Thursday, October 30, 2014

Jazz Colours: SOMMARIO Ottobre 2014 (Anno VII, n.10)

SOMMARIO Ottobre 2014 (Anno VII, n.10)
   
  4 - Highlights
  8 - Nels Cline, macroscopiche sintesi
16 -  Massimo De Mattia, il flauto dal soffio ipermoderno
21 -  Nina de Heney, la danza del contrabbasso
25 -  jazz&arts: Steve Spencer, uno spot per il jazz
28 -  Recensioni CD
  Focus on: Wolfgang Muthspiel "Driftwood"
  I 5 dischi imprescindibili di Jason Stein
35 -  Black&White: Chris Speed & Zeno De Rossi "Ruins"
(e inoltre: Fred Hersch Trio, Moskus, Trio à Lunettes, Fabio Delvò, Cory Wright Outfit, Gato Libre,
Colombo/Schiaffini/Marino, XY Quartet, Roger-Couturier-Somer-Tocanne, Kris Bowers, Ambrose Akinmusire, Bounce Trio)
36
 -  Eventuali
http://www.jazzcolours.it

ECHOES OF SWING Colin T.Dawson, Chris Hopkins, Bernd Lhotzky, Oliver Mewes at the 'Hotel Ascona Swing Festival'

ECHOES OF SWING
Colin T.Dawson, Chris Hopkins, Bernd Lhotzky, Oliver Mewes

Current Album:
BLUE PEPPER (ACT music)



at the
'Hotel Ascona Swing Festival'


The Hotel Ascona Swing Festival, a new 'jazz party' hosted in the beautiful four star Hotel Ascona April 23-25. 2015, is one of the few events of its kind dedicated to the swing music of the 1930's and 1940's. For this first edition an excellent group of international musicians specialized in playing this particular style of jazz has been invited - next to 'Echoes of Swing' it presents Shaunette Hildabrand, Frank Roberscheuten, Colin Dawson, Chris Hopkins, Bernd Lhotzky, Henning Gailing and Oliver Mewes as soloists. Such a line-up provides the backdrop for five diverse concerts at the highest level for three consecutive days. Situated on the mountain overlooking the city of Ascona and the famous Lago Maggiore, Hotel Ascona is the perfect location for this event. The balconies extending from the fully equipped rooms offer a breathtaking view. And the kitchen guarantees culinary satisfaction while enjoying music in a “unplugged” setting. Reservations can be made at Hotel Ascona under: CH-091-7851515. For more information download the flyer here:



Saturday, October 25, 2014

The New Standard, Red Hill, Indigo Mist - Grammy Reminder.


VOTE WITH YOUR EARS

THE NEW STANDARD
RED HILL 
  INDIGO MIST





 THE NEW STANDARD  

JAMIE SAFT, STEVE SWALLOW, BOBBY PREVITE 

 

Artist: Jamie Saft, Steve Swallow & Bobby Previte
Title: The New Standard
Best Jazz Instrumental Album
Artist: Jamie Saft
Title: Minor Soul
Best Improvised Jazz Solo
Artist: Steve Swallow
Title: The New Standard
Best Improvised Jazz Solo
Artist: Steve Swallow
Title: Surrender The Chaise
Best Improvised Jazz Solo
Artist: Jamie Saft, Steve Swallow & Bobby Previte
Title: The New Standard


    

RED HILL

WADADA LEO SMITH
JAMIE SAFT  
JOE MORRIS
BALAZS PANDI

 

Artist: Wadada Leo Smith, Jamie Saft, Joe Morris & Balazs Pandi
Title: Red Hill
Best Jazz Instrumental Album
Artist: Wadada Leo Smith
Title: Agpaitic
Best Improvised Jazz Solo
Artist: Jamie Saft
Title: Tragic Wisdom
Best Improvised Jazz Solo

LISTEN to Agpaitic
 LISTEN to Tragic Wisdom



    

 INDIGO MIST

That The Days Go By  
And Never Come Again   

CUONG VU
RICHARD KARPEN   
LUKE BERGMAN
TED POOR  

 

Artist: Cuong Vu, Richard Karpen, Luke Bergman & Ted Poor
Title: That The Days Go By And Never Come Again
Best Jazz Instrumental Album





  

"The Disciple," 10th CD by Pianist Peter Zak For the SteepleChase Label, To Be Released Oct. 21

"The Disciple," 10th CD by Pianist Peter Zak
For the SteepleChase Label,
To Be Released Oct. 21
 
Trio Recording Features
Bassist Peter Washington & Drummer Willie Jones III
 
CD Release Show at Smoke, New York City,
With Trio Plus Special Guest Peter Bernstein,
Wednesday, Oct. 22
 


October 2, 2014
 

For his tenth CD in as many years, all for the Danish SteepleChase label, pianist Peter Zak continues his brilliant series of jazz trio explorations, this time in the company of bassist Peter Washington and drummer Willie Jones III. The new disc, The Disciple, will be released October 21.

"The fact that the piano is the lead instrument in terms of playing the melody appeals to me," Zak says of the trio format. "There's that, and the hookup between the ride cymbal and the bass doesn't get any better than that. The reason I play jazz is basically for that feel."

Washington, who's on board for his fourth consecutive Zak session, "is one of the best musicians I've ever played with," says the pianist. "He really knows how to break up the time and to really find the groove when it needs to be found. He hears everything that's happening immediately."

Zak's association with Jones dates to 1998 when both were sidemen on trumpeter Ryan Kisor's The Usual Suspects CD. "He's got a lot of energy but he's not bombastic," Zak says of the much-in-demand drummer. "I just like his sensibility about swinging."

Peter Zak

Zak is a stylistic disciple of some of the greatest jazz pianists of the bop and post-bop eras. He salutes six of them on The Disciple with personalized interpretations of compositions by Chick Corea ("The Loop"), Elmo Hope ("Barfly"), Horace Silver ("Nutville"), Herbie Hancock ("Requiem"), Hampton Hawes ("Jackie"), and Thelonious Monk ("Criss Cross"), along with three originals and one by the Russian classical composer and pianist Alexander Scriabin.

He hadn't initially planned a CD of tunes made up entirely of tunes by piano players. It just turned out that way, as did the fact the set opens and closes with waltzes: Corea's "The Loop" and his own "The Disciple." His decisions must have been subconscious, as he has long shown himself to be master of programming music who often selects great yet little-known songs for his recordings and live performances. "I want to do things that are off the beaten track, something that hasn't been done a lot," he explains.

Peter Zak
Peter Zak, 49, was born in Los Angeles and grew up in Columbus and Kent, Ohio, then moved with his family at age 16 to Oakland. At the University of California, Berkeley, where he majored in history, he studied with Susan Muscarella (founder/director of Berkeley's Jazzschool, now the California Jazz Conservatory).

Zak played on an extracurricular basis in combo and big band settings, with the UC Jazz Ensembles. He also freelanced in bands with noted bassist Herbie Lewis, who had recorded with one of Zak's major influences, McCoy Tyner, as well as Jackie McLean and local hero Bobby Hutcherson. Following his graduation from UC Berkeley, Zak played clubs, concerts, and festivals with such notables as saxophonists Frank Morgan and John Handy.

Since moving to New York in 1989, Zak has enjoyed ongoing recording and performing associations with saxophonists Walt Weiskopf, Jim Snidero, and Stephen Riley; trumpeter Ryan Kisor; and guitarist Tom Guarna. Zak has accompanied such name artists as George Coleman, Billy Hart, Jon Hendricks, Etta Jones, Jimmy Cobb, Scott Hamilton, and Junior Cook. He's been on the faculty in the Jazz and Contemporary Music College of the New School since 1995 and currently teaches an ensemble class there.

Zak has recorded steadily as a leader since making his debut, in 2005, with The Peter Zak Trio, a trio date with Paul Gill and Al Foster. That same year, he was the recipient of a $10,000 commission from the Doris Duke Foundation to compose and perform a new work for his trio.

In his notes to The Disciple, Zak describes the composition process as something "by turns challenging, intriguing, frustrating, and finally rewarding" and discusses the value of standard jazz repertoire "as springboards to improvisation and collective interaction. . . . You still need that foundational element that's built on a basis of collective knowledge among the performers, and oftentimes the audience. Only then do we stand a chance for that deep groove, and for imagination to truly take flight."

Peter Zak and his trio (Paul Gill, bass, and Joe Farnsworth, drums) plus guest soloist Peter Bernstein will be performing a CD release show for The Disciple at Smoke, 2751 Broadway, New York City, on Wednesday 10/22. Sets are at 7:00, 9:00, and 10:30 pm.


Photography: Javier Oddo
 
 
Peter Zak -
Peter Zak - "The Disciple"
 
 
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Media Contact:
Terri Hinte
hudba@sbcglobal.net
510/234-8781
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"BEST OF" HALIE LOREN TOPS BILLBOARD JAPAN JAZZ CHARTS #1 JAZZ ALBUM TWO WEEKS IN A ROW

Justin Time
"BEST OF" HALIE LOREN TOPS
BILLBOARD JAPAN JAZZ CHARTS

#1 JAZZ ALBUM TWO WEEKS IN A ROW

Photo Credit: Sally Sheldon

For a jazz recording artist, spending day after day making music in the studio feels like a gift. What could be better than waking up to a cup of coffee and an endless array of creative possibilities to explore that day? Well, how about also waking up to the news that their most recent album release just debuted at #1 on the Billboard Jazz chart?! And then it gets even better the second week when the album stays at the top of Billboard Jazz charts at #1.

North American jazz singer/songwriter Halie Loren experienced that very sort of morning when it was announced that her new "best of" compilation album, the aptly named Best Collection, debuted at the top of the Billboard Jazz chart in Japan. "It felt a little bit like lightning striking twice", says Loren, as her previous studio release Simply Love also debuted at #1 on Billboard Jazz. Once could be called a beautiful stroke of luck. Twice? Well, that sounds more like a trend.

After releasing half-a-dozen albums that have enjoyed countless weeks at #1 on Amazon, iTunes, and elsewhere both in albums and singles, her releases still remain very much at home among the top-100 bestselling albums next to chart neighbors Norah Jones, Diana Krall, and Michael Buble at any given time, as they have consistently over the past 4 years. In addition, her 6 tours to-date in Japan have brought Loren and her band to many a sold-out venue in cities across the nation. Yes, in Japan and Asia, Loren has been prolific and commercially successful enough in her twenties to already have garnered her the kind of body of work and avid fan base to warrant her a "best of" album.

The September 17 release, Best Collection, is an eclectic blend of 17 fan-favorite tracks and lesser-known gems from Loren's previous album releases, along with a bonus track - a 1970's Japanese hit titled "Goodbye Morning", translated for and lyrically adapted by Ms. Loren. Distributed by JVCKENWOOD Victor Entertainment, the album is currently only available in Japan.

For her fans elsewhere in the world, this autumn is also finding Loren in the studio crafting the songs that will be featured on her new album, scheduled for release worldwide in early 2015, aptly timed to coincide with her biggest Japan tour to-date next February. "Fans can expect something fresh and new to get excited about, as we are infusing many of these new tunes with a warm soulful vibe and old-school horn section features, while maintaining that lovely balance between classic and modern sensibilities that we enjoy so much... and we'll be sharing significantly more original material with our fans this time, too", says Loren. 

 
For more information on Halie Loren, please visit: HalieLoren.com
For more information on Justin Time Records, please visit: Justin-Time.com

Visit Halie on Facebook and Twitter:


For additional information, please contact:
Wild West Artist Management, Inc. · (514) 738-9533

Music Management, Inc. · (541) 992-5399
Keith Altomare  ·  kaltomare@gmail.com

For media information, please contact:
DL Media  ·  610-667-0501
Matthew Jurasek  ·  matthew@dlmediamusic.com   

Serving the Finest in Jazz Since 1988
 
Information and press materials (including album covers, promotional photos
and bios) on all DL Media artists can be found at our website: dlmediamusic.com

Brand new compositions on Soundcloud ! Jacques Pellarin's music

hello from France,

Fresh out of the studio , I enjoy sharing past six brand new  instrumental compositions in color Accordion -Image (Film music / Media) !

Back in the studio, is announced in January 2015 ... after the UK tour of "Jac & Co" in November.

A booster shot also, with the release of my latest digital album "Accordion Rushes " (September 2014) available on I tunes, Amazon, Google Play, CD Baby ... and streaming on my website, Spotify, etc ...

Thank you for your attention and have fun!

musically yours !

Jacques
www.jacquespellarin.fr
 
https://soundcloud.com/jacques-pellarin/vents-de-mer   " Vents de mer " , co-signé avec Maryon Pellarin , ( guitare , Accordéon, percussions )
 
https://soundcloud.com/jacques-pellarin/without-borders    "Without borders " ( Accordéon & Harmonica )
 

https://soundcloud.com/jacques-pellarin/rue-des-orgues    " Rue des orgues " ( Accordéon et petit piano jouet )
 
https://soundcloud.com/jacques-pellarin/krysalid        " Krysalid "  ( Accordéon solo /French cinema style )

 https://soundcloud.com/jacques-pellarin/vintage-waltz   " Vintage waltz " ( Accordéon solo /Valse Jazz manouche )
 
https://soundcloud.com/jacques-pellarin/back-to-japan   " Back to Japan " ( Accordéon solo / Neo Romantic Classic style )

JEFF BALLARD FAIRGROUNDS feat. Kevin Hays, Lionel Loueke, Reid Anderson MARCH 1-21, 2015

AROUND JAZZ
MUSIC PRODUCTIONS

JEFF BALLARD FAIRGROUNDS feat. Kevin Hays, Lionel Loueke, Reid Anderson

MARCH 1-21, 2015



They ride the rides. They take a turn riding all of them. These rides, which make up this amusement park, should be built in places perfect, well studied. It takes a certain strength to build, to manage, and to coordinate. These and other qualities Mr Ballard must have thought about, a cultured and refined musician, when he decided to call his latest creation Fairgrounds. Whomever would like to may participate, the only requirement is that they are emotionally committed. Ballard started from there, with friends, colleagues, who would assure him the right chemistry: Lionel Loueke on guitar (Herbie Hancock, Terrance Blanchard), Reid Anderson (whom we know as the bassist of the imaginative trio The Bad Plus; but here he has left the acoustic bass and has devoted himself to weaving electronic sounds and textures with a computer and various controllers), and Kevin Hays (Joe Henderson, Benny Golson, John Scofield) on piano and keyboards. As a carousel, anyone can climb aboard this band if he so wishes. So the group's roster expands and contracts. An open workshop, creative, constantly evolving. Those who come in should not behave as simply a "guest" but as a full time essential member of the band, bringing all his or her desires, commitment, and knowledge thru the gate into the fairgrounds. Musically diverse, sometimes very bold and unexpected, Jeff Ballard Fairgrounds does not have a fixed or pre-established repertoire, the music mostly comes as sound ideas brought in by Ballard and his companions, taking on different forms as the ideas germinate and expand in context. A group with an unusual timbre from their combined strength. A new reality which will act as an arena where one can bring ideas and flex the mind. The creativity and commitment of the leader is well documented also by his stylistic choices. The sharp blades of the avant-garde, the obsessions of free jazz, the intrigue of electronics, wide cultural diversity of rhythm, colors, textures of rock, the splendid virtuosity of the individual involved.
All of this is to describe Jeff Ballard Fairgrounds. Just listen to it and you will no longer have any doubt: when the bell sounds announcing the new round of tournament, stay there. Don't miss it.
Line up: Jeff Ballard (drums), Kevin Hays (piano), Lionel Loueke (guitar), Reid Anderson (electronic).
Our sub agents for Europe are: Anteprima Productions (France), Artribute (Germany, Austria, Switzerland), Kjell Kalleklev Management (Norway), Angels Mas Caribbean Music Productions (Spain), Amsterdam Jazz Agency (Benelux).
AROUND JAZZ
MUSIC PRODUCTIONS
Via della Repubblica 161, 05022 Amelia (TR), Italy
ph. +39.0744.983431 - fax +39.0744.983738
(Enrico Iubatti) +39.347.5744516; (Andrea Scaccia) +39.339.2980936
aroundjazz@gmail.com