From Timbuktu to the Mississippi Delta
(First Edition)
By Pascal Bokar Thiam, Ed.D.
In this beautifully crafted and timely book about music, Dr. Pascal Bokar Thiam guides us straight to the serious questions of the origin of Jazz and Blues throughout a long journey across West Africa. This book is a must read for those who care not only about music, but are also interested in social justice, colonization and slavery.
— Magueye Seck, Ph.D., Professor of Sociology, Curry College
"From Timbuktu to the Mississippi Delta" is an invaluable addition to studies...Pascal Bokar Thiam journeys us back to root sources, visiting ancient string, voice and cultural traditions of Africa that shed revealing light on the birth of the blues.
— Willard Jenkins (www.openskyjazz.com), arranger African Rhythms, the autobiography of NEA Jazz Master Randy Weston
"From Timbuktu to the Mississippi Delta" makes the most compelling argument for the African roots of blues and jazz. Dr. Pascal Bokar Thiam not only documents the trans-Atlantic crossings of West African musical practices, but he demonstrates that an entire aesthetic philosophy survived the Middle Passage. This book ought to be mandatory reading for anyone remotely interested in modern music and its ancient lineage.
— Robin D. G. Kelley, PhD, Author of Thelonious Monk: The Life and Times of an American Original (2009), Professor of American Studies and Ethnicity, University of Southern California, Los Angeles
Description
From Timbuktu to the Mississippi Delta explores how West African standards of aesthetics and sociocultural traits have moved into mainstream American culture and become social norms. This is an ideal text for use in related Jazz History, African Studies, Sociology, and History (16th–19th century and Harlem Renaissance) courses.
I was curious to know why African Americans (and the country as a whole, for that matter) began clapping on beats two and four, and why we'd get dirty looks if we were caught clapping on the wrong beat. I had a desire to know why the identity of the music of our nation, with its majority population of European descent, had the musical textures, bent pitches, and blue notes of Africa. I wondered why a sense of swing developed here that was closer in syncopation to African culture than to the classical music of Vienna or the Paris Opera. And finally, I wanted to know why our nation's youth moved suggestively on the dance floor with their hips–movements that are closer in aesthetics to African dance than to ballet. The journey began on the banks of the mighty Niger River.
— Pascal Bokar Thiam, Ed.D., Author
From Timbuktu to the Mississippi Delta:
Documents the societal influences originating from West Africa.
Explores the hidden legacy of American Standard of Aesthetics.
Takes a multidisciplinary approach to analyzing and understanding societal influences.
Incorporates pictures, maps, and other images to deliver an engaging reading experience.
Includes an introduction from renowned jazz pianist and composer Randy Weston.
