Sleeper - Tokyo, April 16, 1979
Keith Jarrett, Palle Danielsson, Jan Garbarek, Jon Christensen
Keith Jarrett, Palle Danielsson, Jan Garbarek, Jon Christensen
An astonishing double-album documentation of a great band at the peak of its powers, Sleeper features a complete and previously unreleased concert recording of the quartet that came to be known as Keith Jarrett's 'European Quartet' (also sometimes named as 'Belonging'). It took place at Tokyo's Nakano Sun Plaza in April 1979.The pieces, all composed by Keith Jarrett for this ensemble and all delivered with enormous verve, are 'Personal Mountains', 'Innocence', 'So Tender', 'Oasis', 'Chant of the Soil', 'Prism' and 'New Dance'. Exceptional improvisational exchanges, dynamic episodes of surging energy, and lyrical passages of wild beauty abound. The interplay between Jarrett and Jan Garbarek is uncanny and the Palle Danielsson/Jon Christensen rhythm team swings wildly and delightfully. After more than three decades in the ECM archive, this "Sleeper", newly mixed at the Rainbow Studios in Oslo, now awakes in all its glory, sounding thoroughly alive and of the moment.
Sleeper is a significant addition to the group's small discography, until now comprised of the albums Belonging (1974), My Song (recorded 1977, released 1978), Nude Ants (recorded 1979), and Personal Mountains (1979, released 1989). In the five years between the first album and the end of the story, the quartet played infrequently enough for Jarrett to tell one journalist that it was less an ensemble than a 'special event'.
Personnel: Keith Jarrett (piano, percussion), Jan Garbarek (tenor and soprano saxophones, flute, percussion), Palle Danielsson (double-bass), Jon Christensen (drums, percussion)
Sleeper is a significant addition to the group's small discography, until now comprised of the albums Belonging (1974), My Song (recorded 1977, released 1978), Nude Ants (recorded 1979), and Personal Mountains (1979, released 1989). In the five years between the first album and the end of the story, the quartet played infrequently enough for Jarrett to tell one journalist that it was less an ensemble than a 'special event'.
Personnel: Keith Jarrett (piano, percussion), Jan Garbarek (tenor and soprano saxophones, flute, percussion), Palle Danielsson (double-bass), Jon Christensen (drums, percussion)
Review
Sleeper is well titled. This live double album was recorded in Tokyo in April 1979, and lay unissued in the vaults for over three decades before being dusted off for this release. Although credited (on the spine, at least) to pianist Keith Jarrett alone, it features his ‘European Quartet’ with Scandinavians Jan Garbarek on tenor and soprano saxophones plus flute, Palle Danielsson on bass and Jon Christensen on drums.
That foursome first came together in 1974 to record the album Belonging. Other demands on Jarrett’s time – notably, his ‘American Quartet’ – meant they played together infrequently, making each occasion special. Although much admired and hugely influential, the quartet only recorded one more studio album, 1977’s My Song. The month after recording Sleeper, they played their final gig together, at the Village Vanguard in New York, captured on the live double album Nude Ants.
A live single album by the group, Personal Mountains, also recorded in Tokyo in April 1979, was released in 1989. There is no overlap between that album and this release. Six of the seven compositions on Sleeper are already available on those other live albums, but the versions here trump those. Featuring an entire hour-and-three-quarters concert – two sets plus an encore – Sleeper must now be considered the first-choice live album by this quartet.
The pairing of Jarrett’s piano with Garbarek’s reeds is an inspired one. They complement each other perfectly, their exchanges bursting with infectious energy and free-flowing invention. Unlike some Jarrett albums, Sleeper does not prominently feature the vocal moaning and grunting from the pianist that can alienate some; instead, it contains sounds of exuberance and enthusiasm, sentiments sure to be echoed by many listeners.
All of the compositions are by Jarrett. They cover a broad range of moods and styles, from the driving groove of Personal Mountains through the poignant melody of So Tender to the freeform looseness of Oasis. Throughout, whatever the style, Danielsson and Christensen are fully integrated into the quartet, reliably underpinning the music. The end result is a richly varied album that seems destined to be one of the gems of Jarrett’s vast discography.
--Raziq Rauf
amazon.com
That foursome first came together in 1974 to record the album Belonging. Other demands on Jarrett’s time – notably, his ‘American Quartet’ – meant they played together infrequently, making each occasion special. Although much admired and hugely influential, the quartet only recorded one more studio album, 1977’s My Song. The month after recording Sleeper, they played their final gig together, at the Village Vanguard in New York, captured on the live double album Nude Ants.
A live single album by the group, Personal Mountains, also recorded in Tokyo in April 1979, was released in 1989. There is no overlap between that album and this release. Six of the seven compositions on Sleeper are already available on those other live albums, but the versions here trump those. Featuring an entire hour-and-three-quarters concert – two sets plus an encore – Sleeper must now be considered the first-choice live album by this quartet.
The pairing of Jarrett’s piano with Garbarek’s reeds is an inspired one. They complement each other perfectly, their exchanges bursting with infectious energy and free-flowing invention. Unlike some Jarrett albums, Sleeper does not prominently feature the vocal moaning and grunting from the pianist that can alienate some; instead, it contains sounds of exuberance and enthusiasm, sentiments sure to be echoed by many listeners.
All of the compositions are by Jarrett. They cover a broad range of moods and styles, from the driving groove of Personal Mountains through the poignant melody of So Tender to the freeform looseness of Oasis. Throughout, whatever the style, Danielsson and Christensen are fully integrated into the quartet, reliably underpinning the music. The end result is a richly varied album that seems destined to be one of the gems of Jarrett’s vast discography.
--Raziq Rauf
amazon.com
