In early 2015 Joanna Wallfisch released The Origin of Adjustable Things,
an enthusiastically received duo project with pianist Dan Tepfer,
featuring Wallfisch s searching originals plus imaginative covers of Tim
Buckley, Radiohead and more. Wallfisch follows up this summer with the
adventurous Gardens In My Mind, a stunning new collaboration with Tepfer
and The Sacconi Quartet, a London-based ensemble featuring violist
Robin Ashwell, cellist Pierre Doumenge, and violinists Ben Hancox and
Hannah Dawson. The album also features Tepfer on piano and melodica,
with Wallfisch herself on vocals, piano and ukulele.Wallfisch and Tepfer each contributed string arrangements for the project, with Tepfer taking on four of the songs. The result is an intricate collection of originals and reinterpretations, plus two choice covers by Joni Mitchell and Tim Buckley. In their inimitable way, Wallfisch and her cohorts blur boundaries between the classical, jazz and singer-songwriter worlds. A stunning, whimsical bonus video of the title track Gardens In My Mind, directed and edited by Wallfisch herself, involves full body paint and flowers and is included in the album package.
The idea to record with strings came about after a recent engagement at the Salisbury Festival in the UK, where Wallfisch was invited to collaborate with The Sacconi Quartet, the festival s resident ensemble. Hailing from a family of noted string players, Wallfisch saw this opportunity as the fulfillment of a longtime goal and she pursued it to its logical conclusion: a full album with string quartet. The result, Gardens In My Mind, expands her already broad musical horizons, showcasing her richly expressive voice and head-turning lyrics in unexpected ways. Seven songs that originally appeared on Origin return on Gardens In My Mind in new musical clothing: on This Is How You Make Me Feel, Anonymous Journeys, Satellite, Rational Thought, Satin Grey , Brighton Beach and Tim Buckley s Song to a Siren, the strings add sonic dimension, dynamic shading and the spark of interplay as they blend with and bounce off Wallfisch s poetic musings.
