Tuesday, August 29, 2017

USA: DAVID JANEWAY TRIO New CD Secret Passages and Live Appearance at MAUREEN'S JAZZ CELLAR Wed., Aug. 30th

DAVID JANEWAY TRIO
New CD Secret Passages
and Live Appearance
at MAUREEN'S JAZZ CELLAR
Wed., Aug. 30th


DAVID JANEWAY TRIO: David Janeway-piano, Frank Tate-bass and Chuck Zeuren-drums
UPCOMING PERFORMANCES:
THURSDAY, AUGUST 24TH FROM 6-9 PM
DJ TRIO FEATURING VOCALIST GLENDA DAVENPORT
FORTY NORTH RESTAURANT
HASTINGS ON HUDSON, NY
(914) 274-8655 FOR RESERVATIONS/INFO
http://WWW.FORTY-NORTH.COM

WEDNESDAY, AUGUST 30TH FROM 8-11
MAUREEN'S JAZZ CELLAR
NYACK, NY
(845) 535-3143 FOR RESERVATIONS/INFO
http://WWW.MAUREENSJAZZCELLAR.COM


Our newly released CD, "Secret Passages", is available at: https://store.cdbaby.com/cd/davidjaneway3, Amazon and iTunes.

This second trio recording for jazz pianist, David Janeway, features the great Frank Tate on bass and Chuck Zeuren on drums. Three new original compositions are featured as well as an eclectic mix of contemporary selections by Tom Harrell and Kenny Wheeler. Frank Tate who worked with Zoot Sims, Dave McKenna and Bobby Short is featured on Oscar Pettiford's, "Laverne Walk". Liner notes are by Eddie Henderson; "David Janeway has most definitely ARRIVED".


www.davidjaneway.com

CANADA: KoSA 22: Drumming up a Storm in Montréal!

Montreal, QC - The renown KoSA International Percussion Workshop and Drum Camp celebrated its 22nd edition in Montréal, Québec this past June.  KoSA Co-Founders and Directors, Aldo Mazza and Dr. Jolán Kovács did not disappoint individuals who came from all over Canada and the United States to attend this inspiring and very intense event.   And, we mean intense as every faculty member worked these participants to the bone in hands-on classes! In fact, on certain days, the participants played relentlessly for nearly 10 hours! (with meal breaks of course!) As first time KoSA participant Amy Bloom of Maryland (USA), stated:  “Participating in KoSA was exhausting and exhilarating.  Sometimes difficult and sometimes just plain fun.  Altogether an incredible experience.”    

 

The jam-packed schedule included a total percussion immersion of instruments and styles that were offered to all students regardless of their age or level of ability.  An unforgettable time was had in the hugely energetic West African classes of Billy Konaté, and then there was the soothing sounds of the classical marimba delivered by Beverley Johnston who performed in an exuberant duet with Aldo Mazza, featuring the compositions of former KoSA Faculty Julie Spencer and Christos Hatzis.  Aldo Mazza continued on with his own class on Southern Italian frame drum techniques where he also introduced his “tamburino” signature frame drum, exploiting its applications for the drum set. He then gave an additional class on hybrid drum set playing for the percussionist, mixing African drumming, Cuban drumming, hand percussion of all types, electronic percussion and looping within a live performance.   
 
Mario DeCiutiis wowed the participants with his latest innovation:  the JamKAT’R – a banjo-shaped electronic hand percussion instrument with incredible sounds and surprises.   And speaking of surprises, a surprise class was inserted in the schedule by the infamous rocker, Jerry Mercer of the Canadian group April Wine, which was inspirational for those who know the history of this legendary group.  The week continued with the incomparable Glen Velez  who taught Asian and Arabic frame drum techniques and hypnotized everyone with his interactive vocalization and Central Asian overtone singing.   Vovo Saramanda, Brazilian master percussionist, taught Brazilian rhythms and worked with the participants on Brazilian Batucada Ensemble.  As the week progressed, KoSA reserved another surprise for the participants – a special concert/presentation delivered by Nanny Assis – an award-winning singer/songwriter, percussionist and drummer.  He was accompanied by his trio members, Leonardo Lucini on bass and the superbly talented KoSA Faculty alumni, Arthur Lipner on vibes and marimba.  This performance was so completely moving, none wanted this magical evening to come to an end.  
 
And what can be better in KoSA’s “drum heaven” then being in the intimate company of masters like Horacio Hernandez who clearly showed why he is known in the industry as “the octopus” as he effortlessly instructed and performed his multilevel independence techniques on the drum set. 
 
Participants were inspired to showcase their own talents on Friday afternoon. There were many memorable performances including West African djembe ensemble, various trios featuring participants on drumset accompanied by KoSA’s talented rhythm section:  Reinaldo Gomez Ruiz from Cuba on bass and the immensely talented Montreal artist who also is on faculty at the KoSA Academy, Yoel Diaz.  Finally, the icing on the cake was attending the mind-blowing concert of Mark Guiliana and Donny McCaslin at the Montreal Jazz Festival.      
KoSA donated Jazz Festival tickets to all registered KoSA 22 participants.  And surprise, Mark Guiliana then arrived early the next day to be a part of the KoSA Faculty and to share stories with the participants, to perform and to give priceless music educational advice to all – Guiliana was a KoSA camp participant for two years in a row when he was a teenager.

This year’s theme:  “Hey. Change Your Life. DRUM” was a fitting message about having the power to change one’s current circumstance in life by making the choice to live life to the fullest through the power of music.  Mazza and Kovács urged participants to actively change the fast paced, over-worked nature of our lives and breathe; to listen to one another and to free themselves through the proven magic of drumming. This is just what KoSA 22 participants practiced, morning, noon and night.   Regardless of the wide-ranging ages from young teens to mature adults, all attendees bonded as family members within the unique and special ambience all KoSA events exhibit.
     
Continuing the long-standing tradition, KoSA awarded “Lifetime Achievement” awards this year to two very deserving KoSA Faculty members: Horacio Hernandez, for his tremendous contribution to bringing Cuban music to modern day drumset performance and jazz improvisation, and  Mark Guiliana,  a first-time KoSA Faculty member, was the recipient of the second award, for his creative and innovative drumming concepts and techniques that continue to inspire the next generation of drummers and percussionists worldwide.  

Graciously sponsored by : Ludwig, Sabian, Evans, Promark, PinchClip, Gon Bops, Pearl, Gretsch, Istanbul-Mehmet, Remo, KAT, Vic Firth, Alfred, Marimba One, Cympad,  and Mike Balter Mallets. 

The KoSA world is continuously in expansion with programs not only in USA but also in Cuba ,Europe and in China.   For more information on all things KoSA, visit us at www.kosamusic.com and at facebook.com/kosamusic

 

USA: PRESS RELEASE: Ancient Future Concert Series at Sonoma County Libraries

FOR IMMEDIATE RELEASE                                                                                            8/28/2017
Contact: Ancient-Future.Com Records. Tel: 1-415-459-1892. Email: info@ancient-future.com

Ancient Future Performs Free Educational Library Concerts

Hi-Res Photo of Matthew Montfort and Vishal Nagar at Recording Session by Michael Braden (858k):


Featuring World Guitar Pioneer Matthew Montfort with Arabic Percussion Virtuoso Antoine Lammam or Tabla Virtuoso Vishal Nagar

One of the program variations of the trailblazing world fusion music ensemble, Ancient Future, this improvisatory duet features world guitar pioneer Matthew Montfort accompanied by either Arabic percussion virtuoso Antoine Lammam or Indian tabla virtuoso Vishal Nagar. Strains of flamenco, Arabic music, and Indian raga emanate from this duet performing renditions of music from Ancient Future's ground breaking world music recordings as well as many new unreleased works!

These hour long educational concerts by Ancient Future at Sonoma County libraries will the audience to musical concepts from world music such as Indian and Arabic rhythms.

September Concerts

Wednesday, September 6, 2017, 6:30 to 7:30 PM, Ancient Future Duet with Matthew Montfort (scalloped fretboard guitar) and Antoine Lammam (Arabic percussion), Petaluma Regional Library, 100 Fairgrounds Drive, Petaluma, CA 94952. Free. Info: 707-763-9801 or visit http://www.sonoma.lib.ca.us.


Saturday, September 16, 2017, 2 to 3 PM, Ancient Future Duet with Matthew Montfort (scalloped fretboard guitar) and Antoine Lammam (Arabic percussion), Northwest Santa Rosa Library, 150 Coddingtown Center, Santa Rosa, CA 95401. Free. Info: 707-546-2265 or visit http://www.sonoma.lib.ca.us.

November Concerts

Wednesday November 8, 2017, 5 to 6 PM, Ancient Future Duet with Matthew Montfort (scalloped fretboard guitar) and Antoine Lammam (Arabic percussion), Healdsburg Regional Library, 139 Piper Street, Healdsburg, CA 95448. Free. Info: 707-433-3772 or visit http://www.sonoma.lib.ca.us.


Wednesday November 8, 2017, 7 to 8 PM, Ancient Future Duet with Matthew Montfort (scalloped fretboard guitar) and Antoine Lammam (Arabic percussion), Windsor Regional Library, 9291 Old Redwood Highway Building 100, Windsor, CA 95492. Free. Info: 707-838-1020 or visit http://www.sonoma.lib.ca.us.

Winter Concerts

Saturday, December 2, 2017, 2 to 3 PM, Ancient Future Guitar and Tabla Duet with Matthew Montfort (scalloped fretboard guitar) and Vishal Nagar (tabla), Sonoma Valley Regional Library, 755 West Napa Street, Sonoma, CA 95476. Free. Info: 707- 996-5217 or visit http://www.sonoma.lib.ca.us.

Saturday, January 6, 2018, 2 to 3 PM, Ancient Future Duet with Matthew Montfort (scalloped fretboard guitar) and Antoine Lammam (Arabic percussion), Guerneville Regional Library, 14107 Armstrong Woods Rd., Guerneville, CA 95446. Free. Info: 707-869-9004 or visit http://www.sonoma.lib.ca.us.
 
'El Zaffa' by Ancient Future
Video of Arabic fusion music by Ancient Future: http://ethnocloud.com/Ancient_Future/?y_video=1148&b=942

'Yearning for the Wind' by Ancient Future
Video of Indian fusion music by Ancient Future: https://ethnocloud.com/Ancient_Future/?y_video=2381&b=942

Matthew Montfort (scalloped fretboard and fretless guitars)
Hi-Res Photo of Matthew Montfort by Julie Marten (2 MB):
http://www.ancient-future.com/images/matthewmontfort600.jpg

The leader of the world music group Ancient Future, Matthew Montfort, released his first solo recording, Seven Serenades for Scalloped Fretboard Guitar, in 2009. He is a pioneer among guitarists who have had their fretboards scalloped in order to play various forms of world music that require intricate note-bending ornaments while still being able to play chords. Montfort immersed himself in an intensive study with vina master K.S. Subramanian in order to fully apply the South Indian gamaka (note-bending) techniques to the guitar. He is recognized as one of the world's 100 Greatest Acoustic Guitarists by DigitalDreamDoor.com, a curated "best of" site, along with such luminaries as Michael Hedges, Leo Kottke, Chet Atkins, John Fahey, Merle Travis, John Renbourn, Tommy Emmanuel, Doc Watson, Pierre Bensusan, Alex De Grassi, and Peppino D'Agostino. The December 2009 Les Paul issue of Guitar Player Magazine includes a full page feature on Matthew Montfort with a corresponding GuitarPlayer.Com video and lesson entitled “The Music of Jimi Hendrix Applied to Indian Raga.” He has performed concerts worldwide, from the Festival Internacional de la Guitarra on the golden coast of Spain to the Festival of India in Mumbai. He has performed live on national radio and TV shows such as the Echoes Living Room Concerts on Public Radio International, and the Rachel Maddow Show on MSNBC. He has worked with many world music legends, including tabla phenomenon Zakir Hussain and Chinese zither master Zhao Hui. Montfort wrote the book Ancient Traditions – Future Possibilities: Rhythmic Training Through the Traditions of Africa, Bali, and India, which has been used by many musicians to improve their rhythm skills.

Antoine Lammam (Arabic percussion)

Antoine Lammam was born in Beirut, Lebanon. His musical career started early, where at the age of 8 he was given his first drum, an Egyptian tabla. Antoine's passion and his huge talent was noted by his family, many of whom were themselves involved in the arts. At the age of 14, Antoine moved to United Arab Emirates with his family, running away from the war in Lebanon, where he joined a local band at 16. He was encouraged to master his craft and studied under very famous Khalidji Conga master Jumah Ibrahim and famous Syrian bongos and tambourine player Marwaan Sheriff. The move to United Arab Emirates and joining a number one band consisting of 20 members gave the young Antoine a rich insight into the cultural origins of Middle Eastern music mixed with the flavors of Indian and African rhythms. In the mid of 1970's, Antoine became the main drummer for famous Khalidji singer Abdullah bel-Kheir. But as Antoine began looking for new dimensions of percussive sounds, he found himself turning full circle into his first interest and his sensual passion for the Arabic tambourine.

It wasn't till late 1970's, when Antoine met and studied with famous tambourine player Michael Baklouk. After that, Antoine became the main tambourine player at Dubai's major radio station, where he enjoyed playing for famous artists, doing different contest shows, and recording for various top singers of that time. Antoine had accompanied many famous singers in the USA, played at major night clubs all over America, and taught Arabic rhythms and percussion theories at UC Berkeley (World Music from the Middle-East) from 1991-2009. Antoine is featured on many record releases, including Ancient Future's Planet Passion and his own poetry and music album, Echoes Of Silence, which features his brothers, the famous violinist Georges Lammam and master accordion player Elias Lammam.

Vishal Nagar (Indian tabla)
Hi-Res Photo of Vishal Nagar by Inni Singh (5 MB):
http://www.ancient-future.com/images/vishal_nagar300dpi.jpg

"He has magic in his hands" - Hindustan Times

Vishal Nagar is considered one of the most gifted tabla players of his generation. Born into a family of musicians, Vishal has been surrounded by music in an extremely musically creative and artistic environment. Since childhood, he has been fascinated by tabla and began to play at an early age. Vishal had his initial training for a very brief period with the late Ustad Latif Ahmed Khan of the Delhi Gharana. After his Ustad's untimely demise, Vishal continued his training under the guidance of Ustad Shamim Ahmed Khan of the same Gharana (school). Along with the dense and rare tabla repertoire taleem which was he received from his Ustad, he also has had intense rhythmic (layakari) training from his mother, the renowned and highly respected Kathak dancer and vocalist, Urmila Nagar. Vishal has been praised in the Indian press for his unique combination of melodic tabla sound production with masterful command of rhythm.

Vishal has had the privilege of performing with such renowned artists as Ustad Shujaat Khan, Guru Urmila Nagar, Vidhwan Trichur Ramachandran, Pandit Ramesh Misra and Miss. Kala Ramnath. Vishal has also had the honor of sharing the stage with some great world music masters such as African drum legend Babatunde Olatunji, Michel Shrieve, Evyind Kang, Carmona Flamenco, and Michael Wimberley. Vishal has also expanded his cultural boundaries and collaborated with musicians from around the world. Some of his memorable works have been with the Ghanaian Guitarist Koo Nimo with whom he also appeared in WOMAD USA (a leading world dance and music festival started by Peter Gabriel). Starting his performance career at the age of eight in Patna, Vishal has performed around the globe including performances in many cities in India, Sweden, Germany, Denmark, Thailand and the United States. Vishal has also been awarded with the Ministry of Culture Scholarship from the Department of Culture.

Recent Recordings on Ancient-Future.Com Records

'The Archive of Future Ancient Recordings' by Ancient Future:
http://www.ancient-future.com/afar.html

During Ancient Future's 30th anniversary year, work started on the next project of the band: the Archive of Future Ancient Recordings (A.F.A.R.). To finance the project, a subscription system model is being employed to fund the recording through fans of world fusion music. There are already eight tracks in the archive available right now to subscribers, with more coming as money is raised for production.

'Yearning for the Wind' by Ancient Future:
http://www.ancient-future.com/yearning.html

"Matthew Montfort has been sending us wonderful music for many years now… this newest EP is (without question) the best music I've ever heard him play! The 9:37 'Yearning For The Wind' is 'the' piece… Matthew is joined by Vishal Nagar on tabla, and they clearly show (sonically) the joy than can be achieved by well-placed and strictly focused music. The tabla percussion makes it far more than 'just another raga'… I'm very strongly impressed and moved by this single piece of music…. you'll find yourself spinning it over and over again." — Dick Metcalf, ZZAJ PRODUCTIONS

'Planet Passion' by Ancient Future:
http://www.ancient-future.com/planetpassion.html

"If the members of the United Nations formed a world-fusion band, it might look and sound a little something like Ancient Future's re-issue of their seventh recording. Featuring instrumentation from Africa, Asia, South America and the Middle East, Planet Passion is a mythical story of love, flirtation, seduction, courtship, marriage and longing. Manose Singh's bansuri flute and Matthew Montfort's scalloped fretboard work stand out in this eclectic, visionary global village, where each track features its own unique set of players. At its best, Planet Passion strives to preserve the world's vast musical heritage via international collaboration: the idea that one protects the old by creating something new. This is at the heart of fusion music and the heart of Ancient Future's global aesthetics, too: a diverse, unified world without borders, a multicultural community, a new, reconstituted sonic reality." — Ryan Allen, LEO WEEKLY, Louisville, Kentucky

'Seven Serenades for Scalloped Fretboard Guitar' by Matthew Montfort:
http://www.ancient-future.com/serenade.html

"Because Montfort's guitar has a scalloped fretboard, his fingers touch only the strings, enabling him to produce ornaments more characteristic of the sitar. This album reveals a thorough knowledge of Hindustani microtonal ornaments, transferred in ways that create one of the most distinctive guitar sounds in contemporary music. However, it also reveals a lifetime of exploration in world music, which can be immediately summoned in a flash of inspiration. When this level of mastery is reached, there is no need to rewrite. The first improvisation has the depth of a reworked composition." — Teed Rockwell, INDIA CURRENTS, March 2009

'Sympathetic Serenade' by Matthew Montfort:
http://www.ancient-future.com/sympathetic.html

"Both Matt Montfort and his band Ancient Future have been reviewed in FAME before, and the work is always superlative, but this one, a CD 11-minute single, is an expression of solo virtuosity on a variant axe which isn't employed by very many. Primarily a Spanish composition, there's nonetheless always a generous infusion of raga structures and riffs in Montfort's work as well as more Westerly rhythmatics. Sympathetic Serenade is no exception. Brilliant modern semi-neoclassical work with very strong ties to the traditional residing within progressive annals." – Mark S. Tucker, FAME

79 Word Radio Announcement for September Sonoma County Library Concerts

The trailblazing world music group Ancient Future will perform two free educational library concerts in September featuring scalloped fretboard guitar pioneer Matthew Montfort with accompaniment by Arabic percussion virtuoso Antoine Lammam. The first concert is Wednesday, September 6, 2017, from 6:30 to 7:30 PM, at Petaluma Regional Library at 100 Fairgrounds Drive. The second concert is Saturday, September 16, 2017, from 2 to 3 PM, at Northwest Santa Rosa Library at 150 Coddingtown Center. For more information, visit www.sonoma.lib.ca.us.

76 Word Radio Announcement for November Sonoma County Library Concerts

The trailblazing world music group Ancient Future will perform two free educational library concerts on Wednesday, November 8, 2017, featuring scalloped fretboard guitar pioneer Matthew Montfort with accompaniment by Arabic percussion virtuoso Antoine Lammam. The first concert is from 5 to 6 PM, at Healdsburg Regional Library at 139 Piper Street. The second concert is from 7 to 8 PM at Windsor Regional Library at 9291 Old Redwood Highway, Building 100. For more information, visit www.sonoma.lib.ca.us.

56 Word Radio Announcement for December Sonoma County Library Concert

The trailblazing world music group Ancient Future will perform a free educational library concert featuring scalloped fretboard guitar pioneer Matthew Montfort with accompaniment by Indian tabla master Vishal Nagar on Saturday, December 2, 2017, from 2 to 3 PM, at Sonoma Valley Regional Library at 755 West Napa Street in Sonoma. For more information, visit www.sonoma.lib.ca.us.

52 Word Radio Announcement for January Sonoma County Library Concert

The trailblazing world music group Ancient Future will perform a free educational library concert featuring scalloped fretboard guitar pioneer Matthew Montfort with accompaniment by Arabic percussion Antoine Lammam, on Saturday, January 6, 2018, from 2 to 3 PM, at Guerneville Regional Library at 14107 Armstrong Woods Rd. For more information, visit www.sonoma.lib.ca.us.

153 Word Radio Announcement for Six Concert Sonoma County Library Series

The trailblazing world music group Ancient Future will perform six free educational library concerts featuring scalloped fretboard guitar pioneer Matthew Montfort with accompaniment by either Arabic percussion virtuoso Antoine Lammam or Indian tabla master Vishal Nagar: Wednesday, September 6, 2017, from 6:30 to 7:30 PM, at Petaluma Regional Library at 100 Fairgrounds Drive; Saturday, September 16, 2017, from 2 to 3 PM, at Northwest Santa Rosa Library at 150 Coddingtown Center; Wednesday, November 8, 2017, from 5 to 6 PM, at Healdsburg Regional Library at 139 Piper Street; Wednesday, November 8, 2017, from 7 to 8 PM at Windsor Regional Library at 9291 Old Redwood Highway, Building 100; Saturday, December 2, 2017, from 2 to 3 PM, at Sonoma Valley Regional Library at 755 West Napa Street in Sonoma; and Saturday, January 6, 2018, from 2 to 3 PM, at Guerneville Regional Library at 14107 Armstrong Woods Rd. For more information, visit www.sonoma.lib.ca.us.

Monday, August 28, 2017

USA: Isamu Mcgregor- Resonance (Ghost Note Records 2017)


ResonanceAt age 27, Isamu McGregor has established himself on a global scale as a highly sought-after pianist, keyboardist, musical director and arranger. Having toured the world over the last few years with an amazingly diverse group of artists (Richard Bona, Colbie Caillat, Virgil Donati, Sadao Watanabe), he has gradually been finding time between tours to work on his new album, Resonance, which is available LA-based Ghost Note Records. This will be his second album as a leader, following his 2012 debut Live at The Baked Potato, which received strong reviews from All About Jazz and other publications ('A bright talent, and a name from whom we're sure to hear a lot more'). While McGregor's first album was dominated by an electric/fusion sound that many characterized as a unique mix of Weather Report, Headhunters and Wayne Krantz, Resonance finds McGregor returning to a more acoustic setting. 'I've always loved playing acoustic piano, but I found that people knew me mainly as a keyboard player, due to the nature of my first album. And while I love keyboards and electronics, it would not be difficult for me to admit that acoustic piano is still my first passion.' Resonance offers a mix of both acoustic and electric palettes that mutually inspire each other. McGregor plays grand piano on all but one track, while various keyboards and synthesizers make appearances throughout the record. Electric bassist Evan Marien and drummer Gene Coye return to provide a strong foundation that effortlessly accommodates the shifting styles from song to song. Guitarist Deen Anbar (who played on McGregor's first record in its entirety) makes a memorable appearance on 'Thor vs James Brown', and two special guests lend inspiration and lyricism to the acoustic side: Bennie Maupin on bass clarinet ('The Drifter'), and Seamus Blake on tenor saxophone ('Relentless').

USA: Ray Anthony-The New Ray Anthony Show(2017)

The New Ray Anthony Show
Recorded live in Las Vegas, Ray Anthony has dropped his big band and come up with a small instrumental group featuring Anthony as both trumpet player and singer, plus thrushes Diane Hall and Annita Ray. It's an exciting combination, and the result makes for an exciting disk. Anthony and ensemble comes through solidly on Night Train, Peter Gunn Theme, Just in Time and other familiar songs. Bonus tracks include a plethora of tracks from Ray Anthony's EP output including the original Peter Gunn, Walkin' to Mother's, Pete Kelly's Blues and songs from the film The Girl Can't Help It.






USA: Unhinged Sextet -Don't Blink (2017)


Don't BlinkComprised of six performers and composers, all with stellar resumes but based in far-reaching corners of the country, the members of the Unhinged Sextet were originally drawn together through long-standing mutual associations. After gathering in Arizona for their debut, 2015's 'Clarity,' they were compelled to further explore the writing, emotions, and aesthetic the grouping inspired. The resulting performance of eight original compositions displays the warm regard the players have for each other's talents and a collective group dynamic clearly moving forward.


Review

'. . . one sample of this album is enough to dispel any thoughts of a musical group that is coming apart, unhinged in any way. Far from the truth, as the brilliant play and sophisticated compositions from the band will surely illuminate. ' --- All About Jazz

'. . . the elegant performances and imaginative writing make for a cohesive and uniformly enjoyable listening experience. . . sophisticated and charming jazz that also has a much-needed common touch. ' --- Chicago Jazz Magazine



 

Sunday, August 27, 2017

USA: Katie Thiroux-Off Beat (Capri 2017)


Off Beat 
Bassist/vocalist/composer Katie Thiroux displays her multiple talents on her latest recording, Off Beat. Her trio consists of piano prodigy Justin Kauflin, who along with Clark Terry was the subject of the award winning documentary 'Keep On Keepin' On' and talented drummer Matt Witek. Ken Peplowski and Roger Neumann add their reed expertise to several of the tunes. Off Beat was also the title track on June Christy's 1960 release on Capitol. Other compositions include lesser heard tunes by Ray Brown (who Thiroux's bass stylings have been compared), Duke Ellington, Frank Loesser, Benny Carter and others.