Bay Area Pianist/Composer Eric Vaughn
To Release
First Nationally Distributed CD,
"Minor Relocation,"
August 7
CD Release Shows Planned for
142 Throckmorton Theatre, Mill Valley, August 9
Rasselas, San Francisco, August 15 &
Piedmont Piano Co., Oakland, October 13
To Release
First Nationally Distributed CD,
"Minor Relocation,"
August 7
CD Release Shows Planned for
142 Throckmorton Theatre, Mill Valley, August 9
Rasselas, San Francisco, August 15 &
Piedmont Piano Co., Oakland, October 13
July 20, 2012

The new CD, released on his Vaughn Music label, serves as an introduction to a fresh and intriguing voice on the piano. Vaughn describes his music, which fuses elements of Thelonious Monk, Art Tatum, McCoy Tyner, and others, as "hard bop to modern-esque." "I've definitely learned from the traditional players," he says. "I've taken from a little bit of everybody and I've taken some classical and I've put it all in there."
The "minor relocation" of the disc's title refers to the pianist's 2009 move back to the Bay Area from Seattle, where he'd resided the previous 12 years. Vaughn recorded the CD over a three-year period in both locales, working in Seattle with bassists Nate Omdal and Mark Bullis and drummers Nicholas Quitevis and Jamiel Nance, and in the Bay Area with tenor saxophonistBob Kenmotsu, bassist John Wiitala, and drummer Kent Bryson. "I hadn't seen them in 35 years," Vaughn says of the three latter musicians, with whom he once worked in San Francisco's North Beach.
Most of the CD's repertoire consists of Vaughn's striking originals, including the swinging title track, the minor-blues-based "Tune for Trane," and the bossa ballad "Joyce," as well as his takes on "Stella by Starlight," "Alone Together," and "On Green Dolphin Street."

A basketball scholarship brought Vaughn to the University of San Francisco, but knee injuries thwarted his athletic ambitions. He applied for, and won, a music scholarship, despite having been away from his musical studies for nearly five years. Vaughn went on to earn his Bachelor's degree in music and a Master's in music performance, both from USF. Several years of classical piano lessons during this time "influenced my technique for sure and my ideas as well," he says now. "It's useful for improvising and my chops and reading."
Vaughn spent two years in the early '80s playing in Europe with bassoonist Michael Rabinowitz, another former Mosca student, then moved to Oakland and became part of a circle of avant-garde players that included saxophonists Ghasem Batamutu and Julius Hemphill, trumpeter Rasul Siddik, and bassist James Lewis. In 1985 he moved to Vancouver, BC and remained there for 12 years, performing regularly at the Vancouver International Jazz Festival and working a steady club engagement with trumpeter Gabriel Mark Hasselbach. He also spent two years in the early '90s touring as a member of former B.B. King bassist Russell Jackson's blues band.
During his years in Seattle (1997-2009), Vaughn played with his own groups and those led by tenor saxophonist Bert Wilson and conga drummer Billy Poindexter (son of Pony Poindexter). He recorded three little-noticed albums -- a solo piano date titled Reflections: Past and Present; the trio session A New Beginning; and The Chaotic World We Live In, on which he overdubbed piano and melodica parts. With Poindexter's quartet, he recorded Live at the Birkshire (2007).

Web Site:
www.ericvaughnjazz.com
Media Contact:Terri Hinte
510-234-8781
hudba@sbcglobal.net
www.terrihinte.com
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