In Mahler's words "A symphony must be like the world. It must contain everything."
Although not a symphony, the analogy comes to mind after listening to the second album of Italian guitarists Matteo Minozzi and Eugenio Polacchini aka The Bruskers. "Addition" contains a suite of 13 miniatures or "movements" harmoniously integrated in an unitary stylistic "world" where classical and modern reach a refined level of fusion. The impeccable connection between the personalities of these 2 virtuoso musicians previously displayed on their first album, is clearly discernible on "Addition" and is not surprising that the result is again enchanting.
Yet there are many surprises on their new album that features nine jazz standards, three original compositions and a pop song. But these numbers do not tell about the essence of expression and clarity of music which is not only enjoyable but also touching.
What is delightful in the first place is the duo's personal perspective on evergreens such as Kendall Bright's Bright Boy, played here in an improvisational ingenious free style or the fresh flavored Minor Swing. Lullaby of Birdland receives a subtle bluesy-classical aura while Blue Moon is distilled through a classical filter. Finally a leitmotif from Sting's Englishman in New York is developped in a clever improvisation.
On the original compositions we can appreciate the duo's grace and inventivity that goes from a well tempered romanticism on "Cliffs of Moher" to a lyrical-capricious exchange on "Dreams of a black cat" . Notable the heart warming "La mamma e il bambino" a ballad of refined beauty. Yet delicacy does not mean lack of vigour or depth, "Addition" abounds in dazzling colors, rhytm breaks, humorous, joyful exhanges, unexpected twists and turns masterfully balancing composition with virtuosity. A special album for intimate moments.
Although not a symphony, the analogy comes to mind after listening to the second album of Italian guitarists Matteo Minozzi and Eugenio Polacchini aka The Bruskers. "Addition" contains a suite of 13 miniatures or "movements" harmoniously integrated in an unitary stylistic "world" where classical and modern reach a refined level of fusion. The impeccable connection between the personalities of these 2 virtuoso musicians previously displayed on their first album, is clearly discernible on "Addition" and is not surprising that the result is again enchanting.
Yet there are many surprises on their new album that features nine jazz standards, three original compositions and a pop song. But these numbers do not tell about the essence of expression and clarity of music which is not only enjoyable but also touching.
What is delightful in the first place is the duo's personal perspective on evergreens such as Kendall Bright's Bright Boy, played here in an improvisational ingenious free style or the fresh flavored Minor Swing. Lullaby of Birdland receives a subtle bluesy-classical aura while Blue Moon is distilled through a classical filter. Finally a leitmotif from Sting's Englishman in New York is developped in a clever improvisation.
On the original compositions we can appreciate the duo's grace and inventivity that goes from a well tempered romanticism on "Cliffs of Moher" to a lyrical-capricious exchange on "Dreams of a black cat" . Notable the heart warming "La mamma e il bambino" a ballad of refined beauty. Yet delicacy does not mean lack of vigour or depth, "Addition" abounds in dazzling colors, rhytm breaks, humorous, joyful exhanges, unexpected twists and turns masterfully balancing composition with virtuosity. A special album for intimate moments.
Tracks: Alfie's Theme, Blue Moon, Cliffs of Moher, The Midnight Sun Will Never Set, Jersey Bounce, La Mamma e il Bambino, Bright Boy, Minor Swing, Dreams of a Black Cat,
Lullaby of Birdland, Jordu, Nuages, Englishman in New York
CDBaby
Website
Bruskers @ JWQ
Lullaby of Birdland, Jordu, Nuages, Englishman in New York
CDBaby
Website
Bruskers @ JWQ
