indian Council for Cultural Relations (ICCR) in association with Guwahati Metropolitan Authority ( GMDA). (The Times Of India)

Thursday, March 1, 2012

Billy Hart -All Our Reasons (ECM Records 2012)

The quartet heard here was formed in 2003, and originally billed as the Ethan Iverson/Mark Turner Quartet. When Billy Hart asked if it could be his band for a gig in his hometown of Montclair, New Jersey, the other members unanimously voted to give it him permanently. As the Billy Hart Quartet, the four musicians have continued to play a number of dates each year, often at New York's Village Vanguard. In 2005 the group recorded a well-received debut album for hard-bop label High Note. Since then, as Ethan Iverson notes, the music has become more free and spacious, qualities that fit well with ECM's priorities. "All Our Reasons" was recorded in June 2011 at New York's Avatar Studios, with Manfred Eicher producing.
Billy Hart, of course, is no stranger to ECM, first recording for the label in 1974, with Bennie Maupin on the classic "Jewel In The Lotus". For ten years a member of the Charles Lloyd Quartet, he can be heard on Lloyd's "The Call", "All My Relations", "Canto" and "Lift Every Voice" - influential albums all. Tenorist Mark Turner guested with Enrico Rava on "New York Days" in 2008, also recording with the Fly trio in that year on "Sky And Country" (a second Fly disc is in preparation). Pianist Iverson and bassist Ben Street make their first ECM appearances with "All Our Reasons".
Billy Hart, Ethan Iverson and Mark Turner are all featured as composers on "All Our Reasons". Hart's "Song for Balkis" begins the programme with an evocative drum solo, with Billy in freer mode, loosely swinging but also with a roiling sense of unpredictability which engages his fellow players - each of whom plays differently, and often rather beautifully - in this context. Mark Turner says of playing with Hart: "I feel I have more trust in myself and more trust in the beat than I would in other situations, and it has helped me grow a lot as a musician."
"Ohnedaruth" was the spiritual name adopted by John Coltrane. Ethan Iverson's homage re-works his "Giant Steps": The opening piano salvo has left and right hands in utter de-synchrony (Iverson's description), like a player-piano gone awry. When the tenor trio takes over, the original changes are barely perceivable through a web of delayed resolutions and unexpected voice-leading, but the emotional feeling remains close to Trane.
"Toli's Dance" is a modern blues composition by Billy. After a fanfare for piano trio, Hart initiates an undulating funk beat. Turner devours the complex harmonic atmosphere in a soaring solo, and the piano responds with simple chimes, morning bells at the end of the party.
"Nostalgia for the Impossible" has several uncanny moments of free harmony between Iverson and Street. Iverson grew up on records Paul Bley made for ECM and perhaps this performance is a kind of tribute.
The gently loping Hart tune "Duchess" was previously recorded on his "Oshumare" album (Gramavision). Street works closely with Hart here to shape each new rhythmic feel into a distinctive statement while Iverson and Turner take melodic fragments and spin them about.
Mark Turner's "Nigeria" takes off from "Airegin", Sonny Rollins's much-covered composition (which was inspired originally by Nigerian dancers, and premiered on Milt Jackson's "Bags' Groove"). Turner's capacity for high-speed improvising on chord changes at top speed is facilitated by the quick reflexes of Ben Street: a master-class in subtle listening.
"Wasteland" is a through-composed piece by Turner learned in the studio especially for this recording. The only improvised sections are the introductory saxophone cadenza and the drum interludes. "Old Wood", meanwhile, is an improvisation originally intended to introduce another piece. The title comes from Iverson's pleasure in an exceptional Steinway.
Finally, Hart's "Imke's March" begins and ends with a whistled melody Billy used to call his daughter in from the playground. When the band gets going Hart stays active on the snare, continuing the march theme. Iverson's casual solo incorporates trademark diatonicism and motivic development.
Mark Turner tenor saxophone
Ben Street double bass
Ethan Iverson piano
Billy Hart drums

Song For Balkis
Ohnedaruth
Tolli’s Dance
Nostalgia For The Impossible
Duchess
Nigeria
Wasteland
Old Wood
Imke’s March


Sunday, December 11, 2011

Nino Katamadze and Insight – Green (2011)

Tracklist:
01 – Uncle Klaus
02 – Until
03 – Vahagn
04 – Gammai
05 – English
06 – If I Could
07 – Les Oiseaux
08 – Hello John!
09 – Dream

Nino Katamadze was born in Adjara, southern Georgia. In 1990 she entered the vocal department of the Batumi Music Institute ZP Paliashvili. After finishing the Institute was in various groups and participated in a variety of musical projects. In 2002 Katamadze had her first international tour in different countries across EU and also in UK. She had a huge success in the USA as well[citation needed], when she visited America in late 2005. In 2006 her album "White" became very successful and was released in Georgia, Russia, Finland, Sweden, Ukraine, France, Germany, UK and Italy. The sales exceeded 700.000 copies. In 2009 Katamadze is going to have another tour in several EU countries, Russia and she's also going to visit Azerbaijan with 2 exclusive concerts in Baku in May.

In January 2010, Nino Katamadze played a part in an improvised opera "Bobble" with a wordless libretto written by Bobby McFerrin and staged in Russia. (wikipedia)



Tuesday, August 16, 2011

GEORGIA: Black Sea Jazz festival 2011 ends on a high note


The fifth annual Black Sea Jazz Festival brought an unprecedented amount of music enthusiasts to Batumi from July 19 until 24. Those six days of the festival attracted and amused locals, tourists, reporters, musicians and their fans alike by offering them a rich musical program and diverse genres.
“Without being modest I should admit that a jazz event of such scale has never taken place in Georgia,” said Michael Giorgadze, Director of Eastern Promotion, the company which organized the event and which organizes Jazz festivals in Georgia.
“Any European or US festival would be proud of the names that performed in Batumi. Not to mention the culmination of the program with Macy Gray’s performance. Both from a technical aspect and from an organizational point of view, the Black Sea Jazz Festival was a big success,” he added.
Two features which distinguished this year’s festival from previous ones was that it offered free performances in the streets and there were an unprecedented number of participants - more than 150 musicians from 11 countries, more than 20 bands and more than 40 performances.
Starting from classical jazz, those attending the festival enjoyed several genres of music- funk, pop-blues, gospel, reggae, electronic jazz experiments and even street performances by a German Brass Band who entertained passersby.
The London Community Gospel Choir, comprised of 20 artists, was a novelty at the jazz festival and convinced the pleasantly surprised audience that chants can be lively, dynamic, amusing and free.
The prominent part, however, took place the last two days of the festival on July 23-24. This could truly be termed the VIP days of the festival where Stanley Jordan, the Yellowjackets and Macy Gray provided unforgettable performances.
Although it was raining heavily when the Yellowjackets and Stanley Jordan Trio took the stage outside, the audience did not even think to leave the Piazza. The truly memorable and incredible improvisation of these master artists were worth bearing the soaking rain coming down on the crowd: The love of music defeated the foul weather that day.
However, it was Macy Gray who made the festival’s finale a great one. An incredible number of listeners flooded the Piazza and a long, tiresome line stood outside with people trying to claim a spot in the audience as early as possible. Reportedly, tickets and chairs had to be added to allow for every enthusiast to attend the show.
Macy managed to shock and surprise even her most devoted fans during her unforgettable and lively performance. She and her band were beckoned for an encore three times by her rabid supporters in the audience. The cheers and cries of the audience were so loud that they could be heard from a long proximity.
Macy, who was barely aware of Georgia’s existence before she arrived, was tweeting: “On the way to Batumi, Georgia. Performing at the Black Sea Festival. Did anybody know Georgia was a country?” Her last impression of Georgia on Twitter after the show reads: “Batumi, Georgia is a great lil’ place. The fans were the greatest ever - I will never forget last night’s show. Thank you.”
The festival’s Georgian performers included Beka Gochiashvili and his Septet, Bacha Mdzinarashvili and his Jazz Quintet, Levan Chichua and Space Jam, Ilusha Tsintsadze, Tbilisi Big Band, T. Blues Mob and others.
Fans of electronic music could also find something to their taste in the festival program. Another highlight included Lithuanian Brassbastardz, US project Logic and the very impressive Lena Gehner & Alexey Popov project.

By Salome Kobalava