Ralph Peterson Calls for Renewed Hope
& Artist Activism of Civil Rights Era in Wake of
Systematic Injustice of African Americans Today
& Artist Activism of Civil Rights Era in Wake of
Systematic Injustice of African Americans Today
Dream Deferred - Available November 4 via Onyx Music
Debut of New Quintet, Aggregate Prime, Featuring
Vijay Iyer, Gary Thomas, Mark Whitfield and Kenny Davis
"Some jazz drummers convey the sensation of floating through a groove.
Ralph Peterson Jr. specializes in a more urgent and pressurized momentum:
a runaway freight train, a bronco bolting out of the chute. Thirty years ago, that intensity put him at the center of a hard-bop resurgence." - The New York Times
Ralph Peterson Jr. specializes in a more urgent and pressurized momentum:
a runaway freight train, a bronco bolting out of the chute. Thirty years ago, that intensity put him at the center of a hard-bop resurgence." - The New York Times
"Ralph Peterson plays American-style talking drums, keeping up a
running commentary and drawing out the other players." - NPR "Fresh Air"
running commentary and drawing out the other players." - NPR "Fresh Air"
* * * * * * * * * * *
LANGSTON HUGHES, "Harlem"
What happens to a dream deferred?
Does it dry up
like a raisin in the sun?
Or fester like a sore-
And then run?
Does it stink like rotten meat?
Or crust and sugar over-
like a syrupy sweet?
Maybe it just sags
like a heavy load.
Or does it explode?
* * * * * * * * * * *
Now,
as our seemingly unending conversation about race is reenergized by a
plague of police shooting unarmed black citizens and the accompanying
lack of accountability for those actions, Ralph Peterson-percussionist,
trumpeter, composer, bandleader and educator-has called upon Hughes'
iconic poem to give both title and theme to Dream Deferred, his 20th album as a leader and his sixth on his own label Onyx Music.
Dream Deferred is also the first to feature his new quintet, Aggregate Prime, comprising the powerful, all-star tandem of saxophonist/flutist Gary Thomas, guitarist Mark Whitfield, pianist Vijay Iyer, and bassist Kenny Davis.
"The
album speaks to the question of that final question Langston Hughes
asks in 'Harlem' and whether we as a society are close to answering it,"
says Peterson. "The answer is already there in that if we don't do the
right thing, all of our hopes and dreams will explode." The first
rehearsal for the album was in October of 2015 as pre-trial hearings
were underway for the three Baltimore police officers accused of murder
in the death of Freddie Gray while he was in their custody. (Charges
were dropped later.)
As
with the whole album bearing its name, "Dream Deferred" tries, in
Peterson's words, "to capture some of the angst and hope that gave the
protest music so much energy and excitement." Peterson blends the
instruments in his ensemble in a way as to match the roiling furor
surrounding the Gray case and similar ones occurring throughout America
over the past few years, while ending with the same tone of pointed, yet
"elegant" inquiry culminating Hughes' poem.
"I
wanted to highlight Gary's flute, thinking back to Eric Dolphy and how
his flute playing could be heard back during times when music also
reflected the restless energy of social change. Only," he adds, "the
sound Gary brings belongs only to him."
The
months since the Freddie Gray verdict have only seen more incidents and
more protests like Eric Garner, Sandra Bland and Terence Crutcher.
"What's really at stake is whether black men will survive at all. Nowadays
simply getting in your car as a black man can end up being high risk.
And the scary thing is, the risk can come at the hands of those sworn
to serve and protect us."
The
issue has special poignancy for Peterson, the son of a former police
chief and mayor of his native Pleasantville, New Jersey who once played
drums professionally in nightclubs throughout the South Jersey area.
Ralph, Sr. died two years ago and his son can't help but contemplate how
his dad would have reacted to this rash of excessive force.
"He'd
have been appalled," Peterson says. "He was a boxer and he was of the
old-school belief that things could be worked out with your hands. He
was against deadly force as a first or even second resort. It's part of a
whole bent of depending on guns that my dad wouldn't have recognized
today. And I wonder myself why it is that guns have become the only way
to deal with conflict. People are into self-defense training. But nobody
boxes in the streets anymore. It's all about who has the most weaponry
and that's become a deeply fatal flaw in our society today."
The
death of his father was one of many personal and physical travails
Peterson underwent in the past few years. He has undergone surgeries for
spinal fusion, hip replacement and a reconstructed ankle. "I am Iron
Man," he says with a self-deprecatory humor. Yet the ensemble's
performance of Dolphy's "Iron Man" is nothing to joke about.
A
more serious, yet just as stoic approach to both Peterson's physical
struggles--and to the struggles both he and the rest of society have had
to endure over the last couple years--is reflected in his composition,
"Strongest Sword/Hottest Fire." An avid student of martial arts,
Peterson says he was inspired by a documentary about the Japanese
samurai discipline of bushido, to whose most gifted practitioners goes a
sword forged to meticulous and harshly-regimented cycles of extreme
heat and cold.
Ultimately,
Peterson says, "the ability of the sword to cut cleanly comes from what
seems to be abusive extremes and that's how we're all tested by life.
When life is heating up on you, your own tensile strength becomes more
resilient until things cool down for a while before getting hot again.
It's these extremes that are ideal for stress test in strengthening
metal...and your own mettle as well."
Peterson
is also proud of the manner in which he has prevailed over physical and
personal difficulties. Along with the aforementioned surgeries, he has
completed his second decade of being "drink and drug-free." He has
survived colon cancer and Bell's Palsy in addition to the aforementioned
orthopedic challenges.
"The strongest sword," he says, "goes through the hottest fire."
Ralph Peterson's Upcoming Performances:
* Nov 4 - 6 / Dizzy's Club Coca-Cola (Dream Deferred CD Release) / New York, NY
** Nov. 25 / 9th Note / Stamford, CT
*** Jan. 26 / Scullers / Boston, MA
** Feb. 10 / 9th Note / Stamford, CT
** Feb. 11 - 12 / Smalls / New York, NY
** Feb. 13 - 14 / The Greenwich / Cincinnati, OH
** Feb. 15 / Nighttown / Cleveland, OH
** Feb. 16 / Tula's / Seattle, WA
** Feb. 17 / Jimmy Mak's (PDX Jazz Festival) / Portland, OR
** Feb. 21 / Regatta Bar / Boston, MA
* May 24 / Blues Alley / Washington, D.C.
* May 25 / Clef Club / Philadelphia, PA
* May 27 / The Side Door / Old Lyme, CT
* Aggregate Prime Quintet feat. Gary Thomas, Mark Whitfield, Vijay Iyer, and Kenny Davis
** TriAngular III Trio feat. Zaccai and Luques Curtis
*** Sextet Reunion
Ralph Peterson · Dream Deferred
Onyx Music · Release Date: November 4, 2016
For more information on Ralph Peterson, please visit: RalphPetersonMusic.com
For media information, please contact:
DL Media · 610-667-0501
Matthew Jurasek · matthew@ dlmediamusic.com
Don Lucoff · don@dlmediamusic.com
For The Preferred Artist
Information and press materials (including album covers, promotional photos
and bios) on all DL Media artists can be found at our website: dlmediamusic.com
Since
it was first published in 1951, Langston Hughes' poem, "Harlem," has
been a source of awe and inspiration for generations of African American
artists, notably Lorraine Hansbury, whose most famous play "A Raisin in
the Sun" (1959), borrowed its title to enhance its theme of black
families' fraught and frustrated pursuit of the American Dream.