"Team & Variations,"
2nd CD by Guitarist/Composer Isaac Darche,
Due April 14
From Challenge Records
Quintet Date Featuring Chad Lefkowitz-Brown, Tenor Sax;
Glenn Zaleski, Piano; Desmond White, Bass;
E.J. Strickland, Drums
CD Release Show at Shapeshifter Lab, Brooklyn, NY,
April 28
March 12, 2015
Darche's fluid,
warm-toned style reflects the classic influence of Wes Montgomery and
Pat Martino. But as indicated by the title of the album's opening track,
"A 'Winkel in Time" -- a nod to influential guitarist
Kurt Rosenwinkel -- he is open to the innovations of all kinds of
stylists. "Pushing the boundaries musically yet keeping a certain
authentic 'jazz feeling' was very important to me on this project," says
the leader.
Darche's performances on the new CD with ace team members Chad Lefkowitz-Brown on tenor saxophone, pianist Glenn Zaleski, bassist Desmond White, and standout drummer E.J. Strickland confirm his status as one of the most impressive young guitarists on the scene.
The playful titles of the originals are drawn from his life. "Sloped Perspective,"
a wry reference to Brooklyn's Park Slope community, where many jazz
musicians live, strives for a combination of simplicity and complexity. "Arts of a Bachelor," an experiment in unusual intervals, reflects on his schooling. "Don't Run out of Money," a double time-exercise with a melody that evolved out of guitar voicings, is the ultimate advice for living in New York.
Fresh readings of the standards "You Stepped Out of a Dream" and "Nobody Else But Me" are also in the mix, along with his take on Wayne Shorter's "Ana Maria."
Born and raised in San Anselmo, California, just north of San Francisco, Isaac Darche,
32, started playing the clarinet at age 7, switched to the guitar at
10, and was also playing the saxophone a year or so later. It was the
sound of the guitar -- specifically the pure, beautiful jazz sound of
the Gibson L-5 models as played by Montgomery and Martino -- that hooked
him. He played in various groups at Marin Academy, a San Rafael high
school known for its strong arts program.
While attending the
Stanford Jazz Workshop Jazz Camp as a young teenager, Darche was blown
away by a performance featuring fellow students Ambrose Akinmusire,
Jonathan Finlayson, Dayna Stephens, and Taylor Eigsti. "I kept thinking,
oh my God, I'm so far behind, this is crazy," he recalls.
Darche was encouraged to go to New York by guitarist and "super sideman" Randy Napoleon. His "boom-baptism" there was eased by all the great music happening around him. He got hired by keyboardist Sean Wayland, and played with numerous other artists including Mark Shim, Jon Gordon, Randy Ingram, Henry Cole, Linda Oh, and his old campmate Ambrose Akinmusire.
"It's no easy accomplishment in a field packed with guitarists," wrote David Adler in NYC Jazz Record of Boom-Baptism,
"but Darche has found a unique sound and technical approach on the
instrument. His tone is bright, his articulation blindingly fast and
flawless, his rhythm consistently in the pocket but full of breath,
never stiff. ... Effortlessly forward thinking, free of idiomatic
clichés."
Photography: Brian Geltner
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