Stunning re-workings of Duke Ellington's classic melodies performed by an all star seven piece group, assembled by Polar Bear and Loose Tubes saxophonist and composer Mark Lockheart. 'Ellington in Anticipation' also features Finn Peters on alto saxophone and flute, Liam Noble on piano and Sebastian Rochford on drums.
Taking many of the Duke's revered compositions such as "It Don't Mean a Thing", "Mood Indigo", "Take the A Train", "Azure" and "Creole Love Call" Lockheart has deconstructed and arranged these well known melodies into a fascinating set of new music, rich in orchestration and concept and entirely respectful to the beauty of Ellington's original creations. Featuring some of the most exciting and original musicians in the UK, this is a unique and radical album which beautifully combines the old with the new.
Personnel: Mark Lockheart (tenor saxophone), Finn Peters (alto saxophone, flute), James Allsopp (clarinets), Emma Smith (violin), Liam Noble (piano), Tom Herbert (bass), Sebastian Rochford (drums)
Review
Over 30 years, tenor saxophonist Mark Lockheart has steadily built up an impressive and eclectic discography.
Alongside albums on which he is leader – this is the eighth – he has been a member of such groundbreaking groups as Loose Tubes, Perfect Houseplants and Polar Bear. He’s also guested on classic records like Prefab Sprout’s Steve McQueen and Radiohead’s Kid A.
To record Ellington in Anticipation, Lockheart selected a star-studded group including his Polar Bear bandmates bassist Tom Herbert and drummer Seb Rochford plus piano ace Liam Noble.
Alongside Lockheart are Finn Peters on alto sax and flute, clarinettist James Allsopp and violinist Emma Smith. That instrumentation gave Lockheart a versatile palette which he’s exploited to produce a rich variety of moods and textures.
The album’s 11 tracks include such well-loved Duke Ellington pieces as Mood Indigo and Creole Love Call alongside four Lockheart originals which borrow from and pay homage to Ellington.
Though Lockheart has been an Ellington fan for 40 years, this is not a tribute album of faithful recreations. Each piece has been rethought and radically remodelled to create vibrant new music. The end results are Ellington for the 21st century.
So, the version of Take the A Train only includes an impressionistic reading of its distinctive horn riff. This piece is used as the basis for a loose, free-flowing improvisation with notable contributions from piano, drums and all three reeds.
In contrast, Lockheart’s My Caravan begins loosely as a percussion-driven improvisation which evolves gradually until closing with a full-blooded rendition of the refrain from Ellington’s own Caravan.
Above all, Lockheart is a first-rate composer and arranger, with Ellington’s knack of deploying individual players to give pieces distinctive characters. His full-bodied tenor playing impresses throughout, both as a soloist and in conjunction with Finn and Allsopp.
Noble’s piano playing repeatedly commands attention, notably on Beautiful Man where he is joined by Smith’s violin to create an appealingly meditative mood, and solo on the hauntingly beautiful closing track Indian Summer.
Ellington in Anticipation seems sure to appeal equally to fans of Polar Bear, Lockheart and the Duke.
--John Eyles
http://marklockheart.co.uk
