Saturday, December 21, 2019

ROMANIA: Jazz music free mp3 download Florin Raducanu- Beethoven Pathétique Sonata part.I

Free promotional mp3 downloads - Download Jazz and World Music

Contemporary jazz music free mp3 download

Florin Raducanu
Rare arrangements of classical to jazz

Beethoven Pathétique Sonata part.I
Composer: Florin Raducanu
Jazz arrangement for Big Band by Florin Raducanu
Album Name: Florin Raducanu Jazz Orchestra in “George Enescu” Festival 2009
Label: Art Factory
Year of release: 2009
Website: http://jazzworldquest.com/florin_raducanu
Link to CD details

USA: @tlcarrington Terri Lyne Carrington's -Waiting Game (2019)

jazzcornerconstant
Three-Time GRAMMY® Award Winner
Terri Lyne Carrington's Album Waiting Game Out Now
Album features Malcolm-Jamal Warner, Rapsody, Esperanza Spalding, Maimouna Youssef, Nicholas Payton and more!

“A fiercely contemporary record...a mix of simmering tension
and restless forward movement”

"A work of historical depth and scope...on par with the films of Ava Duvernay, telling the story of racial injustice and resilience and American history."  

Galvanized by seismic changes in the ever-evolving social and political landscape, Terri Lyne Carrington and Social Science confront a wide spectrum of social justice issues on their album Waiting Game. As thought-provoking and artistically evocative as it is musically exhilarating, Waiting Game immediately takes its place in the stirring lineage of politically conscious and activist music, expressing an unflinching, inclusive and compassionate view of humanity’s breaks and bonds through an eclectic program melding jazz, R&B, indie rock, contemporary improvisation, and hip-hop.
Terri Lyne Carrington and Social Science - Berklee Intervals
Social Science is: TERRI LYNE CARRINGTON (drums, percussion, vocals), AARON PARKS (piano, keyboards), MATTHEW STEVENS (guitars), MORGAN GUERIN (saxophone, bass, EWI),DEBO RAY (vocals), KASSA OVERALL (MC, DJ)
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Friday, December 20, 2019

USA: Video Billie Davies, Steve Masakowski, Martin Masakowski "In Between The Lines"



Billie Davies, Steve Masakowski, Martin Masakowski
"In Between The Lines"

Track:
Last track of the night...
In Between The Lines

Billie G Davies - el drums
Steve Masakowski - el guitar
Martin Masakowski - el bass

live recorded for sound and video at: SideBar Nola, New Orleans LA
live recording date: Dec 10, 2019
Video and Sound Recording with Zoom Q8, Mix and Post Production: Mike Davies, Billie Davies

USA/RUSSIA: @YEckemoff Pianist-Composer Yelena Eckemoff Presents an Exploration of the Nighttime Animal Kingdom on "Nocturnal Animals," Set for Jan. 24 Release

                                                                                    
Yelena Eckemoff Presents
An Exploration of
The Nighttime Animal Kingdom
On "Nocturnal Animals,"
Set for January 24 Release
By Her L&H Production Label
         
Pianist-Composer Imagines Thoughts & Personalities of
14 Wild, Darkness-Dwelling Creatures,
In an Unusual Quartet Setting
With Bassist Arild Andersen,
Drummers Jon Christensen & Thomas Strønen

       

October 28, 2019




Yelena Eckemoff Nocturnal AnimalsPianist-composer Yelena Eckemoff adds another link to her chain of thoughtful concept albums with Nocturnal Animals, which her own L&H Production imprint will release on January 24. True to its title, the double album features 14 musical impressions of the creatures that rule the night. The pieces are brought to life by a quartet that places Eckemoff alongside bassist Arild Andersen and drummers Jon Christensen and Thomas Strønen.
Eckemoff is fond of creating these sorts of sonic portrait galleries. Prior albums have explored such disparate subjects as the desert, the biblical psalms, and colors. Yet never before has the North Carolina (by way of Moscow) pianist taken on such an array of wild beasts. Appropriately, however, Nocturnal Animals teems with life: in the music, of course, but also in the free-verse poems that Eckemoff has written as supplements to each of the album's compositions.
"No one knows how and what animals think," she says. "But in my poetic writing about them I perceive each one as a being with an intriguing personality, and they all think and act similarly to how people would in certain situations."
That personification is manifest in the gripping suspense of "Bat," the sly but stealthy swing of "Fox," the roaming, appropriately glimmering "Firefly,"and the graceful, determined "Sea Turtle." A number of pieces take on surprising dimensions that depart from our received wisdom about these animals. "Walkingstick," for example, has a supple, delicate beauty that offsets its strange syncopations; "Toad" is stately and majestic; and "Scorpion" has tinges of warmth and empathy enfolded into its moody, mysterious structures.
In short, Nocturnal Animals conveys a tremendous amount of nuance, thanks for which go to the musicians who help Eckemoff to execute her vision. Andersen, with whom the pianist has the longest collaborative relationship, acts largely as a second or counter-melodist for her, while the dual drummers draw rhythmic designs around each of them (and each other). "Jon is so unique, so insanely original; he doesn't play patterns or beats, he plays around the beat, against the beat, building layers," Eckemoff explains. "Thomas grew up listening to Jon. If anyone could work together with him, it was Thomas.... You can hear how differently they play and at the same time marvel at their remarkable compatibility and interplay."
Yelena Eckemoff Quartet
L. to r.: Jon Christensen, Yelena Eckemoff, Arild Andersen, Thomas Strønen. 
Yelena Eckemoff was born in Moscow, where she started playing by ear and composing music when she was four. By seven, she was attending the Gnessins School for musically gifted children. But while she was thus groomed for classical musicianship, including piano studies at Moscow State Conservatory, Eckemoff wanted to rock and roll.
Her love of rock music included Mahavishnu Orchestra, which helped lead her to jazz in her twenties. That new passion was sealed when Eckemoff attended Dave Brubeck's 1987 concert in Moscow. The experience reconfigured her composing and playing, and led her to form a jazz band.
Playing jazz proved to be a difficult proposition, due both to the complexity of her compositions and to the repressive nature of the Soviet regime. On the latter issue, she devoted herself (at great personal cost) to obtaining a U.S. visa, finally doing so in 1991 and settling in North Carolina.
The former was a matter of finding high-caliber musicians to play with, which she would also eventually achieve. Cold Sun, her 2010 debut recording, featured the great Danish bassist Mads Vinding and the legendary American drummer Peter Erskine. By the time of 2018's Better Than Gold and Silver, she was able to attract an all-star lineup that included the likes of trumpeter Ralph Alessi, guitarist Ben Monder, bassist Drew Gress, and drummer Joey Baron.
Nocturnal Animals is the pianist-composer's 15th release in ten years, demonstrating her extraordinary (and seemingly never-ending) fount of inspiration. "There are so many ideas going through my head at any given time," Eckemoff says. "I don't know what I'll explore next."
 
"Nocturnal Animals" EPK
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Thursday, December 19, 2019

USA: Bill Laurance & WDR Big Band-Live at the Philharmonie Cologne (2019)


Recorded in front of an enthusiastic audience at the Philharmonie concert hall in Cologne, Germany, Bill Laurance’s new live album is powered by the renowned 18-piece WDR Big Band. Under the direction of principal conductor Bob Mintzer (renowned tenor saxophonist, longtime member of the Yellowjackets, and leader of his own Grammy-winning Bob Mintzer Big Band), this adventurous outing finds Laurance re-imagining previously recorded works on a much grander scale.

"I always imagined these compositions to be played by an orchestra, and it's a rare opportunity to have your music realized with a large ensemble of this caliber," said Laurance. In some ways, the album is an extension of Snarky Puppy's orchestral collaboration with the Netherlands’ Metropole Orkest, which resulted in the 2015 Grammy award-winning Sylva (Best Contemporary Instrumental Album). Cinematic in nature with surprises around every corner, the album encapsulates the depth of Laurance’s compositions and remarkable qualities of the band bringing them to life.
credits
released November 8, 2019

Bill Laurance – piano, compositions
Bob Mintzer – tenor saxophone, conductor, arranger
WDR Big Band – all additional instrumentation

Wednesday, December 18, 2019

SWITZERLAND:Ellery Eskelin, Christian Weber, Michael Griener -The Pearls (Intakt 2019)


Intakt CD 331
 At any given time in the past few decades, saxophonist Ellery Eskelin, bassist Christian Weber and drummer Michael Griener have been members of genre-defining trios across Europe and the US, proving just how vital jazz is today in its historical form as well as in free playing styles. In the trio Ellery Eskelin, Christian Weber and Michael Griener play free music and traditional jazz. They do not melt down the playing styles, but alternate, contrast and deepen them. With the new CD The Pearls they present the second studio record after their critically acclaimed CD "Sensations of Tone". Ellery Eskelin writes in the liner notes:

"In jazz we talk about playing time and playing free. Playing time usually means expressing a steady pulse and playing free usually means not adhering to a steady pulse. Either way there is still the sensation of movement, time. In making this recording I was struck by the ways in which time can simultaneously be so exacting, so malleable and so multi-dimensional. In these performances you’ll hear free improvisations (with no preconceived forms or steady time pulse) as well as renditions of classic compositions from an earlier musical form directly addressing time, Ragtime."

credits released November 15, 2019 Ellery Eskelin: Saxophone Christian Weber: Bass Michael Griener: Drums

ITALY: CROWDFUNDING: Francesco Schina: New Project | Hotel Room In Paris

[ITA] Ciao a tutti, il mio nome eeè Francesco Schina, un sassofonista jazz. Mi esibisco in Italia e in Europa da circa venti anni. Quest'anno ho realizzato il mio primo lavoro discografico e sta riscuotendo un grande successo di critica e di pubblico attraverso concerti, programmi radiofonici, piattaforme digitali (iTunes, Spotify, AppleMusic e altro). In questo momento sto componendo nuove brani per un nuovo progetto, Hotel Room In Paris, e vorrei registrarlo in hammond trio. L'idea e la volontà è quella di coinvolgere uno o più ospiti molto importanti nella registrazione. 

Spero di ottenere il vostro aiuto per creare questo nuovo progetto e non vedo l'ora di condividerlo con voi !!! Sto cercando investitori per supportare questa realizzazione, quindi spero di ricevere un piccolo contributo da tutti voi per coprire i costi di produzione €7.000 (progettazione grafica, servizio fotografico, tecnico del suono, studio di registrazione, stampe e promozioni sui social network).


 [ENG] Hi everyone, I'm Francesco Schina and I'm a jazz saxophonist. I performing in Italy and in Europe for about twenty years. This year I realized my first recording project and it is having great success with critics and people through concerts, radio programs, press and music platforms (iTunes, Spotify, AppleMusic and more). 

Right now I'm composing new songs for this project, Hotel Room In Paris, and I'd like to record it in hammond trio. The idea and the will is to involve one or more very important guests. I hope to get your help to create this new project and I can’t wait to share it with you!!! I'm looking for investors to support this project, so I hope to receive a small contribution from everyone to cover the production costs € 7K (graphic design, photo shoot, sound technician, recording studio, prints and promotions on social networks).

Link to the project