Hot Tone Music to Release New CDs
By Bassist Mimi Jones &
Pianist Luis Perdomo
May 13
Perdomo's "Montage,"
His First Solo Piano Session,
Is a Follow-Up to 2015's "Twenty-Two"
"Feet in the Mud," Jones's Third CD for the Label,
Is a Quartet Date Featuring Jon Cowherd,
Jonathan Barber, Samir Zarif
"Montage" CD Release Show June 1
The Jazz Standard, New York City
April 25, 2016
Hot Tone Music, the artist-run label founded by bassist /composer Mimi Jones in 2009, announces the simultaneous release on May 13 of new CDs by Jones (Feet in the Mud) and pianist/composer Luis Perdomo (Montage).
Perdomo's Montage is his eighth
album as a leader but the first solo piano recording in his
distinguished career. After he'd begun playing solo concerts three years
ago, this ever-evolving artist reached out to his pianist friend Fred
Hersch "to fine-tune some aspects of my own solo playing." Of Montage,
he says, "I felt the time was right for me to do it, and I felt ready
to take on the challenge. I always loved the flexibility and freedom of
being able to take the music in different directions."
Repertoire on the new CD is an intriguingly personal mix of favorite jazz and Songbook standards ("Monk's Dream," "Body and Soul," Stanley Cowell's "Cal Massey"), studio improvisations, and songs from his Caracas childhood that left an indelible impression on him ("Mambo Mongo," "La Revuelta de Don Fulgencio," the bolero "Si Te Contara"). While Montage
offers ample evidence of Perdomo's musical mastery, the pianist claims
that he wanted the music "to serve as a soundtrack for everyday life.
You don't have to go to Carnegie Hall and put on a suit to listen to
this music."
For her third Hot Tone Music album, Feet in the Mud, Mimi Jones called on an "amazing crew" consisting of her frequent drummer Jonathan Barber as well as new colleagues Jon Cowherd on piano and Fender Rhodes and soprano saxophonist Samir Zarif.
They provide the perfect support for the leader's deeply satisfying
bass lines and haunting vocals, which are anchored in the jazz tradition
yet stylistically elastic enough to encompass other genres.
The CD, says Jones, is "a tribute to those who have left a huge imprint
on me and the world, as well as those who are still alive and making an
imprint as we speak. It's also about finding true joy within yourself,
having an open mind and spirit and a connection to the earth." Jones's
originals (among them "Lyman's Place," the buoyant "Elevate," and the appealing opening track "Mr. Poo Poo") reflect these themes and concerns; the program also includes Wayne Shorter's "Fall," Enoch Smith Jr.'s arrangement of "Blackbird," and "Feet in the Mud," composed by Perdomo.
Born in New York City (in 1972) and raised in the Bronx, Mimi Jones
attended Fiorello LaGuardia High School and earned a B.A. in music at
the Manhattan School of Music Conservatory. She missed her graduation,
however, because she'd been hired to tour Japan with saxophonist Masa
Wada and drummer Denis Charles. It was the first of numerous overseas
tours that would take her to Africa, Europe, Asia, and the Americas,
some under the auspices of the U.S. State Department. In addition to
leading her own groups, Jones has worked with jazz artists including
Kenny Barron, Joanne Brackeen, Terri Lyne Carrington (who chose Jones to
play on her Grammy-winning The Mosaic Project), Ravi Coltrane, Lizz Wright, Toshi Reagon, Roy Hargrove, and many more. She has previously recorded two albums as leader -- A New Day (2009) and Balance (2014), both for Hot Tone Music.
Luis Perdomo
was born (1971) and raised in Caracas, Venezuela, where he received an
excellent music education from his father's vast LP collection and his
teacher Gerry Weil. He was awarded a scholarship to the Manhattan School
of Music and studied there with Harold Danko and Martha Pestalozzi,
earning his B.A. in 1997; three years later
he received his master's at Queens College after study with Sir Roland
Hanna. Perdomo became a first-class sideman, recording and/or touring
with Dave Douglas, Tom Harrell, Steve Turre, and many other jazz and
Latin artists. He was a member of Ravi Coltrane's Quartet for ten years,
and is a founding member of the Miguel Zenon Quartet. Among his
recordings as a leader are Focus Point (2005), Pathways (2008), Universal Mind (2012), and his 2015 Hot Tone Music debut, Twenty-Two, featuring his Controlling Ear Unit with Mimi Jones and drummer Rudy Royston.
Perdomo and Jones, who have been a couple for the last
12-plus years, frequently work together, both on the stage and in the
studio. "I was afraid for the longest time of having my wife in my
band," says the pianist. "What if we have a fight, and if affects the
music? But actually she knows what influences me, what I like and don't
like -- and she's a solid bass player."
On Wednesday 6/1, Luis Perdomo will perform a CD release show for Montage at the Jazz Standard, NYC, with special guest The Controlling Ear Unit (Luis Perdomo, p; Mimi Jones, b/voc; Rudy Royston, d). Other Perdomo dates include: 7/25-7/31 Langnau (Switzerland) Jazz Nights; 10/21 Café Tra le rigge, San Severo, Italy; 10/29 Jazzkeller Esslingen (Germany).
The Mimi Jones Band will be appearing 5/7 at Casita Maria Center for the Arts in the Bronx (3:00-3:45 pm, free/outdoors), with a New York City CD release show soon to be announced. Other dates include 7/9 at the Lighthouse Jazz Festival, Michigan City, IN; 7/11 Arts Incubator, Chicago; 9/6 Jazz Showcase, Chicago; and 9/10 IRock Jazz Festival, Holland, MI. A Japanese tour is set for 10/5-17, and a European tour for November.
Photography: Nick Carter
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