Saturday, May 3, 2014

"Margie Baker Sings with So Many Stars," 4th CD from Veteran SF Vocalist, Due May 20

Dr. Margie Baker,
San Francisco Musical Legend,
To Release Her 4th CD,
"Margie Baker Sings with So Many Stars,"
On the Consolidated Artists Productions
(CAP) Label,
May 20
CD Release Shows Scheduled for
June 1 at the Hyatt Regency Hotel Ballroom, Burlingame,
& June 14 at Mildred Owens Concert Hall, Pacifica

   

April 30, 2014
 
Margie Baker Sings with So Many Stars Margie Baker's storied career as a jazz and blues vocalist started late, when she was 39, but was long encouraged by her mentor Dizzy Gillespie and eventually took her to the world stage. Though the 80-year-old Baker came even later to recording, she's on a roll now, affiliated with longtime Gillespie pianist Mike Longo's Consolidated Artists Productions (CAP) label. Her 4th CD, and third for CAP, is Margie Baker Sings with So Many Stars, and is due for release on May 20.

So Many Stars is a two-disc set on which Baker surrounds herself with some of the most gifted instrumentalists in the San Francisco Bay Area and beyond. Her relaxed and swinging phrasing, warm tone, and precise enunciation inform every number, including songs by Ellington ("Come Sunday," "In a Mellow Tone," "I'm Just a Lucky So and So"), Monk ("'Round Midnight"), and Horace Silver ("Señor Blues"), as well as standards like "You've Changed," "Deed I Do," and "Lazy Afternoon."

Among her accompanists, whom she calls "Margie's musical galaxy," are pianist Shota Osabe, guitarist Rodney Jones, saxophonists Jules Broussard and Melecio Magdaluyo, bassists Harley White and Chuck Bennett, and percussionist John Santos, a sixth-grade student of Baker's when she taught in the San Francisco Unified School District.

"This is a tribute to them," says Baker of the players on the CD. "These are not egocentric, big-time musicians, but they're wonderful musicians. We work so much and so well together."

Margie Baker Margie Baker was born October 11, 1933 "in a shack in the sticks" near Center, Texas, in Shelby County. "Black people were extremely deprived back there in those sticks," she says. "That's where I was born -- from dirt-poor, beautiful, spiritual people."

After her parents divorced, mother and daughter relocated to San Francisco at the onset of World War II. Her mother found work as a riveter at shipyards in San Francisco and Oakland, and the two lived at first in a cold-water flat in San Francisco's overwhelmingly African-American Fillmore District.

Upon graduating with honors from Girls High School at age 15, Baker a received a scholarship to the University of California Berkeley, where she spent two years before transferring to San Francisco State College and earned both bachelor's and master's degrees. Years later, she used earnings from her part-time singing career to enroll at the University of San Francisco, from which she received a Ph.D in Education. Baker moved from the classroom into school district headquarters as Director of Compensatory Education, where she oversaw the distribution of federal funds to help low-income children in reading and math.

When Dizzy Gillespie, her friend since she was a 17-year-old fashion model and a sophomore at UC Berkeley, finally heard her sing, he offered to take her on the road, but her responsibilities as a teacher, and eventually as an administrator, came first. She would, however, go on to sit in with his band when their paths crossed in Tokyo, New York City, Oakland, and San Francisco. She retired in 2004, after 48 years of service as an educator.
           
Baker had done very little singing in public before the guitarist at Henri's Room at the Top on the 46th floor of the San Francisco Hilton Hotel coaxed her to sit in one night. She sang "I Left My Heart in San Francisco." Hotel magnates Conrad and Barron Hilton were in attendance and offered her a job, which she accepted. She spent the next 18 years singing at Henri's -- two nights a week during the school year, five in the summer -- as well as for special affairs at the Las Vegas Hilton, where such celebrities at Tony Bennett, Elvis Presley, and Elizabeth Taylor heard her sing. She also became a regular performer at the Monterey Jazz Festival and traveled the world with the festival's touring shows that included such jazz greats as James Moody and Richie Cole. For the past decade, Baker has sung during brunch every Sunday at the Hyatt Regency Hotel near the San Francisco International Airport, as well as at other hotels, clubs, and churches.

As the 20 tracks on the new CD indicate, Margie Baker remains a song stylist of the first order. The only thing that has really changed is, she jokingly admits, "I don't shake my booty as much."

Baker will be appearing 6/1 at the Regency Ballroom at the Hyatt Regency Hotel/San Francisco Airport in Burlingame, 5:00-10:00 pm, with many of the musicians heard on So Many Stars; and 6/14 at the Mildred Owens Concert Hall in Pacifica, 7:30 pm, with Keith Williams, piano; Jim Nichols, guitar; Michael O'Neill, tenor saxophone; Chuck Bennett, bass; and Jerry Pannone, drums.  


Web Site: margiebakervocalist.com

Media Contact:
Terri Hinte
510-234-8781
hudba@sbcglobal.net
www.terrihinte.com
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New Released from Posi-Tone Records

Posi-Tone Records     

Peter Brendler "Outside The Line"

Bassist makes anticipated leader debut

Listeners everywhere are encouraged to expand their horizons and open their ears to something "Outside the Line" as bandleader Peter Brendler bravely embarks on an ambitious course with his first record for Posi-Tone.  This quartet date features front line performances by saxophonist Rich Perry and trumpeter Peter Evans moving freely over the solid harmonic foundation of bassist Brendler and the explosive metrics of drummer Vinnie Sperrazza.  Many jazz fans may be unfamiliar with Brendler's earlier work, but now the time has come to travel beyond the simply straight ahead and go "Outside the Line" with his new chord-less quartet.  We are confident that Peter Brendler and his music will surely bring delight to the ears of serious listeners everywhere, as they navigate steadily away from the known and familiar to move swiftly out beyond into the uncharted depths of modern collective improvisation by utilizing new instrumentation to uncover a new sound in time and space.
more new releases from Posi-Tone Records:

New releases from Ozella Music

Helge Lien Trio
Badgers And Other Beings
 
Erforscher des norwegischen Jazz-Biotops: Das Piano-Trio mit dem magischen Sound ist zurück:
 
Helge Lien: piano
Frode Berg: bass
Per Oddvar Johansen: drums
 
“Lien creates music of unexpected depth and slow burn intensity.” (JAZZWISE)
"Helge Lien is celebrating the power of esthetical perfection." Jazzthing
 
• Award winning piano trio from Norway.
• Audiophile hi-resolution 24bit/192 kHz recording.
• Recorded, mixed & mastered by Jan Erik Kongshaug at Rainbow Studio, Oslo, Norway
• Dazzling virtuosity in a superb sound quality
 
OZ 055 CD 
street date: may 2   SOUNDCLOUD  INFO 
 
Also available:
 Limited Edition audiophile 180 Gram Vinyl in Gatefold Cover.
OZ 1055 LP 
 
Live
01.05.  Köln, Stadtgarten
02.05. Stuttgart, Bix Jazzclub
04.05. Berlin, A-Trane
 
 
 
 
Gjertrud Lunde
Hjemklang
 
Zeitlos-sensible Melange aus Jazz, Klassik, Pop, Weltmusik, die den Hörer auf zarte Weise zu einer stimmungsvollen Reise einlädt.
 
Gjertrud Lunde: voice
Florian Zenker: guitar, baritone guitar,electronics
Wolfert Brederode: piano, rhodes
Bodek Janke: drums, percussion, tabla
Arve Henriksen: trumpet
 
OZ054CD
street date: june 6   SOUNDCLOUD   INFO  YOUTUBE
 
Zeitlos-sensible Melange aus Jazz, Klassik, Pop, Weltmusik, die den Hörer auf zarte Weise zu einer stimmungsvollen Reise einlädt.
Mit einer Leuchtkraft und Leichtigkeit, der immer lebensnahe Tiefe innewohnt, klingt das Album so nah und vertraut wie ein langjähriger Freund.

• Mixed & mastered by Jan Erik Kongshaug at the famous Rainbow Studio, Oslo, Norway
 
Live
04.05. Dortmund, Pauluskirche und Kultur
05.05. Köln, Loft
11.05. Düsseldorf, Jazzschmiede
12.05. Kulturkirche Jakob, Oslo (Norway)
14.05. Jørpeland Kirche (Norway)
15.05. Karmøy Kirche, Oslo (Norway)
 
 
 
Pete Alderton
Living On Love - remastered edition
Glaube an die Endgültigkeit: Pete Aldertons „Living on Love“ als Remaster
 
Pete Alderton: vocals
Carsten Mentzel: guitars, bass, fender Rhodes, percussion
Dagobert Böhm: acoustic guitar
Siggi Zufacher: bass
Michel Roggenland: drums
 
“It’s always a long feel-good moment when you get to settle back and enjoy the type of smoky, raspy, blues that Pete Alderton (...) offers.” Jazzreview
"Magnificent deep and Husky unique voice. Stunning." NMZ
 
SW512CD
street date: may 2  SOUNDCLOUD   INFO
 
• Improving a classic: Pete Alderton's Living on Love remastered.
• Blues that gets under your skin.
• carefully re-mastered by Hans-Jörg Maucksch (16 Horsepower, Sara K), adding additional sonic warmth, richness and nuances.
 
 
 
Schöne Ostertage und viel gute Musik!
 
Dagobert Böhm
 
Ozella Music
Schloss Hamborn 20
D-33178 Borchen
Germany
fon: +49 (0) 52 51 - 38 509

CANADA: Flute News - April 2014 - Bill McBirnie

Hi, Everyone:

Here are a few recent items (each of which is set out in more detail just below my signature):

(1)  A MUSIC INTERVIEW

(2)  SINGER, MARY MCKAY

(3)  AN UPCOMING GIG LISTING

Thanks very much…(both for reading and listening!)… 
 
Bill McBirnie - Extreme Flute
Phone:  (416) 652-1541
 
"In theory, there is no difference between theory and practice.  In practice, there is."  (Yogi Berra)


(1)  A MUSIC INTERVIEW

I am not interviewed very often and so this was sort of interesting, at least for me, if only because the line of questioning was pretty far-ranging and addressed a lot of things that I don’t actually think about very much.  Nonetheless, I responded to every question (…and I hope I managed to get the answers right… :-)  Here is the link:



(2)  SINGER, MARY MCKAY

I recently discovered a remarkable vocalist, Mary McKay, who is right here in Toronto.  She is extraordinary in that she can sing with a rarified sense of what soul and R&B is really all about!  She is clearly blessed with a rare skill!  Here is a casual, four-minute clip of her that I really like and which ought to give you a good sense of where she is coming from:



(3)  UPCOMING GIG LISTING

[ NOTE:  You can always find a current/updated gig listing at the following link:  http://www.extremeflute.com/contact.html ]

Wed., June 26, 2014 at 9:00 p.m.
Mezzetta Cafe Restaurant
681 St. Clair Ave. W. (at Christie)
Toronto, Ontario
With the great LOUIS SIMAO (guitar & vocals) - Brazilian!

Tues., June 24, 2014 at 6:30 p.m.
Morgans on the Danforth
1282 Danforth Ave. (at Greenwood)
Toronto, Ontario
With STEPHEN GARDNER on keys

Sun. & Mon., June 22 & 23, 2014 at 7:00 p.m.
Hot House Restaurant
35 Church St.
Toronto, Ontario
With BRENDA CAROL & Clairvoyance

Thurs., June 19, 2014 at 8:00 p.m.
Lula Lounge
1585 Dundas St. W.
Toronto, Ontario
Special Reunion Concert with MEMO ACEVEDO & The Jazz Cartel

Sun., June 8, 2014 at 4:30 p.m.
Jazz Vespers - Christ Church Deer Park
1570 Yonge St.
Toronto, Ontario
With BERNIE SENENSKY

Wed., May 28, 2014 at 8:00 p.m.
Jazz Bistro
251 Victoria St.
Toronto, Ontario
With the LOUIS SIMAO TRIO (including DANIEL STONE on cajon)
For reservations, please call (416) 363-5299.

Sun., May 14, 2014 at 7:30 p.m.
St. Anne's Anglican Church
270 Gladstone Ave.
Toronto, Ontario
Final season concert with JAMIE THOMPSON's, The Junction Trio & Friends

Sun., May 11, 2014 at 4:00 p.m.
St. James Anglican Church
137 Melville Street
Dundas, Ontario
Jazz Vespers with JIM SANDILANDS

Sun., May 4, 2014 at 3:00 p.m.
Musideum
401 Richmond St. W. (at Spadina)
Toronto, Ontario
With PAUL HOFFERT as part of "Poli's Jazz Salon" series (...and a real priviledge for me, being an old LIGHTHOUSE fan!...)

Sun., Apr. 27,  2014 at 7:30 p.m.
Lula Lounge
1585 Dundas St. W.
Toronto, Ontario
Lula Loves Jazz.FM Fundraiser Event
With HILARIO DURAN, JANE BUNNET, ALEXIS BARO, et al.

Title: Bassist Erik Scott To Release Second World Music Album 'And The Earth Bleeds'

San Francisco, CA - Much to the excitement of music aficionados worldwide, bassist/composer Erik Scott will be releasing his sophomore CD 'And The Earth Bleeds' on May 8, 2014. Best known for his work with Alice Cooper, Sonia Dada, and Flo & Eddie, Erik's newest release takes the listener on an aural voyage through ethereal and otherworldly musical landscapes. 'And The Earth Bleeds' adds some vocals, gypsy violins, Celtic melodies, a dash of steel guitar, a wisp of French horns and other surprises to the soulful and mystic brew of his first 'solo' album, 'Other Planets'. And Erik continues to stretch convention with his melodic playing and bass-generated SFX.

Says Erik, “There are people who carefully plan out the direction of their music...smart. Then there's me. I pretty much have no idea at the start. I get in the music room and start messing around on something; bass guitar, chord changes on the keyboard, or a beat on the beat programmer. If I like something, it just starts to build. The lyrics on the five songs with lyrics on this CD...well, they happened later, when it seemed that the music alone wasn't saying all that I wanted.”

Among the eclectic mix, there is a definite Scottish influence in the music – especially on the tracks “Free”, “The Battle For Neverland” and “Run”. Erik explains, “I went to the Scottish Highlands and Edinburgh last August 2013. I had completely written and recorded 'Free' as an instrumental, when I was reminded of the price some people have paid for their freedom, in this case William Wallace of Scotland. It seemed that I needed to say a few words...not a lot...just a few. After returning from the Highlands, I found the trip had helped me complete the Scottish inspired pieces. The melody, originally played on bass, took on such a haunting beauty when played on the veille (medieval violin) by Shira Kammen, that I decided it was the music to which I should write the lyrics that became 'Free'.”

“Free” is inspired by, and dedicated to William Wallace. “The Battle For Neverland” is inspired by J.M. Barrie, the Scottish creater of 'Peter Pan', and “Run” is decidedly influenced by traditional Celtic melodies. Also the bridge to “Battle” is inspired by a traditional Scottish melody “The Haughs of Cromdale”.

Watch the promotional video for “Free”: https://www.youtube.com/watch?v=1mjAUnayIb8


Erik Scott's first real break in the music business came in mid 1974 when he was hired to play bass for former Turtles/Frank Zappa's Mothers members Flo & Eddie (Mark Volman and Howard Kaylan). Erik recalls, “We toured and recorded constantly for about three years, making the 'Illegal, Immoral and Fattening' and 'Moving Targets' records. Flo and Eddie shows were known for alot of great hit songs from their career as 'The Turtles', cool stuff from the Flo & Eddie albums, some stuff from the Zappa years, and their usually profane and hysterical tirades about the excesses of pop stars and the music business in general. That's how I first met Alice, onstage with Keith Moon at the Troubadour in LA singing 'Happy Together' (Turtles Hit) and 'Wooly Bully'. We went out in '75 with Jefferson Starship, whose 'Red Octopus' album went to #1 five different times, and in '76 we were out with the Doobie Brothers, whose 'Takin' It to The Streets' was also #1. In between we did a tour with Steven Stills, and gigs with Fleetwood Mac, among others. These tours, and the albums with Flo & Eddie, still stick in my memory.”

In 1980, Erik began working with the legendary Alice Cooper after a short stint with drummer Carl Palmer of Emerson, Lake & Palmer. Erik Scott, first hired as bass player on the 'Flush The Fashion' tour, later became a co-writer on 'Special Forces' and co-producer as well on 'Zipper Catches Skin', touring extensively behind the 'Special Forces' album.

After Alice, Erik spent some years as a session player in LA, with artists as diverse as Kim Carnes, Peter McIan, Franne Golde, Tonio K, and others. He also found time to co-write and play o!
 n the ti
tle song from Pops Staples' 'Father Father' album, which won the Grammy as Best Contemporary Blues album in 1994. He also played on the title song from Mavis Staples' album 'Have A Little Faith", which was recognized by the WC Foundation in the Gospel-Blues category for the year 2004.

In 1989, Erik formed the rock band Signal and released the album 'Loud and Clear' on EMI Records. The album was largely lost in a regime change at EMI USA, but gathered acclaim as an AOR melodic rock hit internationally…a bit of a classic actually. Three commemorative packages were released overseas: Japan, France (Axe-Killer Records), and South Korea. 'Loud and Clear' made many 1989 year end Top Ten and Top Twenty charts for AOR and melodic rock.

In the early 90's Scott became an original member of the band Sonia Dada. The group featured eight members: three African-American soul singers and five European-American players with backgrounds ranging from rock, folk, jam, psychedelic, jazz and R&B, all of which brewed up quite a genre-busting stew. Erik spent 15 years, and recorded 6 albums with the ensemble, “where a diversity and collision of styles awakened all kinds of possibilities in me, probably helping to inspire the unconventionality of my solo work”.

Although Erik is originally known for his work in the rock field, he has recently pursued a path in 'world' music. In 2009, he released the critically acclaimed solo album 'Other Planets'. John Diliberto, producer/host of the radio show 'Echoes', is quoted: “To say that his solo debut 'Other Planets' is a bass guitar album is to miss what a powerful, cinematic release he's created. It's an album that is more Pink Floyd than Jaco Pastorius.”

And now, Erik has taken his enchanting and mystical music a step further with the release of 'And The Earth Bleeds'. He explains, “Again, no plan... I premeditated nothing. The melodic nature of it, any chilled out nature of much of it, came mostly from the fact that the music was birthed in my studio with just me. Roc!
 k music
generally happens when you have more than one person...a gang...a rock gang. These solo projects come more from a melodic and chilled-out rhythmic place, and a desire to experiment with the potential of the electric bass as a major melodic voice, in combination with violin, steel guitar, and other less-expected partners.”

In closing Erik has this to impart to his fans and listeners, “I guess I hope that listeners appreciate the soulfulness, nuanced performances, and spacey honesty that probably leaks all over the stuff.”

For more information: http://erikscottbass.com/

To purchase Erik Scott's 'And The World Bleeds' CD: http://www.cdbaby.com/cd/erikscott3

Press inquiries: Glass Onyon PR, PH: 828-350-8158, glassonyonpr@gmail.com

Antonio FLINTA Quartet-"ART IS AN INSURGENT POEM"

Thursday, May 1, 2014

NJPAC, JAZZ ROOTS, and WBGO Jazz 88.3 FM Search for the World's Greatest Female Jazz Singer in the Sarah Vaughan International Jazz Vocal Competition




NJPAC, JAZZ ROOTS, and WBGO Jazz 88.3 FM
Search for the World's Greatest Female Jazz Singer in the

  

Newark, New Jersey - (April 2, 2014) The third annual Sarah Vaughan International Jazz Vocal Competition, the only international jazz vocal competition of its kind in the world, launched online yesterday at 5:00PM EST for singers from around the world to compete for the SASSY Award, top honors in and a twenty-first century version of the amateur night at the Apollo Theater that helped launch the career of an aspiring teenager from Newark, Sarah "Sassy" Vaughan, more than seventy years ago. The first two years of the competition saw nearly 1,500 total song submissions and nearly one million votes casts online for contenders from around the globe. In 2014, NJPAC, JAZZ ROOTS, WBGO Jazz88.3FM, the Jazz Education Network (JEN) and Indaba Music are teaming up again to search for the next great jazz female vocalist.

"The Sarah Vaughan International Vocal Competition is an important event for the people that love our great American art form of jazz singing and for our growing jazz community," said Janis Siegel of The Manhattan Transfer, who was one of the judges in last year's competition. "It brings forth and nurtures true and exceptional talent with recognition and acceptance while honoring the legacy of one of the greatest American singers in history, Sarah 'Sassy' Vaughan."

The Competition:
Beginning on Tuesday, April 1 at 5:00PM EST, female vocalists from around the world can submit applications online at SarahVaughanCompetition.com. Five finalists will be flown to Newark, New Jersey to perform at the TD James Moody Democracy of Jazz Festival in NJPAC's Victoria Theater on November 16, 2014 before a panel of judges comprised of some of the leading jazz vocalists today as well as others in the jazz and recording industry. Winners will receive cash prizes of up to $5,000 and the opportunity to perform on JAZZ ROOTS concerts across the country. The competition is open to solo female vocalists of all nationalities who are not signed to a major record label. Singers must submit audio clips online through an interactive platform powered by Indaba Music. The public can vote online to help select the finalists who will be announced on October 10.

Singers will be judged on vocal quality, musicality, technique, performance, individuality, artistic interpretation and ability to swing.

In addition to the five finalists, one "Rising Star," who also performs at NJPAC on November 16, will be selected by the judges. The inaugural "Rising Star" awardee, Jazzmeia Horn, came back and won the competition last year.

"I was really impressed with the level of musicianship of all the singers, and most of all, how different everyone was," said Cyrille Aimée, winner of the inaugural SASSY Award, speaking about her fellow contestants. She has gone on to record, travel the world, and recently co-star with Bernadette Peters in Stephen Sondheim and Wynton Marsalis' "A Bed and a Chair" in New York's City Center.

"The SASSY Awards are the highest honor an up and coming female jazz vocalist can achieve today," said Sarah Vaughan International Jazz Vocal Competition producer Larry Rosen. "We search globally to find exceptional talent to present at this competition, and our goal is to help launch careers and find that next great female jazz vocalist who will carry on this unique tradition that was born in America and is celebrated around the planet."

NJPAC President and CEO John Schreiber, who presented Vaughan at dozens of jazz festivals through the years, said: "We have seen some tremendous talent in the first two Sarah Vaughan competitions, and NJPAC is proud to partner with JAZZ ROOTS, WBGO and JEN to bring some of the best singers in the world to Newark to continue Sarah's legacy in her hometown."

"Sassy, with a voice touched by the Divine, created a sound that resonated around the world. Now through a competition that bears her name, NJPAC and JAZZ ROOTS present the SASSY AWARD and search the world to find the next 'Divine' one to continue the magic that was Sarah Vaughan," said Jon Hendricks, legendary jazz singer, "father of vocalese," and judge of the competition in its inaugural year.

Sarah Vaughan, the competition's namesake, was born in Newark in 1924 and was known as "Sassy" throughout her life for her vibrant personality. In 1942, after winning the top prize of $10 at the Apollo Theater's amateur night at age eighteen, she went on to become one of the most popular singers in jazz and recorded with Count Basie, Miles Davis and countless others.

Musicians remember Vaughan as "The Divine One" for her exceptional musical gifts, and in 1989 she was named a Jazz Master by the National Endowment for the Arts, the nation's top honor for a jazz musician.

"It is inspiring to know that Sarah Vaughan's legendary career started by winning a competition. This collaboration between our friend Larry Rosen and the NJPAC is a wonderful way to provide that same opportunity for today's talented artists," said Andrew Surmani, president of JEN. "We are looking forward to hearing the amazing vocalists who will participate in this year's competition!"

The TD James Moody Democracy of Jazz Festival's title sponsor is TD Bank, America's Most Convenient Bank.

JAZZ ROOTS - A Larry Rosen Jazz Series is a concert and educational program created for performing arts centers across America. The JAZZ ROOTS series, now celebrating its 5th Anniversary, was first launched in 2008 at the Adrienne Arsht Center for the Performing Arts of Miami-Dade County, the series debuted in 2009 in Dallas at the AT&T Performing Arts Center, in 2010 in Carmel, IN. at the Center for the Performing Arts, and in 2012 debuts in Las Vegas at the Smith Center, in Atlanta at the Cobb Energy Centre, and in New Jersey at NJPAC, with additional PACs to be announced. Artists presented include: Dave Brubeck, Sonny Rollins, Chick Corea, Al Jarreau, Keith Jarrett, Bobby McFerrin, Dee Dee Bridgewater, Dianne Reeves, Marcus Miller, Al Di Meola, Ramsey Lewis, Sergio Mendes, Michael Feinstein, Terence Blanchard, David Sanborn, Paquito D'Rivera, John McLaughlin, Patti Austin, Count Basie Orchestra, Arturo Sandoval, Dave Valentin, The Machito Orchestra, Ivan Lins, Buddy Guy, Dr. John, Manhattan Transfer, Jon Hendricks, Dave Grusin, Jon Secada, Eddie Palmieri, Michel Camilo, and many more. The JAZZ ROOTS series includes educational and outreach programs that organically connect to local community groups, art centers, and the local board of education. Mr. Rosen, co-founder of GRP Records is the award-winning producer of the PBS TV Series LEGENDS OF JAZZ, producer of the Sarah Vaughan International Jazz Vocal Competition, and is the creator and producer of RECORDING: The History of Recorded Music with hosts, Quincy Jones and Phil Ramone. www.jazzroots.net, www.larryrosen.com.

New Jersey Performing Arts Center (NJPAC)
New Jersey Performing ArtsCenter (NJPAC), located in downtown Newark, New Jersey, is among the largest performing arts centers in the United States and is the artistic, cultural, educational and civic center of New Jersey -- where great performances and events enhance and transform lives every day. As New Jersey's Town Square, NJPAC brings diverse communities together, providing access to all and showcasing the State's and the world's best artists while acting as a leading catalyst in the revitalization of its home city. Through its extensive Arts Education programs, NJPAC is shaping the next generation of artists and arts enthusiasts. NJPAC has attracted over seven million visitors (more than one million children) since opening its doors in 1997, and nurtures meaningful and lasting relationships with each of its constituents. Visit www.njpac.org or call 1-888-GO-NJPAC for more information.

WBGO Jazz 88.3FM/WBGO.org
Founded in 1979, WBGO (Newark Public Radio, Inc.) is a publicly supported cultural institution that champions jazz at WBGO 88.3 FM in Newark, New Jersey and worldwide via WBGO.org. WBGO is the recognized world leader in jazz radio and one of the most respected jazz presenters in the country, and offers award-winning news and innovative children's programs. Beyond reaching 350,000 weekly listeners (including 17,000 contributing members) on air, online and via mobile devices, WBGO presents live broadcasts from prestigious jazz venues and produces acclaimed programs for NPR heard by millions. www.wbgo.org

About TD Bank, America's Most Convenient Bank®
TD Bank, America's Most Convenient Bank, is one of the 10 largest banks in the U.S., providing more than 8 million customers with a full range of retail, small business and commercial banking products and services at approximately 1,300 convenient locations throughout the Northeast, Mid-Atlantic, Metro D.C., the Carolinas and Florida. In addition, TD Bank and its subsidiaries offer customized private banking and wealth management services through TD Wealth®, and vehicle financing and dealer commercial services through TD Auto Finance. TD Bank is headquartered in Cherry Hill, N.J. To learn more, visit www.tdbank.com. Find TD Bank on Facebook and on Twitter.

TD Bank, America's Most Convenient Bank, is a member of TD Bank Group and a subsidiary of The Toronto-Dominion Bank of Toronto, Canada, a top 10 financial services company in North America. The Toronto-Dominion Bank trades on the New York and Toronto stock exchanges under the ticker symbol "TD". To learn more, visit www.td.com.

Indaba Media
Indaba Media, LLC is an entertainment technology and marketing services company. Established in 2005, the company operates Indaba Music, a musician community and contest platform with over 800,000 independent artists, as well as Indaba Sync, a portal for licensing the best emerging content from the Indaba Music community. Indaba Music pioneered the online music collaboration and community space when it launched in 2007, enabling anyone with internet access to create, edit and mix studio-quality music online. Indaba Music now provides musicians with opportunities ranging from remix contests to sync and licensing opportunities to branded marketing programs. Indaba Music currently boasts musicians from 205 countries and territories. To date, Indaba Music contests have featured artists and brands including Daft Punk, Red Bull, Snoop Dogg, Peter Gabriel, Linkin Park, Yo-Yo Ma, Paul Simon, Foster The People, Bacardi and Usher.

Jazz Education Network
The Jazz Education Network is dedicated to building the jazz arts community by advancing education, promoting performance, and developing new audiences. With a home base in the United States, and members in more than 22 countries, this thriving organization hosts a popular annual conference that serves teachers, students, artists, performing arts presenters, music industry partners, and more. It runs ongoing programs of scholarships for students and educators, student composition showcases, community outreach, virtual workshops, music and instrument donations to schools in need, and mentoring with jazz pros and students.


For media information, please contact:
DL Media  ·  610-667-0501
Maureen McFadden  ·  maureen@dlmediamusic.com
Don Lucoff  ·  don@dlmediamusic.com
 
Information and press materials (including album covers, promotional photos
and bios) on all DL Media artists can be found at our website: dlmediamusic.com
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