ABUC is the 8th album by Roberto Fonseca hes released under his own name
and the first to appear on the Impulse! label. Teeming with rascally
rhythms and burly brass and woven from allusions, souvenirs and
contrasts, ABUC is a kaleidoscope of dancing colors with which Roberto
tells a story: the great and rich story of Cuban music, from yesterday
to today.
Ranging from contradanza and mambo to cha-cha-cha, danzon and bolero, and infused with the spirit of the descarga jam and hip-hop, Roberto narrates this story in his own manner; his tale swarms with subtly veiled references to the past, and he enumerates them in contemporary detours that are intriguing. En route, he prances over the keys of a Hammond organ, the sound of yesterday cutting across the sound of today (a touch of electro), and breaks free from the chronological thread to mingle different periods as the albums titles come and go or, at times, even inside one and the same piece.
You probably noticed that ABUC is a palindrome. It's CUBA written backwards.
The album opens and closes with the same theme, orchestrated as an overture and then transformed into a simple piano piece as the epilogue: Cubano Chant, a composition by American jazz pianist Ray Bryant (1931-2011). He dedicated this very beautiful tune to Cuban song. So I wanted to express my gratitude to him by beginning the album with that tune. American jazz, but re-created with the soul of the guaracha, says Roberto. The union between jazz and our music in Cuba is very significant with regard to the history of music in general. In inviting trombone player Trombone Shorty to play on this title, he wanted, he says, to show everything that binds Cuba to New Orleans.
Among many other remarkable guests who add their personal colors to this beautiful journey, besides vocalists Dayme Arocena and Carlos Calunga you can also take pleasure in hearing singers Rafael Lay and Roberto Espinosa RodrÃguez from the Orquesta Aragon, trumpeter Manuel Guajiro Mirabal, and the famous guajiro singer from the province of Santiago de Cuba, Eliades Ochoa. Three singers are my heroes, apart from my mother, says Roberto, Omara Portuondo, Ibrahim Ferrer and Eliades Ochoa, who I was fortunate to work with on the title Tumbao de la Unidad.
This guajira astutely mingles electro effects and electric guitar with the instruments of Brazilian percussionist Ze Luis Nascimento surrounding the voice and guitar of Eliades. He sings an appeal for love, a call for peace in the world, and unity. A dream? Dreams are goals for which you have to fight a battle that never ends. Roberto Fonseca: Musician, composer, producer, storyteller, and warrior-dreamer.
Ranging from contradanza and mambo to cha-cha-cha, danzon and bolero, and infused with the spirit of the descarga jam and hip-hop, Roberto narrates this story in his own manner; his tale swarms with subtly veiled references to the past, and he enumerates them in contemporary detours that are intriguing. En route, he prances over the keys of a Hammond organ, the sound of yesterday cutting across the sound of today (a touch of electro), and breaks free from the chronological thread to mingle different periods as the albums titles come and go or, at times, even inside one and the same piece.
You probably noticed that ABUC is a palindrome. It's CUBA written backwards.
The album opens and closes with the same theme, orchestrated as an overture and then transformed into a simple piano piece as the epilogue: Cubano Chant, a composition by American jazz pianist Ray Bryant (1931-2011). He dedicated this very beautiful tune to Cuban song. So I wanted to express my gratitude to him by beginning the album with that tune. American jazz, but re-created with the soul of the guaracha, says Roberto. The union between jazz and our music in Cuba is very significant with regard to the history of music in general. In inviting trombone player Trombone Shorty to play on this title, he wanted, he says, to show everything that binds Cuba to New Orleans.
Among many other remarkable guests who add their personal colors to this beautiful journey, besides vocalists Dayme Arocena and Carlos Calunga you can also take pleasure in hearing singers Rafael Lay and Roberto Espinosa RodrÃguez from the Orquesta Aragon, trumpeter Manuel Guajiro Mirabal, and the famous guajiro singer from the province of Santiago de Cuba, Eliades Ochoa. Three singers are my heroes, apart from my mother, says Roberto, Omara Portuondo, Ibrahim Ferrer and Eliades Ochoa, who I was fortunate to work with on the title Tumbao de la Unidad.
This guajira astutely mingles electro effects and electric guitar with the instruments of Brazilian percussionist Ze Luis Nascimento surrounding the voice and guitar of Eliades. He sings an appeal for love, a call for peace in the world, and unity. A dream? Dreams are goals for which you have to fight a battle that never ends. Roberto Fonseca: Musician, composer, producer, storyteller, and warrior-dreamer.
The first Shirley Horn release in nearly 10 years! Captured Live at the 4
Queens Hotel & Casino in Las Vegas on May 2, 1988 featuring Horn's
trio of over 20 years - bassist Charles Ables and drummer Steve
Williams. This deluxe CD includes a 56-page book with rare photos, plus
essays and interviews by acclaimed author James Gavin, vocalist and
friend Sheila Jordan, Horn s manager Sheila Mathis, daughter Rainy
Smith, former Verve Records producers Jean-Philippe Allard & Richard
Seidel, Resonance producer Zev Feldman, Washington D.C. jazz radio DJ
Rusty Hassan and others. This 52-Minute set was originally recorded by
KNPR Las Vegas for the syndicated weekly radio program called 'Monday
Night Jazz' at the 4 Queens and boasts re-mastered audio from the
original tapes. Music lovers of all kinds will be lucky when they pick
up this CD. 
