Composer/Pianist Lisa Hilton Explores 
a Night of Personal Emotion on Latest Album,
Nocturnal - Available January 22
a Night of Personal Emotion on Latest Album,
Nocturnal - Available January 22
Featuring Performances by J.D. Allen, 
Terell Stafford, Gregg August and Antonio Sánchez
Terell Stafford, Gregg August and Antonio Sánchez
Album Release Performance in Weill Hall 
at Carnegie Hall on January 17
"Exceptional artistry.." - JazzTimes
"The sheer beauty of her playing... the rhythmic acuity,
those silky lines" - DownBeat 
Composer/pianist/band-leader Lisa Hilton has completed her 18th release, Nocturnal, with her most impressive band to date featuring tenor saxophonist J.D. Allen, trumpeter Terell Stafford, bassist Gregg August and drummer Antonio Sánchez.
 The 11-track album shows remarkable emotional depth and clarity from 
all band members, exploring the reactive emotions that follow an 
ill-fated night of events. "It comes from having something not go your 
way, and what that means to you as you explore the natural reactions to 
an event in your own personal manner," explains Hilton. Personal is the 
key, as Hilton hopes to use musical exploration and improvisation to 
connect with the listener on a person-to-person basis. "We were trying to explore the multiple layers of human emotions musically."
These
 emotions - anger, confusion, love, desire, hope and sadness - are 
extensively explored throughout the album, reflective in the titles of 
each song. The feelings demand certain questions to be asked - Where is 
my mind? Am I going crazy? Is there hope? - with each composition 
offering a deeply profound answer to life's greatest dilemmas. 
For
 lovers of tradition, the title track "Nocturnal," "Whirlwind," and the 
classic "Willow Weep for Me," allow for Stafford's fluid trumpet and 
flugelhorn as well as Allen's deep tenor tone to shine. The Latin 
flavored, "A Spark in the Night," showcases Sánchez and August's 
extensive Latin backgrounds in a catchy and appealing manner, while 
"Twilight" is impressionistic.  
A
 surprise choice is a cover of The Pixies' "Where is My Mind" which is 
so simply stated in true form and turns in another direction by the 
finale. It's on the bluesy "Seduction" and the tender "An August 
Remembered" that Hilton's flowing lines and melodic ideas are 
highlighted. "Midnight
 Sonata," written for a trio consisting of piano, bass and drums,merges 
the classical form with the freedom of American jazz and blues in a 
trans-genre style. Inspired by iconic American composers such as George 
Gershwin, Duke Ellington and Dave Brubeck - who also composed in 
classical forms - Hilton lands on a composition that is appealing to 
both jazz and classical fans alike. "Midnight
 Sonata" was also written to communicate an emotional depth not normally
 found in sonatas. While the sonata form is intact, Hilton and her trio 
use improvisation, blues, modal washes, shifting key centers, free jazz,
 impressionism and extended technique to create a refreshing yet 
familiar vibe.  
As
 a distinctive and thought provoking composer/pianist, Hilton creates 
compositions that draw on classical traditions, twentieth century 
modernists, and the avant-garde as much as they look back to icons of 
American jazz and blues. Hilton's post bop style influences extend 
beyond jazz legends Thelonious Monk, Count Basie and Duke Ellington, to 
include bluesman Muddy Waters, minimalists like Steve Reich, current 
rockers Green Day and The Black Keys or modernists Prokofiev, Stravinsky
 and Bartok.
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| Antonio Sánchez, J.D. Allen, Lisa Hilton,  Terell Stafford and Gregg August - Photo Credit: George Brooks  | 
About Lisa Hilton:
Originally
 from a small town on California's central coast, Hilton studied 
classical and twentieth century piano formally from the age of eight, 
where she was inspired by her great uncle, Willem Bloemendall, 
(1910-1937), a young Dutch piano virtuoso. In college though, due to the
 lack of creativity in the program, she became a music school drop out, 
switching majors and receiving a degree in art instead. "I approach 
music as art now," Hilton explains; "I build the composition with 
musical elements then 'paint' texture and color through improvisation 
and other concepts." 
Hilton
 has produced a total of 18 albums to date, representing over 200 
compositions to her name.  She has worked with many of this era's jazz 
luminaries, notably Christian McBride, Nasheet Waits, Steve Wilson, 
Jeremy Pelt, Lewis Nash, Billy Hart, Bobby Militello, Larry Grenadier, 
and Marcus Gilmore among others.  Her releases regularly appear on radio
 charts.
Committed
 to helping students who are often overlooked, Hilton regularly spends 
time to help young blind musicians at the historic Perkins School for 
the Blind in Boston, The Chicago Lighthouse for People Who are Blind or 
Visually Impaired, The Junior Blind of America in Los Angeles, Camp 
Bloomfield for the Blind in Malibu, California, or with The Berklee 
College of Music in Boston and their adaptive music lab for visually 
impaired musicians.  "I enjoy extending help to those with physical 
disabilities - music should be for everyone," Hilton explains. 
* January 17 / Weill Hall At Carnegie Hall / New York, NY
March 4 / Smothers Hall Pepperdine University / Malibu, CA
March 10 / Junior Blind of America / Los Angeles, CA
March 12 / Classic Pianos / Portland, OR
March 24 / SFJazz / San Francisco, CA
April 13 / Chicago Lighthouse / Chicago, IL
* Album Release featuring J.D. Allen, Ingrid Jensen, Ben Williams and Rudy Royston
Lisa Hilton ·  Nocturnal
Ruby Slippers Productions ·  Release Date: January 22, 2016
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