“Fresh music, modern yet never artificial; and this because it is always moved by a melodic drive that is without doubt Emmanuel’s stylistic hallmark. From the very first listening, one is captivated by the sinuous melodies, the elegant arrangements and the roundness of the harmonic progressions, which are often unconventional. The solos of the front line, composed of Simone Alessandrini and Filippo Bianchini, are highly appreciated as they not only are formidable improvisers, but also know how to blend with great sensitivity into the musical world of the leader. The work of the rhythm section, composed of Riccardo Gola and Fabio Sasso along with Emmanuel himself, is equally valuable, as it is solid and always aware of the many nuances that are presented in this work. The album speaks volumes of Emmanuel’s heterogeneous musical experience; his Argentinean origin emerges, as well as his love for a more contemporary jazz, while following the lessons of the great musicians of the past. All this seems to have been well consolidated as it is proposed from beginning to end in a homogeneous and personal way, without ever falling into stylistic clichés.” Enrico Bracco
Tuesday, April 9, 2019
ITALY/ARGENTINA: Emmanuel Losio -Good News( Emme 2019)
“Fresh music, modern yet never artificial; and this because it is always moved by a melodic drive that is without doubt Emmanuel’s stylistic hallmark. From the very first listening, one is captivated by the sinuous melodies, the elegant arrangements and the roundness of the harmonic progressions, which are often unconventional. The solos of the front line, composed of Simone Alessandrini and Filippo Bianchini, are highly appreciated as they not only are formidable improvisers, but also know how to blend with great sensitivity into the musical world of the leader. The work of the rhythm section, composed of Riccardo Gola and Fabio Sasso along with Emmanuel himself, is equally valuable, as it is solid and always aware of the many nuances that are presented in this work. The album speaks volumes of Emmanuel’s heterogeneous musical experience; his Argentinean origin emerges, as well as his love for a more contemporary jazz, while following the lessons of the great musicians of the past. All this seems to have been well consolidated as it is proposed from beginning to end in a homogeneous and personal way, without ever falling into stylistic clichés.” Enrico Bracco