San Francisco Bay Area Vocalist
Sherie Julianne
To Release Debut CD "10 Degrees South"
On Her Azul do Mar Imprint, July 29
Sherie Julianne
To Release Debut CD "10 Degrees South"
On Her Azul do Mar Imprint, July 29
Collaboration with Pianist Marcos Silva
Features Collection of Songs by
A.C. Jobim, Roberto Menescal, João Donato,
Moacir Santos, Chico Pinheiro, & Others
Features Collection of Songs by
A.C. Jobim, Roberto Menescal, João Donato,
Moacir Santos, Chico Pinheiro, & Others
CD Release Show Scheduled for
California Jazz Conservatory (formerly the Jazzschool),
Berkeley, on November 15
June 27, 2014
Sherie Julianne's path to singing Brazilian music took many unexpected turns -- from a musical childhood in Miami to studying and teaching dance in San Francisco to working over the last decade with her mentor Marcos Silva at the Jazzschool in Berkeley. Silva, a native of Rio de Janeiro, is also Julianne's collaborator on the singer's ravishing debut, 10 Degrees South. The CD will be released by her Azul do Mar label on July 29.
"I can't explain
exactly what it was but I fell completely, totally, and utterly in love
with Brazilian music and started listening to it all the time," Julianne
says. "I'm American, not Brazilian, and I wanted to find music that
fits my personality, that speaks to my American roots, while being
immersed in Brazilian rhythms."
Julianne possesses a
translucent honey-amber voice ideally suited for the lithe and flowing
melodies that distinguish so many Brazilian standards. Her supple sense
of time and her facility at brisk tempos makes her a double threat,
emotionally incisive on ballads and fearless on breakneck arrangements.
She's joined by a superlative cast of musicians, including master
pianist/arranger Marcos Silva, who's worked extensively
with a long list of Brazilian and American jazz musicians, Leny Andrade
and Flora Purim and Airto among them; veteran saxophonist/flutist Mary Fettig; and the dynamic rhythm section tandem of drummer Phil Thompson and bassist Scott Thompson (no relation). Ace guitarist Jeff Buenz, who has performed and recorded with the great Brazilian jazz vocalist Claudia Villela, rounds out the ensemble.
Beyond introducing a fresh and vital new voice, 10 Degrees South
stands out as an unusually well informed program. Julianne's exquisite
taste and persistent curiosity has led her to captivating material that
has eluded other American singers of a similar bent. The album opens
with João Donato and Gilberto Gil's surging "Bananeira," from Donato's 1975 album Lugar Comum. She puts her stamp on Jobim's ballad "Bonita" as well as the bossa classics "O Pato" and "O Barquinho."
At the center of the album Julianne ventures far off the beaten path, starting with "Brasil Nativo," a startlingly beautiful song by Paulo César Pinheiro and Danilo Caymmi that appears on Jobim's 1987 masterpiece Passarim. Digging into the circular melody of "Encontro,"
she's possibly the first American vocalist to record a piece by
guitarist Chico Pinheiro, one of the most inventive composers on the
Brazilian scene. Marcos Silva contributes one of his own superbly
crafted songs, the deliciously aching ballad "Painting" (with a lyric translated from the Portuguese by Heather Davis).
Photo: Ashley Summer
Born and raised in Miami, Sherie Julianne
grew up in a close-knit family where her father's experiences soaking
up jazz and Latin music in New York City reverberated through the years.
She studied violin and played in various ensembles through college, and
sang in her middle school and high school choruses. But by high school
her primary creative outlet was modern dance. Julianne led a dance
company while earning a fine arts degree from the University of Florida,
and moved to the Bay Area in the late 1980s to pursue her love of
dance.
While studying at the
Oberlin Dance Collective Julianne often found herself in classes
accompanied by percussionists, an experience that forged her powerful
rhythmic sensibility. "It helped so much with Brazilian music," she
says. "In dance, feeling the music inside yourself is essential. Your
body is the art form, and the rhythm moves in you and through you."
Julianne continued to
study and teach dance for many years but eventually decided that she
wasn't going to attain the level she sought. Her focus turned back to
singing, and she began taking lessons with the respected Bay Area jazz
singer Daria. Before long she discovered Berkeley's Jazzschool (now the California Jazz Conservatory), where her studies with vocalist Stephanie Bruce soon led to Marcos Silva.
While she had less singing experience than most of the people in
Silva's class, he immediately noticed that Julianne possessed excellent
time and intonation. Performing regularly in class with the class band
(Silva, Phil Thompson, and Scott Thompson), she gradually built up a
repertoire. Attending Dennis Broughton's Brazil Camp in Cazadero, she
deepened her knowledge and experience, while befriending celebrated
artists like Guinga and Chico Pinheiro.
"One great thing about
the Jazzschool program is that it forces you to be a performer," says
Julianne, who started gigging around San Francisco with Silva and the
Thompsons in Sol do Brasil. (Scott Thompson is Chico Pinheiro's touring bassist.)
Lately she's been
working under her own name, and is looking forward to performing with
Silva, Mary Fettig, and the Thompsons at her CD release show 11/15, at the California Jazz Conservatory.
Photography: Bambi Cantrell
Web Site: sheriejulianne.com
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Media Contact:
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